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Vintage vs New amplifiers Your dream Amp?

Since there has been a lot of discussion on various Vintage amps people used to own, (or wish they had), and the prices of those vintage amplifiers are going for now ...... I thought I would upload a few Price Lists for those amps from a 1976 mail order catalog I have.
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In 1963 I had a Fender Dual Showman with a Bassman cabinet holding 2x15 Altec Lansing speakers until that nasty 60s war and marriage interfered. I would love to have it now. I currently have a GK400RB with a GK4x10 cabinet. I can make it sound fine with my variety of basses and guitars but I've never loved it like I did my old Fender rig. I haven't bought anything since I'm not inclined to buy used and I don't want to afford the newer tube amps and a 1x15 cabinet.
 
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I’m always taken aback by how many times around here, if someone even mentions how much they like an old amp, at the number of folks that feel the need to trash old gear. I can’t readily recall someone with say a B15 calling the newest amp on the market trash and not worthy of a second look.
 
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I'm a vintage tube amp nut. Especially 60s/70s British tube amps. I probably own too many vintage amps already but I have a recording studio so I can justify having them around (or so I try to convince myself...). I've got Hiwatt, Selmer, Ampeg, Fender, Carlsbro, Marshall, Supro, Orange, Vox, etc. but there is still one specific amp that I'm REALLY lusting for:

Matamp Series 2000

I've never heard another amp that will deliver THAT tone!

If I can find (and afford!) one of those in good condition my lust for vintage amps would end (...well, maybe I would want a Blonde Bassman too, I used to have one in the studio and kinda miss it).

I've considered the currently manufactured Matamp Series 3000 but although they are undoubtedly great amps they're not exactly the same as the 2000 so I don't think it would satisfy my GAS completely.

Sadly the Matamp 2000s I've seen for sale were either in horrible condition (literally falling apart) or insanely expensive. And I mean INSANELY!!! I desperately want one but I'm not prepared to sell my house for it, I'm not THAT crazy about amps.
This is for sale in Toronto

Matamp Green GT-120 | Paul's Boutique

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My WD-800 is the perfect head for me in terms of serious power and punch, getting the sounds that are the best of the old and best of the new technologies, and being reliable as an anvil, but not nearly as heavy or big as one. What more could a bass player hope for!

For nostalgia sake I still have my SWR SM-400S in a three rack case when a trip down memory lane is in order, but it's probably not hard to guess which head gets carried to the gigs. :)
 
I’m always taken aback by how many times around here, if someone even mentions how much they like an old amp, at the number of folks that feel the need to trash old gear. I can’t readily recall someone with say a B15 calling the newest amp on the market trash and not worthy of a second look.

It's actually pretty common, at least IME. The most classic iteration is probably "lead sled vs. Class D." Which is fine, we all get to have opinions.
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And actually, in many ways my dream would be to just play an acoustic upright with no amp. But I also enjoy playing in a whole lot of situations where that just won't work, and shading is a lot more interesting to me than black and white.
 
If you need a truck to tow it, it's way too big. ... I still have friends, holding on to old, dated amps that will be in their wills and their children will be dragging them out to the curb those Sunday mornings they hold their 'annual spring yard sale', for years and years to come. ... You realize what's coming right? ... You will download everything, your preset sounds through the amp and designer preamp of your choice and download that onto you iphone. ... Sound check will be hooking into the board all on line. ... You'll play your bass through your iphone and never carry anything heavy again.
 
If you need a truck to tow it, it's way too big. ... I still have friends, holding on to old, dated amps that will be in their wills and their children will be dragging them out to the curb those Sunday mornings they hold their 'annual spring yard sale', for years and years to come. ... You realize what's coming right? ... You will download everything, your preset sounds through the amp and designer preamp of your choice and download that onto you iphone. ... Sound check will be hooking into the board all on line. ... You'll play your bass through your iphone and never carry anything heavy again.
Acoop- In a perfect world that would be ideal! Reality has a strange way of changing a perfect world. Remember why I started this thread? Because we are all sitting around with nowhere to play and with no audiences allowed anywhere. So, ya never can tell what will happen in the future. We could find ourselves in a time where manual labor becomes so cheap that everyone can afford three roadies. And they might think they are lucky to haul our giant amps around. Possibly manufacturers can’t get parts to make new gear or because they can’t get natural resources to make new materials. That is the kind of thing that happened in the 30s during the Great Depression. Not trying to wish that on anyone or predict anything. Just - things never go as predicted. I have a new small modern amp on order right now, and I don’t know when I may ever get it. So I’ll keep my vintage stuff anyway. At least it’s paid for.
 
Since many of us have nothing better to do except dreaming of gear because of “social distancing”.......If money was no object, (and neither was carrying your own amps and gear,) would you rather play a vintage amplifier (possibly large, heavy, and possibly less reliable with fragile tubes) OR a modern amplifier (probably smaller, lighter weight, and more reliable)? Or, do you have a thing for early vintage solid state amps? Which model would you choose. And WHY?

I searched and could not find an earlier post about this. (But, I’m kind of new here.) Please don’t insult anyone else for their choices - Just explain yours, and why you like it. I’ll go first....I like an old vintage Marshall Major 200 watt with a Marshall 8 x10” cabinet, or Ampeg SVT with 8 x10”s. I have the Marshall rig - but I am still dreaming of the Ampeg.
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The first amp I had was a 1966 Fender Bassman (50-watt all tube blackface amp). I bought it new in 1966. Was a great amp in the day, but when I started playing in a touring nightclub group playing 5-nights a week, 50-weeks a year, it just couldn't keep up with the rest of the group. Guitarist and keys both bought Vox Super Beatle amps and effectively buried my poor Bassman.

Then, while we were playing in Lincoln, Nebraska for two weeks, I traded in my Bassman and bought a Standel piggy-back amp MCIIB/SAM30B. That amp was crazy loud and I was never asked to turn up ever again. Like the acoustic 360/361 the head of the Standel was just the preamp and the amplifiers were in the speaker cab. Yes, I said amplifiers plural. That cab was a bass reflex design where the sound coming out the back of the speakers was channeled around to the 4 round ports vertically stacked next to the speakers. Come to find out each CTS 15" speaker was in its own compartment and powered by its own 100-watt amp. How's that for different? - two 100-watt amps each driving a 15" CTS speaker. Speakers were perfectly matched to the amps and that amp was actually louder than the acoustic 360/361 and the Ampeg SVT of the time.

Here's a shot where you can see a good part of that Standel amp behind me and next to the guitar player's Super Beatle. It was a heavy amp but it had coasters and I typically had to move it just once every two weeks. And yes that is the '65 Jazz that I bought in '66. I believe this shot is from 1972:

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And the bad news is that all my musical gear including my '65 Jazz Bass, my Standel amp, my two Shure mics, and one of my heavy mic stands were all stolen when our house was burglarized in 1976. I really liked that amp and I would love to have it again. Because to the reflex design and the porting, it was easily twice as deep or more than that Super Beatle amp next to it. You should have seen me load it into my 1969 VW bug!

Since then I've gone through a lot of different amps and cabs and I've finally arrived at something that I really like and that cures my GAS...well may still have amplifier GAS...

Below is my current set up. I am using an Eden WT500/800 driving either a DNS-210, which I use for indoor venues, or a DNS-410, which I use for outdoor and outdoor festivals. I have never used both at once although this picture is from the first gig that I played with my DNS-210. Stacked it on top of my DNS-410 because I wasn't sure the 210 would cover a venue of that size (not quite large but bordering on it) and I could unplug the 210 and plug in the 410 in a matter of seconds. The 210 was more than enough. In fact it was so loud in my ears that I had to move it over almost 3-feet and forwards a bit to get out of its 60° cone of dispersion. I now use a $20 amp stand instead of a $1,000 cab to hold that 210 up.

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The combination of that Eden amp with David's new DNA cabs is spectacular. It's super clear, clean, full, articulate and LOUD! Using just the DNS-410 on the bottom, I get asked at Outdoor Festivals to turn down if I run the master up to 10:30. The amp will put out 800-watts, but I've never come close using either cab.

I must confess though that I do have GAS for David's DNA-800 amp. It has the same amount of power than my Eden amp does along with a much better compressor, but it weighs only 4.8-lbs instead of the 36-lbs. my Eden amp weighs in its rack.

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