I don't have experience with the Avalon, but I've used my Radial JDI in that capacity once or twice with an older tube head. Also, my current go-to tube amp (Valvetrain Brandywine) has a "DI" output that taps after the power section.
The main drawback is that you can't simply adjust your stage volume without also affecting your send to the PA. (Maybe you could compensate with a knob on your Avalon, but that would be more complicated – and approximate.)
I appreciate the value of having my PA feed isolated from the stage volume. Ideally a sound crew should be constantly monitoring all levels, then catching & adjusting for any changes I might make. Sadly, more often than not I wouldn't count on that. For that reason, I definitely like having the pre-master DI on a solid state amp.
OTOH, one of the things I like about a good tube amp is that it seems to be more friendly to mix. (I feel this "latitude", where it's not that big of a deal if I'm a tad soft or hot.) I can't recall ever needing to change my level in the middle of a big show with that Valvetrain.
Hopefully that post-power signal contains some of the extra tube & transformer "mojo" I'm enjoying in my own zone. It seems to sound great in my own PA & I haven't had any complaints thus far in various other venues.
It's kind of like the next best thing to mic-ing the cab, which still happens fairly often. (Sometimes even for bass!)
If there's a fast turnaround and/or I think the sound crew is going to be swamped, I'll keep things simple & just use my class D head w/ pre-master DI.
HTH
