okay i havn't read all 15 pgs of this thread, but has anyone mentioned the arco solo red takes on stardust from Ben Webster's live at the renaissance? its pure soul. its the kind of thing, one has dreams about. i got the album burned from a friend and always marveled at the bass playing and only recently found out who it was. i can't put into words how it makes me feel. it transcends story telling into something purely experiential. its the kind of thing i remember when i think about all the time i seemingly waste playing music.
This side is a period of transition for Red. It's Red's first recorded side with the big Tyrol five-stringer. His attempt at trying to cop Gene Ammons tenor sound is apparent here. They do "Stardust" in the original key of Db. You can hear Red play that low Db on the B string all over the place. Actually, I find similarities with Jimmy Blanton's arco solos in Red too. So nice to hear arco bass without all that silly "virtuostic cello-envy" vibrato crapolla with solo tuning.
Red's solo would have been even more effective, if Frank Butler hadn't been dropping bass drum bombs on beat one, every bar in the background. Good thing he's gone now, or ida sent out my
Boyz.Edit: Circa 1960. Same venue as Red's "Rejoice! Red Mitchell cello debut...Live from the Renaissance". Hollywood. Jazz cello, tuned in 4ths. Red, with Jim Hall, Frank Strazerri, piano, Jimmy Bond, bass and Frank Butler. Red could get nasty on bass, but on jazz cello, he's downright FILTHY. Alotta guys were doing this shtick in those days (including myownself) but Red made everybody else sound idiotic.
At one point in the cello side, you can hear Jim say, during the piano solo: "Hey Red..... We oughtta take this band to New York!"
