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Anyone know where I can get a cirrus truss rod cover
print so it's 30mm wide and 40mm long. Slight back bevel round edges.Anyone know where I can get a cirrus truss rod cover
I was surprised that it only weighs 7.9 lbs. The Pluses were apparently made from swamp ash but chambered somewhat under the pickguard for weight and body resonance. I'll have to have a look.
Man that’s pretty. Is it Made in America?A 1994 Axcelerator Plus in sunburst and very interesting tort just arrived, all the way from Medicine Hat, Alberta. (Thanks Steve!) Very punchy and articulate instrument with the active (Cirrus-like) VFLs and a nice 18V, 2-way EQ. It's interesting that the headstock is tilted back 8° so there's no string tree. Slightly blingy gold light tuners, heavy-ish bridge and heavy knobs. Very slender J-wide, thin-through neck with pau ferro fingerboard. I was surprised that it only weighs 7.9 lbs. The Pluses were apparently made from swamp ash but chambered somewhat under the pickguard for weight and body resonance. I'll have to have a look. It's certainly very resonant and loud when not plugged in. It reminds me *a lot* in sound and character of a Guild Pilot I (twice) had, but better put together. That bass was, I think, made from poplar.
Man that’s pretty. Is it Made in America? I’m conflicted. The older basses have Super Ferrites and those great metal Peavey knobs, but the newer MIA basses have such great finishes. How is the sound compared to the Super Ferrites?
I may have to look for one of those. That's a sweet looking bass and I like light. Are they rare and/or expensive? Can't say I've ever seen an Axcelerator or Axcelerator Plus bass in the flesh. I've been wanting a Patriot in Worn Brown (or natural, or walnut, or whatever Peavey called it) but your looks awfully sweet and should be even better built.ss
Yup, all-American goodness. This particular bass has surprising mid-range bite and I was remarking to myself today how much it reminds me of my Super Ferrite Foundation. That said, the pickups are more detailed and have an EMG-like clarity. In short, it sounds great.
Peavey called it Mahogany....because it is a Mahogany body made of Mahogany Wood with a natural matte finish to show off the Mahogany Wood.I've been wanting a Patriot in Work Brown, or natural, or walnut, or whatever Peavey called it....
I may have to look for one of those. That's a sweet looking bass and I like light. Are they rare and/or expensive? Can't say I've ever seen an Axcelerator or Axcelerator Plus bass in the flesh.
Gold hardware is something I really dislike as a rule. But seeing that, I want one.They’re rarer than a lot of other US-made Peaveys—but they do pop up, the Plus less often. I’d never touched one either until this one arrived. It’s a very nice instrument with unusual detail touches—right down to gold strap lugs (now Schaller locks in the photos above). Not terribly expensive, although I paid a little more than ideal for this one due to some extenuating circumstances.
Well . . . surely there must have been some other reason.Peavey called it Mahogany....because it is a Mahogany body made of Mahogany Wood with a natural matte finish to show off the Mahogany Wood.
I don't disagree. I can take gold hardware against white or even black pretty well - it DOES look classy - and occasionally against red or blue too. Especially with basses; for some no doubt irrational reason I like gold better on basses than on guitars. I probably even have one or two with gold, although I can't recall any offhand. But I'd always prefer chrome or nickel. However, Jmlee's bass is the first time I can ever recall thinking that the gold hardware is the choice I'd make if ordering new, including guitars. And the first time I can ever recall liking gold against a burst finish. Must be the pickguard, but for some reason the gold just really works for me with this bass, to the point that if I were choosing between two, one with gold and one with silver, I'd choose the gold.![]()
The white & gold look, looks classy![]()