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true giant monster rigs

Break down your rig and give it to some inner city high school kids that are learning electric bass or something. Or auction it and give the proceeds to something you dig....I'm sure as hell not Mother Theresa but if i had reached this level of stardom and fame i would simplify things and give back. Maybe he has. He probably has. More power to him.

So why do you need to be rich before you do anything to help? If you are so socially-conscious, when did you go buy something for a school or whatever? An Acoustic B20 is only about $149 and some inner city NOLA kid(s) would love that. Before you ask, yes, I have donated equipment to my local high school consistent with my means. I would bet anything Mr. April has participated in charity events as well. Like most of us with some extra dough, he worked his ass off to get it and owes no apologies. Now get down to Louie's Juke Joint and buy somebody something! Iko! Iko! :D :ninja: :eyebrow:
 
Any clown can rent dozens of Ampeg 8x10's for show or throw empty ones on an arena stage.

I think your rig would blow most of our heads off.

Can you still hear?;):D I hope to hell you wear earplugs in front of that monster!:bassist:

unfortunatly lots are dummy cabs. i played with a band called" autograph" back in the 80's. dude had 15 svt cabs, only 3 had speakers in them. the less weight, the lower travel costs are. your be suprised how quiet it is on my side of the stage, its alot louder in the audience. johnny a.
 
So why do you need to be rich before you do anything to help? If you are so socially-conscious, when did you go buy something for a school or whatever? An Acoustic B20 is only about $149 and some inner city NOLA kid(s) would love that. Before you ask, yes, I have donated equipment to my local high school consistent with my means. I would bet anything Mr. April has participated in charity events as well. Like most of us with some extra dough, he worked his ass off to get it and owes no apologies. Now get down to Louie's Juke Joint and buy somebody something! Iko! Iko! :D :ninja: :eyebrow:

well gee, i have. i gave away a free 18 inch exv on this site the other day. some other dude posted on wether he should buy a bass effect pedal or a metronome, (i was disgusted, the metronme is 10x as important) i told him if he would promise not to buy a pedal, i would send him a free new drum machine. he never replied... awhile back i was in my local music store. this 17 year old kid was playing a guitar like a pro ! he did not know who i was, i asked him how long he played, complimented him. he told me he is working a job and paying it monthly, he goes in every saturday morning to visit andplay his layaway guitar. what did i do ? i went to the register and paid for the rest of the guitar, told him who i was, and handed him his fully paid receit. i thought he was going to cry,lol. and i have a new staind fan. some street musicians are excellent. you shoud see thier face when i drop a $100 bill in thier guitar case . i can tell who practices and who dont, i have given away basses, amps, strings, bags of picks,.. i used to be a poor dishwasher, 16-17 grand a year. i enjoyplaying santa clause sometimes, but please dont try to guilt me into it. i have shared. johnny a
 
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well gee, i have. i gave away a free 18 inch exv on this site the other day. some other dude posted on wether he should buy a bass effect pedal or a metronome, (i was disgusted, the metronme is 10x as important) i told him if he would promise not to buy a pedal, i would send him a free new drum machine. he never replied... awhile back i was in my local music store. this 17 year old kid was playing a guitar like a pro ! he did not know who i was, i asked him how long he played, complimented him. he told me he is working a job and paying it monthly, he goes in every saturday morning to visit andplay his layaway guitar. what did i do ? i went to the register and paid for the rest of the guitar, told him who i was, and handed him his fully paid receit. i thought he was going to cry,lol. and i have a new staind fan. some street musicians are excellent. you shoud see thier face when i drop a $100 bill in thier guitar case . i can tell who practices and who dont, i have given away basses, amps, strings, bags of picks,.. i used to be a poor dishwasher, 16-17 grand a year. i enjoyplaying santa clause sometimes, but please dont try to guilt me into it. i have shared. johnny a

I've seen that thread (giving away the 18 EV), and I also applaud you for your other charitable acts.

Furthermore, I applaud you for being a regular poster on this forum and for being a "regular guy"

More power to you Johnny :bassist:
 
well gee, i have. i gave away a free 18 inch exv on this site the other day. some other dude posted on wether he should buy a bass effect pedal or a metronome, (i was disgusted, the metronme is 10x as important) i told him if he would promise not to buy a pedal, i would send him a free new drum machine. he never replied... awhile back i was in my local music store. this 17 year old kid was playing a guitar like a pro ! he did not know who i was, i asked him how long he played, complimented him. he told me he is working a job and paying it monthly, he goes in every saturday morning to visit andplay his layaway guitar. what did i do ? i went to the register and paid for the rest of the guitar, told him who i was, and handed him his fully paid receit. i thought he was going to cry,lol. and i have a new staind fan. some street musicians are excellent. you shoud see thier face when i drop a $100 bill in thier guitar case . i can tell who practices and who dont, i have given away basses, amps, strings, bags of picks,.. i used to be a poor dishwasher, 16-17 grand a year. i enjoyplaying santa clause sometimes, but please dont try to guilt me into it. i have shared. johnny a
Great post, Jonny. Good on you, man!

Don't listen to some of the detractors here. I'm admittedly not a huge Staind fan. I dig what I've heard, just never got into it. An old, old band of mine did Mudshovel. I love that song! Regardless, I think it's great that cats that have made a name for themselves post here. Many others have in the past, but some people here like to rag on them till they disappear. I'm not sure why.. To stroke their net ego, maybe? Anyway, it's best not to even engage them and just do your thing dude! :)

Cheers!

Eric
 
i played with a band called" autograph" back in the 80's. johnny a.

I remember them! Turn Up the Radio! Great song.....too bad the rest of the album was .....ummmm.......shall I say less than stellar? :hmm:

Great Rig! I love big rigs! Personally I would not get the same charge of standing in front of 1 cab as I do standing in front of my 4.

And thanks for posting on TB! :)
 
Amen on the phase differences, brother. I've had luck in the past with some serious time alignment work between the backline, the wedges, and the PA, but unless all of the crew is on the bandwagon it is more trouble than it's worth. Rob Scovill used to do that religiously with Petty for the PA, and it got some amazing results...but then again Rob's ears are amazing as well.

Although I'm an analog guy for the most part, stuff like this is why I like to have a digital desk more and more in monitor world. I can get a 6-band (or more) parametric EQ inserted on the vocal channels, add a compressor with proper sidechaining...all without adding extra racks or cables.

If you're vocal only in the wedgies, 12" drivers would be my preference. Not sure who is providing for you, but some of the Rat Sound wedges are seriously, seriously nice for nuclear-level vocals (Vedder, anyone?).

Edit: Whoops, keeping this in bass realm...did I mention nice rig, again? (lol)

-Mark

the adjusting the timing/phasing is a great idea. they do that at the soundboard with the p.a. so all the speakers sounds arrive at the same time. thats all fine and good, but no one seems to realise thats only where the soundman stands, move 3 feet, your back to the same problem,lol. so now you have yet anther piece of gear in line adding its own sound. yes, im using 12's and horns on the wedges. i have a secret to my wedge sound. put my mic flat. turn off the horn amplifier. now turn up the fader till the woofer starts to feedback. back it off a pinch. now add the horn till it feeds back, and back it off. now please put gaff tape on my fader because if its 1 db quieter during the show, i will notice, and get upset easy, cuz i cannot talk and make hand signals and play at the same time. my tech reads my lips, UP & DOWN. if i point at my mouth while saying up or down he knows its the monitor. johnny a
 
Check a few posts back ;) (#57 to be exact)

i bet you a new spector if rex tried my rig, he would be buying some new stuff. i remember our first show with korn. while we were soundchecking, fieldy walked onstage. he ignored me, and stood in front of my amp for a minute, and walked off. the next day, 4 brand new svt pro cabs showed up for him. (the ones i was using). i had 2 cabs. he wanted to destroy me. i destroyed him again, hahahahahaaaa. if he heard the rig now, he would be whipping out his wallet again. when you have good reproduction of low frequencies, your vision vibrates to the note you play and it changes with each note when you stand in front of the cabs. svt by themselves wont do it. they are tuned to 80 hz.(this is where they have the most output the second harmonic, like most rigs.). johnny a
 
hahaha, no one does it bigger than Gene Simmons! That man is my idol (not really for his music, just the business side of him and the way he carries himself...... true alpha-male

no kiddin ? me too i am a fan of the man as well as the bassist. i like his style. his girlfriend aint bad either! i hope i can be as cool someday, to get a supermodel pregnant with out marrying her !!!! way to GO gene ! johnnya
 
Staindbass, that rig is absolutely amazing!

Did you buy/recieve all of those at once or did you build it all up over time?

Do you ever really use your 4-pro for anything anymore?

I thought I had a fairly big rig, just running an Ampeg 4PRO into the svt-610hlf plus the ampeg b1-re running into a custom 1x15 cab.

Which I guess in comparison, they would just about equal the same if you include rig to fan number ratio. ha ha.

What kind of rig were you playing when you were loading your own stuff on tour every night?

Either way man, that rig is absolutely amazing, I'd love to have something even close to that.

How long have you had it?

HELLO! ive had the stuff a few years, in various incarnations. i used to use only one eighteen cab, but mike went to four double stacks so i had to step it up :hmm: for years, i used a peavy head with the 5 band eq. before that was a peavy centurion. i still own them. i used a 1x15 peavy cab with a black widow. (when i blew the original emminence speaker and bought a black widow, ther was a big difference in sound! ) its not a big cab, probably 60 -70 lbs, but i weigh 134 lbs so it was more difficult. once i was in a band with a van, i bought an acoustic folded horn with the 18", stacked the peavy on top , and i had the biggest and loudest local rig,lol. i still wish i had the cabs, they were given away . johnny a
 
It's just that stuff like this reminds me of this ever-present American cultural trend...bigger and more of it. It's just excessive. It's like cars....well i drive a Hummer, well i drive a Ford giganto blah blah blah. Break down your rig and give it to some inner city high school kids that are learning electric bass or something. Or auction it and give the proceeds to something you dig....I'm sure as hell not Mother Theresa but if i had reached this level of stardom and fame i would simplify things and give back. Maybe he has. He probably has. More power to him.

Can I get an order of french cries with that wahmburger?

So if you were a multi-millionare, you'd drive around an old honda civic and play through a budget rig? I'm sure.

His rig has nothing to do with being American or showy... it's having to compete with ABSOLUTELY huge guitar rigs in stadium environments were the sound just gets eaten up by all that empty space.
 
Damn! I used to run a pair of Peavey 415 subs (read eight fifteen inch drivers) powered by a rack of Carver PM1200s in the early nineties, but that's awsome!

Why is it that somebodies always gotta run the "overkill" line and then ten posts later ask why their XYZ 10" combo amp won't cut it at a gig? The only people that truly oppose overkill are usually the ones who can't or don't have access to such stuff. "If I can't have it, it must be stupid". Geeze! Let go of your anger and enjoy the excess! Even if it is vicariously!

FWIW I often ended up using just one of the cabs but between a two decent preamps and new strings on a weekly basis I had a tone that I loved, although I now wonder how much high end I might have been missing out on.

thats a pretty big rig ! i used to lust after those peaveys with the 2x18 and 2x10 cabs.... 3620 i think. johnny a