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Wal Bass Club.

Played the MKI out again last night. A couple people came up and complimented me on the tone. One guy knew about Wal, but otherwise no one I've talked to is aware of them.
 

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Alright gentlemen, I'm FINALLY a Wal owner. Caca de Kick can I please get a number?

So, I've played two very different types of gigs with her. The tone for a rock gig I've got. However, I have a question in regards the preamp. What are your "knob" settings for a vintage "P" bass type of sound? We play a lot of standards from Sinatra/50's to Motown 60's/70's.

Cheers,
Eddie
 

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Alright gentlemen, I'm FINALLY a Wal owner. Caca de Kick can I please get a number?

So, I've played two very different types of gigs with her. The tone for a rock gig I've got. However, I have a question in regards the preamp. What are your "knob" settings for a vintage "P" bass type of sound? We play a lot of standards from Sinatra/50's to Motown 60's/70's.

Cheers,
Eddie

I'd really dig a MKII 4-stringer!

I have a MkIII.

To get a sound better for a more P tone, I'd push everything to the B pickup.
Probably roll the tone knob to 3 or 4, not pulled. Depending on the mix.

JKernodle and BassJaymi put up nice YouTube videos going over settings.
 
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I finally got my Wal back after sending it off to be refurbished. It originally had a clear finish like the ProI pic.

pro1front.jpg

I had it refinished in the 80's because the body was damaged. Also had it fretted.

P1050059.jpg

It needed some work with tightening up the electronics and I also wanted to make it fretless like it was originally and it now looks like.

IMG_1197.JPG IMG_1198.JPG IMG_1200.JPG

Apologies for the poor pics.
 

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I'd really dig a MKII 4-stringer!

I have a MkIII.

To get a sound better for a more P tone, I'd push everything to the B pickup.
Probably roll the tone knob to 3 or 4, not pulled. Depending on the mix.

JKernodle and BassJaymi put up nice YouTube videos going over settings.

Zulu,
Thank you very much! I will check them out.

Cheers,
Eddie
 
Try rolling almost all the way to the neck pickup, roll the bridge filter down to zero and pull it out. Then play around the the neck filter to roll off the highs to your taste. You get a nice bass boost from the bridge filter being pulled out that gets you more p bass booty than just using the neck by itself, but you have to use a little bridge pickup in the mix to get the boost effect.
 
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Alright gentlemen, I'm FINALLY a Wal owner. Caca de Kick can I please get a number?

So, I've played two very different types of gigs with her. The tone for a rock gig I've got. However, I have a question in regards the preamp. What are your "knob" settings for a vintage "P" bass type of sound? We play a lot of standards from Sinatra/50's to Motown 60's/70's.

Cheers,
Eddie

Beautiful mkII! Welcome to the family!
 
It's been mentioned here before that some of you get string sets with custom gauges, how do you go about actually getting them? I recently switched to a set of 30-90's that I like a lot, but ended up breaking the G string and replacing it with a .40, which I really like because the .30 was flimsy. I use DR Hi-Beams and usually order strings from Strings and Beyond, but can't find any way to order custom sets, and ordering 2 sets just for the one string will get pricey.
 
I've ordered build your own sets from bass strings online. I was using d'addario nickels in .100 .070 .055 .040 for a while and they give you a very consistent feel. I ordered those guages based on tension at pitch to get as close to matched as I could. I've since switched to the factory balanced lx nickel set with the .107 e string because I wanted a little more tension. either set should run you well under 20 bucks.