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Pete Townshend thought he was lifting his now-famous Windmill move from Keith Richards, because Pete saw Keith doing it as the curtain was rising at a Stones show. Later, after Pete had made it his big move, he talked with Keith about it and realized Keith was just stretching out his arm before starting to play.
Doesn't seem right that the band "making any money" hinged on Pete wrecking HIS gear!Townshend's tradition of smashing his guitar also came about by accident. The Who was playing an early gig in a low-ceilinged room. At the end, Pete swung his guitar and it hit the ceiling and broke. The crowd went nuts, which prompted Townshend to start smashing his guitar at the end of each show. This profligate waste of gear was so expensive--since he had to buy a new guitar for every show--that it wouldn't be until Tommy that the band made any money.
I saw a documentary on the Who and the Roadies started taking the smashed drums and guitars and glued them back together to re-smash again to save some money. They were merely props at that point. I always thought it was irresponsible and added nothing to the performances.Townshend's tradition of smashing his guitar also came about by accident. The Who was playing an early gig in a low-ceilinged room. At the end, Pete swung his guitar and it hit the ceiling and broke. The crowd went nuts, which prompted Townshend to start smashing his guitar at the end of each show. This profligate waste of gear was so expensive--since he had to buy a new guitar for every show--that it wouldn't be until Tommy that the band made any money.
Townshend's tradition of smashing his guitar also came about by accident. The Who was playing an early gig in a low-ceilinged room. At the end, Pete swung his guitar and it hit the ceiling and broke. The crowd went nuts, which prompted Townshend to start smashing his guitar at the end of each show. This profligate waste of gear was so expensive--since he had to buy a new guitar for every show--that it wouldn't be until Tommy that the band made any money.
Also wanna start an Kinda Okayest Bassist club
Yes, that can be added in your signature.^When your responses add the "clubs" you are in here...How do you do that? Is it in "signature"?
I am WI bassist # 194...but nobody knows that...
I guess you never experienced any youthful angst. It was an accident that turned into theater/performance art...I saw a documentary on the Who and the Roadies started taking the smashed drums and guitars and glued them back together to re-smash again to save some money. They were merely props at that point. I always thought it was irresponsible and added nothing to the performances.
Hey....I'm Okayer than you are!Saw this on Amazon. We now have the uniform of our new club.
View attachment 4007202
I guess you never experienced any youthful angst. It was an accident that turned into theater/performance art...
The Who’s Pete Townshend, Artist Gustav Metzger, Smashing Guitars & Light Shows
...and got them some attention in a competitive market.
I saw The Babies like 4 times as backup bands for other headliners.Jonathan Cain of The Babys, Journey, & Bad English was a survivor of the Our Lady of the Angels School fire in Chicago, IL on December 1, 1958 in which 92 students and 3 nuns died.
Gardner, while not the original bassist, was in The Creation before AG&D, and brought Wood in on guitar when Phillips left the band. Although Phillips was first, Page used the bow as far back as his time in the Yardbirds, late ‘66 through early ‘68. I always thought that the name “The Birds” was a little weird for a male English band, as it is Brit slang for ‘attractive young woman’, correct?Our local band when I was growing up was called The Birds, they had really bad luck with their name. Starting out as The Thunderbirds, they had to change names when offered a good gig with a big name at the time who's backing band was also called The Thunderbirds. So they shortened it to The Birds and within a year were one of the top R&B bands in the UK, (back when R&B described a different music than it does today) with a couple of singles to their name and equal billing with bands like The Who at live gigs. Then a band from the USA, arrived to tour the UK, they were The Byrds, who were promoting their hit single "Mr. Tambourine Man". The UK Birds manager decided to sue The Byrds, to prevent them using that name in the UK, an ill advised decision which failed. Within a year or so The Birds had disbanded. One member Kim Gardner went on the form Ashton, Gardner and Dyke, while another member, Ronnie Wood joined a band called Creation and soon after joined Jeff Beck.
An interesting side note concerning the band Creation was it's guitarists (Eddie Phillips) use of a bow to play electric guitar on the bands 1966 single "Making Time". Believed to be the first time the use of a bow to play guitar was recorded. A couple of years later a certain Mr. J Page, borrowed the technique in his new band Led Zeppelin.