I agree with your sentiment, but a good mix should not have to be considered a "bonus." It is what you should expect for your money.
At one gig with bad sound I offered to help the engineer fix it. Not well received!
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I agree with your sentiment, but a good mix should not have to be considered a "bonus." It is what you should expect for your money.
Yes, what sounds good on stage does not always sound good FOH. Once we have sound checked, which involves the guitarist and drummer singing lead on one song each, I put away one cord and the joiner. Ironically I never get to sing lead at a sound check although I do sing lead on a few songs.Well, I don't like bringing too much cords, but if the question is: should I bring them all or we'd have bad sound – I'd better get a joiner. Thanks.
Exactly the response I'd expect from most sound guys.At one gig with bad sound I offered to help the engineer fix it. Not well received!
I would guess about 5 or 6 years ago, I would have our ask our guitarist who has an encyclopedic memory for such things for the exact date.Focus? Was this recently?
The cause of this is that almost every sound engineer at a live venue is mixing while listening through headphones. In doing so, they cannot hear the acoustic qualities of the room. I first noticed this about 15 years ago at TD Garden in Boston during a KISS concert. Things haven't gotten any better.

I would guess about 5 or 6 years ago, I would have our ask our guitarist who has an encyclopedic memory for such things for the exact date.
They were excellent, bonkers Swedish prog at it's best.
Also reassures me that I'm not becoming some old grumpy crab.
I'll bet you dollars to donuts that the will Doobies sound mint. Kiss, on the other hand, try to cover up their shortcoming with decibels. Although, the last time I was them it was with Ace and Criss so they'll probably sound a little better now.Also thanks for all the responses and participation. I'm not the only one that feels this way. Also reassures me that I'm not becoming some old grumpy crab. Maybe I'm just a live sound snob
I will be returning to this same venue to see The Doobies and maybe KISS. So I'll have to wait and see if anything changes.
And his reply to my email requestI would guess about 5 or 6 years ago, I would have our ask our guitarist who has an encyclopedic memory for such things for the exact date.
My mostly-just-for-fun band did a rare public gig at a local restaurant bar recently. We brought our own (smallish) P.A. and mixed from the stage (during sound-check, with the help of some listener-friends).
The single most common remark we heard afterwards, from many different people, was how great it was to be able to hear all of the instruments, including the bass, so clearly. They seemed utterly amazed by this, as if this were an entirely new experience for them. I suppose some of this might have had to do with the band itself: For example, we have three guitarists who all live by a less-is-more philosophy and stay out of each other's way, and I tend to play melodic lines with a clear, mid-rangey tone. But honestly I think it was mostly due to the fact that crappy mixes have become so common that these folks had rarely heard a good one before. We're no sound wizards by any means; we just tried to make it sound the way we would want to hear it ourselves.
BTW, the other most common remark -- other than compliments about how great we were-- was that the volume was perfect: loud enough to dig the music, but low enough to be able to talk to the person next you when you wanted to. Again, it seems like they found this remarkable because it was so rare in their experience.
It is a generational thing. The younger sound guys grew up listen to crap, I mean rap in there cars with the sub in the trunk and think it should sound that way.
I'll re-iterate that the true problem is those hiring them.IMHO, the problem is not in the abilities of sound men or the capabilities of the technology they use, it is what they themselves are hearing in their heads and think the audience wants to hear.
Funny thing is that when I first got back into music after a 20+ year layoff I thought I'd be much more valuable doing sound than playing bass - turns out that the $$$ just aren't there for either and the respect is much greater for playing so here I am LOL.Personally I think, the problem is: nowadays noone really wants to be a sound engineer. We have a lot of DJs and guys that make sampled music on their computer nowadays, but you may have a hard time finding a good sound guy for the live shows.