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Wal Bass Club.

So last night was a bit of a surprise...my wife told me to go order a new Wal for my 50th Bday (in June)...she is going to put the deposit money down as my gift. I should see it when I'm 53!! Hahaha. (she should have told me when I was 47!)... Anyway...been picking spec's...think it's been narrowed down. If anyone has some pointers either mention it here or PM....greatly appreciated.
I guess ya only live once, so no better time than now.
Super pumped to order it...then super sad for the wait game. I guess some of my other basses and my other MK3 will tide me over ....thanks to all that have given me pointers thus far too. Cheers
Congrats you have a awesome wife! I have read your posts mentioning Geddy's bass that would be killer OR Geddy specs in a MK3 can't go wrong either way.
 
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Do you find they have plenty of low end, especially on the low B (if you have a 5/6'er)? I can't rightly tell from the videos on youtube.

imo one of the many great aspects of a Wal is that the inherent tone is super controlled, never muddy or overpowering in the low end.

I get plenty of dub/reggae tone when pulling the neck tone and dialing it down really low. Just dial in a good frequency that works in the room and with your amp, then mix that to your liking with the bridge pickup.
 
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OK so they don't work like a standard 2 or 3 band EQ but never ever found a problem with lack of bass extension. You just find it in a different way. I think of it like using subtractive EQing rather than additive. I've found some fantastic dubby reggae tones in my Mk 1. Neck at 2, Bridge at 7, 75% Neck mix will give you plenty of bottom end. Pull up the neck pickup filter for dub with definition... used this a lot in the covers band when we did some Marley or Roxanne or Dreadlock Holiday or Madness' It Must Be Love.

That dubby reggae tone is not what I am talking about when I meant low.Those are sub lows. That's a tone I never use in my music. I just mean when you have find a nice bridge pickup tone and want to have just some extra low. My solution is to dial in a bit of the neck pickup but that also changes the character of the sound. On most other active basses you can just dial in the lows with a separate knob. That simplicity is missing on a Wal.

Not complaining here since I love my Wals but that simplicity of dialing in some extra low or treble without changing the character of your sound is missing. But instead of that we get plenty of other nice things with the filter knobs. That's also something that sets a Wal or an Alembic apart from other active basses and what makes them more characteristic.
 
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That dubby reggae tone is not what I am talking about when I meant low.Those are sub lows. That's a tone I never use in my music. I just mean when you have find a nice bridge pickup tone and want to have just some extra low. My solution is to dial in a bit of the neck pickup but that also changes the character of the sound. On most other active basses you can just dial in the lows with a separate knob. That simplicity is missing on a Wal.

Not complaining here since I love my Wals but that simplicity of dialing in some extra low or treble without changing the character of your sound is missing. But instead of that we get plenty of other nice things with the filter knobs. That's also something that sets a Wal or an Alembic apart from other active basses and what makes them more characteristic.
Well, of course, I quoted that as an extreme sub bass setting! I do get what you mean, though. I've got a Frankenjazz with a conventional 3 band Audere preamp and (much as I love that preamp) I never miss that simple roll-up-the-bass control on the Wal. I've been playing the Wal so long now that the preamp is just really second nature and intuitive to me and small shifts in the tone and blend work as well for me without necessarily fundamentally changing the sound. Just a different approach with both basses.
 
Well, of course, I quoted that as an extreme sub bass setting! I do get what you mean, though. I've got a Frankenjazz with a conventional 3 band Audere preamp and (much as I love that preamp) I never miss that simple roll-up-the-bass control on the Wal. I've been playing the Wal so long now that the preamp is just really second nature and intuitive to me and small shifts in the tone and blend work as well for me without necessarily fundamentally changing the sound. Just a different approach with both basses.

Yes I agree. Both have their advantages and disadvantages. Nothing wrong with either. Or passive is also great. I like the passive fretless Pro I have for that reason. It's just plug and play and sounds great without any knob fiddling. Sometimes all the knob options can distract you from playing.
 
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Howdy y'all. Touching base. Hope everyone has been healthy. Been too long.

Q: Does anyone know the fretboard radius of my '96 MK3 5str? To me, it looks compound.

BTW, they do spell WAL in all caps. Check it:
20200506_134815.jpg
 
What do you guys think about this MK1? Wal MK1 Bass 1985 Natural | Simon's Music Gear | Reverb. The only
Is anyone looking for a Mk1?
The one at Ayr Guitar in Scotland has been reposted. But they're not much on Int'l shipping, so they were over $400 if trying to go to US.

Wal MK1 Bass 1985 Natural | Simon's Music Gear | Reverb
I actually made an offer on this one figuring it would make a nice stop gap until my order comes in (or the world ends).

What do you think about the bridge setup? The saddles are all set very close to the same position toward the inner limit. It makes me wonder if there are any issues with intonation. The condition overall looks slightly better than the '85 MK1 Wenge which was posted last week by Andy Baxter for a similar price, but it's impossible to really assess the neck and fretwork from pictures alone.
 
I actually bought Simon's '85 Mk1 last Friday. I ended up backing out due to having to pay some additional shipping ($200), and I was concerned about customs. My decision became really easy when I found my 2017 Mk1 on the classifieds. Simon is a very good seller. His FedEx shipping label had already been created and it had the bass being picked up in the UK this past Monday, and it was getting to me the next day in Chicago.