Yes indeed.Wasn't Tom Wilson also involved in some early Frank Zappa albums? (I know, I could probably just Google that...)
In 1966 Wilson became the head of A&R at Verve/MGM Records, where he would continue to expand the boundaries of rock music. One of the first acts he signed was Frank Zappa’s group, the Mothers of Invention. The band was strikingly unconventional, and its debut album, Freak Out! (1966), drew on rock and pop conventions as it satirized them, expanding rock’s musical base by incorporating a mix of studio manipulations, doo-wop melodies, shifting time signatures, rhythm-and-blues riffs, and amelodic dissonance while skewering the conformity of both the mainstream and the counterculture. Believing in the band’s vision, Wilson took the unprecedented step of making its debut recording a double album, for which he secured a budget of $21,000 at a time when the average cost to produce a rock album was $5,000. Freak Out! was a key influence on the Beatles, nudging them toward the experimental concept album Sgt. Pepper’s Lonely Hearts Club Band (1967). Wilson produced two more albums by the Mothers of Invention: Absolutely Free (1967) and We’re Only in It for the Money (1968).