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What I'm building is a recreation of the Hammersmith Model K which never went into production. It's more like what you'd get if you left a B301 and a RIC 4001 together unchaperoned; back end of B301 with the horns of the 4001.I think that price is more than fair. From a quality standpoint it's a great deal. As others point out Guild basses are under appreciated and the market is a lot softer than other vintage brands.
I'd have paid that for it, I think you did good
@Jon Clegg is in the middle of recreating 2 versions of this bass, one as a comission for @Fat Freddy, and one for the winter build off.
Maybe those cats can give you more details![]()
Think it's fair to say that Guild were most certainly an inspiration for the bass that Jon is creating for me but what we're actually trying to achieve is a custom version of the Hammersmith "K" bass that never saw it to production...I think that price is more than fair. From a quality standpoint it's a great deal. As others point out Guild basses are under appreciated and the market is a lot softer than other vintage brands.
I'd have paid that for it, I think you did good
@Jon Clegg is in the middle of recreating 2 versions of this bass, one as a comission for @Fat Freddy, and one for the winter build off.
Maybe those cats can give you more details![]()
Ha!...Jon beat me to it!...Think it's fair to say that Guild were most certainly an inspiration for the bass that Jon is creating for me but what we're actually trying to achieve is a custom version of the Hammersmith "K" bass that never saw it to production...![]()
I'm actually glad you brought that up... I feel like there's good wear marks and bad wear marks. The good wear is like when the paint gets rubbed off around the high-friction areas and the bad wear is when a string end scraped across the paint in a high-viz area. This bass has a little bit of both. I'm going to investigate how to remove the unwelcome scratches (pictured) without making it look like I did any work on it.What I'm building is a recreation of the Hammersmith Model K which never went into production. It's more like what you'd get if you left a B301 and a RIC 4001 together unchaperoned; back end of B301 with the horns of the 4001.
As for this bass, yeah, I'd say 700 seems reasonable. The cosmetic flaws could be pretty easily fixed if you're so inclined.
Whether or not it was a good buy depends on who you ask.
If you dig it, and can afford the price, then yes, you made a good buy.
If you ask a bunch of dorks on Facebook, they'll probably tell you that they couldn't handle the slight blemish in the binding on the $400 Chinese Ibanez they just returned to Musicians Friend, let alone all those nasty scratches.
"Facebook dorks"... Dying over here.