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Wal Bass Club.

Mk3 neck heel.
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Mk3 4 with a Jazz width profile neck.
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This Mk2 is 9-1/4 lbs.
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Quick question for all of you lucky Wal owners— will a MK1 bass fit in a late model open cavity ATA style Gator hardshell case? Or is the body at its widest too wide? Thanks in advance for the 411

In the past I've carried my Mk1 & Mk2 in a typical Musicman plastic hardshell case. So if a StingRay fits in your ATA, then the Mk1 is no problem.
 
That's an interesting post. I have owned 3 Ritters and they all have had an incredible tonal range and distinctive tonal character. They may look like works of art but they are very ergonomical and playable instruments. The tone of the Roya I had was somewhat similar to a Thumb NT in that it had a piano like clarity I have seldom cone across with most of the 60+ basses I have owned.
The two Okons were no slouched either.

Ritters are awesome instruments, no doubt. I just don't feel like they have a specific Ritter tone going on. The few Ritters I heard in person had all their own kind of sound. They sounded really good, make no mistake. Foderas also sound good, but also kinda... random? I don't want to belittle either Foderas or Ritters. I just like it somehow when bass brands have a pedigree, some sort of reliable character going on. Warwick Thumb is another good example for this, super recognizable tone.

Same with amps, there are some super cool, super clean amps and cabs out there. I don't like those, I really enjoy amps and cabs with heavy tone coloring. If I want the clean bass tone I usually go DI, I've played gigs with the Wal just using the XLR out. So if I use an amp for whatever reason it better be one that brings something special to the table :)
 
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I just like it somehow when bass brands have a pedigree, some sort of reliable character going on. Warwick Thumb is another good example for this, super recognizable tone.

I agree with you I also prefer basses with a signature tone. But for some more all-round gigs or top 40 gigs I prefer basses that have a more 'all-round' character like a Yamaha or a jazz bass. For these gigs I prefer other basses instead of my Wals. You can have different tones from Wal basses but I don't see them them as all-round basses.
 
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I agree with you I also prefer basses with a signature tone. But for some more all-round gigs or top 40 gigs I prefer basses that have a more 'all-round' character like a Yamaha or a jazz bass. For these gigs I prefer other basses instead of my Wals. You can have different tones from Wal basses but I don't see them them as all-round basses.

yeah, they sure are versatile and can produce a tone that fits any style, but they will still always sound like a Wal. Super cool :) but I can see how that could not be what you`re looking for.
 
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I agree with you I also prefer basses with a signature tone. But for some more all-round gigs or top 40 gigs I prefer basses that have a more 'all-round' character like a Yamaha or a jazz bass. For these gigs I prefer other basses instead of my Wals. You can have different tones from Wal basses but I don't see them them as all-round basses.

Happy Friday Everyone!!!

+2 on preferring a signature tone. I play in a corporate/wedding band where we play music from the 50’s to today. Even though I play Spectors, Music Mans and Wal which all have their own distinct tone. I find that I can get a variety of tones out of each instrument to fit multiple genres by working the basses preamp knobs and more importantly changing the attack/approach to serve the song or genre.

On a side note, what knob settings does everyone use to get that scooped slap tone? The 70’s mid forward slap tone the Wal can do in spades. However, I personally haven’t found a great 80’s-90’s scooped tone just by working the bass’ onboard knobs. Can this be done without having to adjust the amp’s EQ?

Cheers,
Eddie