Cut the amplitude of the bass frequencies and compress the signal in your class D solid-state amp, as happens naturally in tube amps as they begin to distort, and the two will sound equally loud.
Most solid-state amps, including class D, amplify the full range of input frequencies accurately up to the rated output. Tube amps increasingly emphasize mid-frequencies as they approach the rated output. Our ears are most sensitive to mid-range frequencies, so we perceive tube amps as being louder.
Short version: at the rated output, solid-state/class D rigs are like studio monitor setups; tube amp rigs are closer to megaphones (cf. live Cream and live Mountain tube amp bass tones).
Most solid-state amps, including class D, amplify the full range of input frequencies accurately up to the rated output. Tube amps increasingly emphasize mid-frequencies as they approach the rated output. Our ears are most sensitive to mid-range frequencies, so we perceive tube amps as being louder.
Short version: at the rated output, solid-state/class D rigs are like studio monitor setups; tube amp rigs are closer to megaphones (cf. live Cream and live Mountain tube amp bass tones).
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