I have dealt with your kind before. A bunch of well put together psuedo-polite sentences don't mask what you are really saying nor do they mask your smug, know-it-all arrogance.
My kind? Well, your "kind" seems to be those who decide what someone else must mean despite the words he writes. You are correct about one thing. My sentences do not at all mask what I am saying. They convey it clearly. All you have to do is read them and take the words at face value. You seem to prefer to read into them. You're basically saying, "I don't care what you wrote or what you will write, I know what you really think." You call
me arrogant?
The sole purpose of them is for you to be able to retreat in them and say "Oh no not me!" when you get called on your behavoir.
The sole purpose? I assure you that I did not write what I did for the "sole purpose" of retreating. That's absurd.
The only difference between you and I is that will come out and say what I mean and not embed in a bunch of fancy sentences.
I assure you that that is not (or would not be) the only difference between us! I have not embedded my meaning anywhere. It is quite clear and explicit in what I wrote. Fancy sentences? Now you are criticizing my style of writing.
Well, you see, I've dealt with your "kind" as well. You cannot construct a logical argument to counter what I have said so you resort to attacking me personally.
Whatever, It doesn't look like you are fooling anyone else, either.
I did not set out to, nor do I wish to fool anyone. You certainly are transparent!
Most of the great players I have studied with have at least mentioned warming up the bass and that it infact changes the wood.
Which "great" players claim that short-term warm-up changes the wood? How do they distinguish changes in the wood from changes in the strings and/or the player? What makes them expert in discerning which physical effects are responsible for their experiences?
How about this: I'll see Mark Dresser in about a week and I'll ask him then, and I will email Joëlle Léandre and see what she says about it.
I would give Bertram Turetzky a call right now but I am late in sending him a cd he asked for.
I'll stay tuned. When you do report back, please be sure to tell us how all the folks whose names you dropped determined the physical explanation for what they experience.
What I have said all along is that I am not convinced that short-term warm-up effects are the result of substantial changes in the wood. I did not assert that they were not. At the moment, I see no evidence that they are and it seems like other factors (player, strings, bow/rosin) would play a greater role. I do not deny that the warm-up effect exists. You are basically stomping your foot over this, yelling that it is the wood while offering nothing constructive, and attacking me.