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Unusual Rock Trivia?

Go-Go's drummer Gina Schock actually played in a band in the late Eighties that also included Vance DeGeneres on lead vocals.

DeGeneres was the older brother of talk show host Ellen DeGeneres.
He’s had quite a varied career. I first saw him as a correspondent on The Daily Show with Jon Stewart for a couple years. But he also headed up Steve Carell’s production company.
Vance DeGeneres - Wikipedia
 
Close To the Edge was one of the songs Yes recorded that couldn't be recreated live without some outside help. They solved this problem by bringing their producer, Eddy Offord, on the road. He put various church organs, sound effects and vocal bits onto tape, and played them during performances at opportune times from a Revox tape machine. On this track, he was the live sound of the pipe organ and the waterfall.
 
Toronto was a Canadian rock band formed in the late 1970s in Toronto, Ontario, and perhaps best known for the top-ten Canadian hit "Your Daddy Don't Know" (which also cracked the U.S. pop charts), and for writing and performing the original version of "What About Love," a song that would later become a top-ten comeback single for the band Heart.

 
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Toronto was a Canadian rock band formed in the late 1970s in Toronto, Ontario, and perhaps best known for the top-ten Canadian hit "Your Daddy Don't Know" (which also cracked the U.S. pop charts), and for writing and performing the original version of "What About Love," a song that would later become a top-ten comeback single for the band Heart.



I played "Your Daddy Don't Know" in my band when it was a new song.
 
Pearl Jam came into being in Seattle in 1990 when Gossard and Ament of the glam-influenced rock combo Mother Love Bone decided to form a new band following the death of their group’s lead singer, Andrew Wood.
The band was originally named Mookie Blaylock, after a professional basketball player, but settled on the words pearl and jam separately—the latter reportedly after seeing musician Neil Young in concert and admiring his “jam session” style.
 
Todd Rundgren interview:

An early production gig was The Band's Stage Fright album. Todd states that he felt the band was unimpressive: slow, scared, and overrated. Out of eight hours of available recording time per day, the group managed about two hours of actual playing because locating all five members was difficult on any given day. "It wasn't that I hated them," says Todd. "I just had a certain work ethic."
 
I Can See Clearly Now by Johnny Nash was the first reggae song to hit #1 on the Hot 100, where it stayed for four weeks late in 1972. The next reggae(ish) song to hit the top spot was Eric Clapton's cover of Bob Marley's "Link Removed" in 1974.

Nash's backing band for the song and his album was the Jamaican reggae group [Invalid or Expired Link Removed]

Nash, though born and raised in Texas, had legitimate reggae credentials: Bob Marley (before he became big time famous) was an assistant producer and session player on the album and wrote 3 songs for Nash.
 
Bernard Alfred Nitzsche known professionally as Jack Nitzsche, was an American musician, arranger, songwriter, composer, and record producer.
His instrumental composition "The Lonely Surfer" entered the Cash Box top 100 on August 3, 1963 and reached No. 37.


He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector. He was the musical arranger and orchestrator for many of Phil Spector's classic "Wall of Sound" recordings, in the 1960s. Coincidentally, Nitzsche's nickname was "Specs".
He became arranger and conductor and orchestrated the Wall of Sound for the song "River Deep, Mountain High" by Ike and Tina Turner.

He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled "Bongo Bongo Bongo". Nitzsche also helped Bono write the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers.

While organizing music for the T.A.M.I. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now!, Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together"; he also wrote the choral arrangements for "You Can't Always Get What You Want".

Nitzsche also worked with Earl Palmer, Leon Russell, Roy Caton, Glen Campbell, Carol Kaye and Hal Blaine in The Wrecking Crew, the backing band for many acts such as the Beach Boys and the Monkees.

His work with Buffalo Springfield (“Expecting to Fly”) and subsequent friendship with Neil Young led to Young recruiting him as not only a producer but also a touring member of Crazy Horse, for whom he wrote string arrangements and played piano.

He also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest. In 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong" with Buffy Sainte-Marie.

While remaining prolific throughout the 1970s, he began to suffer from depression and problems connected to substance abuse. Though Nitzsche had a stellar reputation as an arranger and composer, his private life was a bit more spotty. He had a long-standing problem with drugs and a reputation for erratic behavior.
 
Bernard Alfred Nitzsche known professionally as Jack Nitzsche, was an American musician, arranger, songwriter, composer, and record producer.
His instrumental composition "The Lonely Surfer" entered the Cash Box top 100 on August 3, 1963 and reached No. 37.


He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector. He was the musical arranger and orchestrator for many of Phil Spector's classic "Wall of Sound" recordings, in the 1960s. Coincidentally, Nitzsche's nickname was "Specs".
He became arranger and conductor and orchestrated the Wall of Sound for the song "River Deep, Mountain High" by Ike and Tina Turner.

He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled "Bongo Bongo Bongo". Nitzsche also helped Bono write the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers.

While organizing music for the T.A.M.I. Show television special in 1964, he met the Rolling Stones and went on to play keyboards on their albums The Rolling Stones, Now!, Out of Our Heads, Aftermath and Between the Buttons as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together"; he also wrote the choral arrangements for "You Can't Always Get What You Want".

Nitzsche also worked with Earl Palmer, Leon Russell, Roy Caton, Glen Campbell, Carol Kaye and Hal Blaine in The Wrecking Crew, the backing band for many acts such as the Beach Boys and the Monkees.

His work with Buffalo Springfield (“Expecting to Fly”) and subsequent friendship with Neil Young led to Young recruiting him as not only a producer but also a touring member of Crazy Horse, for whom he wrote string arrangements and played piano.

He also worked extensively in film scores, notably for films such as Performance, The Exorcist and One Flew Over the Cuckoo's Nest. In 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong" with Buffy Sainte-Marie.

While remaining prolific throughout the 1970s, he began to suffer from depression and problems connected to substance abuse. Though Nitzsche had a stellar reputation as an arranger and composer, his private life was a bit more spotty. He had a long-standing problem with drugs and a reputation for erratic behavior.

I love a good wrecking crew story and I love The Wrecking Crew!
 
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Prior to his days directing and producing such sitcoms as The Big Bang Theory and Two And A Half Men, Chuck Lorre co-wrote the song French Kissing, off of Deborah Harry’s 1986 solo album Rockbird.
"... effectively ending her solo career", quoting his own words.
He also wrote "Teenage Mutants Ninja Turtles" main theme.
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