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Underpowering two cabs? Need your advice.

What country are you in Ronnie?

And if there are 4 of them for sale at the same time and they aren't moving, it is quite possible they are from the questionable period.

An swr bass750/750x or bass550/550x is also an excellent choice though very heavy.

The rumble is probably the best value, and if you have to buy internationally, at 5# they won't kill you with shipping.
I must consider the Rumble too.
 
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There has only been one PF series AFAIK. The revisions are marked on and referring to the main circuit board. If you have the time to dig through the huge PF thread, there is a list of the revisions and modifications made there.

EDIT: Yes, the A, B, and C revisions had the problems. If you aren't able to pop the cover to look, B-string's advice is spot on.
Thank you, will look after it ^^
 
I can't find two identical 210 used tbh, altough that's a good idea because I could use my amp's full power (4ohm)
However, people are saying that 1 410 sounds deeper than two 210s.
I don't know if it's true that all things equal, a 4x10 is "deeper" sounding than a pair of 2x10's. I've heard that too, and it might be true, but it doesn't matter because all things don't have to be equal. There are plenty of deep-sounding 2x10's, as well as brighter-sounding 4x10's, to choose from.

One thing that I think sometimes confuses people's perceptions about this is that a pair of vertically stacked 2x10's might well sound brighter to you, standing in front of it, than a 4x10 sitting on the floor behind you. That's because if the 4x10 on the floor is blasting the backs of your legs, your ears will only hear the lows (which are more or less omnidirectional), whereas the mids and highs go right past you. The audience can hear your mids and highs, but you can't. One of the biggest benefits of the vertically stacked 2x10's is that by getting a couple of speakers much closer to your ear level, you can hear the entire range.

BTW, another advantage is that you don't have to turn up so loud to be able to hear yourself, for the same reason. I personally find this to be a huge benefit, especially in a small room and/or with a loud drummer, where it can be a real help in limiting volume wars. When I use my 2x10 stack, I find that the other guys frequently are asking me to turn up. And what bass player doesn't like being asked to turn up?)
 
But nowadays the rumbles are the best selling, especially the 500 and 200 combo

Pretty much any cheap, decent class D head fits the bill. I wonder if those Kustoms are still available in Europe? The Peaveys and Bugeras would also work.

We're just discussing what's available to the OP, and addressing their concerns.
 
Pretty much any cheap, decent class D head fits the bill. I wonder if those Kustoms are still available in Europe? The Peaveys and Bugeras would also work.

We're just discussing what's available to the OP, and addressing their concerns.
The Kustoms are! At least the hybrid ones. They're heavy tho.. I'm looking for a tone like this:


(Except the OD, sansamp and Aftershock will take care of that.)
If the OD really disturbs you, here is another one without:

or

or another one with OD:


Please note that my amp is going to be used clean.
 
Pretty much any cheap, decent class D head fits the bill. I wonder if those Kustoms are still available in Europe? The Peaveys and Bugeras would also work.

We're just discussing what's available to the OP, and addressing their concerns.
Doesn't even have to be class d. There have to be some sm500 and 1000rb and similar bouncing around used on the other side of the pond