Walking to the next chord?

Here's a good starting point for walking bass lines . . .

Beginning Walking Basslines #1 - A Basic Introduction - TalkingBass

. . . and several more lessons are here . . .

Walking Bass Line Lessons - TalkingBass

Edit: Mark is very thorough in his lessons and explains everything in great detail. An excellent source for those who enjoy detailed information.

Enjoy

 

"Walking to the next chord" in Malcom's comment refers to moving from the root of one chord to the root of the next. For example, if the first chord is G and the next is C, you would play G A B and land on C on the first beat of the C chord.

 

Part and participle of what we do as bass players: shape the rhythmic feel, accenting the ‘beat’ or syncopating it; and leading the listener to the changes in chords or background.

The latter, leading the listener is when and how ‘walk up’ to the next chord is done. Most of us do it and never recognize it. I will point out that bass players often work in ‘turnarounds’ at 4, 8, 12 and 16 bars depending on the meter and form of the tune.

 

Assuming 1/4 notes-
G-A-B-...need another note on Beat 4 to land on "C" (Beat_1 of the following bar), right?

|G-A-A#-B-|C...


OP-
Also try walking down to the next chord-
|G-F-D-Db-|C...

Or 1/2 step chromatics-
|G-D-Db-B-|C...
or-
|G-B-D-Db-|C...
or-
|G-Db-D-Db-|C...

Experiment & come up with your own variations.

 

A on the 3

B on the 4

C on the 1.

 

Good examples.
I was thinking walk up G 135, then your C walk down 542 b2 1

 

...if it sounds good, do it!

 

G is a 1/2 note? That works.

 

I was thinking of country style things. Root on one, rest on beat two, second on beat 3, and third on beat four so you land on the tonic of the IV on beat one. The question referenced walking to the next chord, not necessarily traditional walking bass line construction.

 

Yes all kinds of ways to walk. Your walk can be one leading note, or as many as you think adds value.

The old Country walk has been explained. And yes it can be diatonic or chromatic. Movement is what you are looking for. I think what you are looking for is movement between where you are now and where you want to be next. Think of it as a lead to movement.

If there is a void fill it with a walk.

Dirt simple way is to target where you want to be - miss it and walk to it using as many notes or chromatic frets as you think fits, or is needed.

Good luck.

 

I tend to think the best walks are linear—either walking up or down. Jumping around doesn’t sound like a walk to me.