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Wow!! how things have changed in 3 short years . Never say never!! Lesson learned. Now all I play is StingRay basses. I love that signature Stingray bounce to the notes. I figured out that I dont like the pre Special 3 band aggressiveness or weight. I dont like the slab bodies but love the sound of the 2band/mutes Leo Fender Era StingRays. I tend to be partial to certain wood combinations, and I mostly prefer 5 strings. One I got all that figured out, I came back to the StingRay Specials and they have pretty much kicked all my others out of the house.Every Stingray I've ever owned. I had a 2band US SUB and a Stingray Special 5.
Also most 5 strings until I found my Fender Elite Jazz V.
All of the 70's style jazz basses I've owned until I bought a US Geddy Lee.
Most Precision Basses until the Squier CV 60's .
What is all boils down to is I'm really particular about string spacing, rolled edges , neck thickness , fretboard radius , neck carve, ect. It really has to feel just right on my hands .
Sound and looks is also key.
Lol! I went back and read the entire thread and when I came upon that post I thought it was just a really lame joke I wasn't in on. That's why I didn't comment. We've kind of walked a similar path. Played a few 'Rays over the years. Felt uncomfortable and I just didn't get on with active basses. I took a shot on a nicely priced US SUB around Christmas of 2021 and was all in. I guess my hands and ears have changed over the years.Wow!! how things have changed in 3 short years . Never say never!! Lesson learned. Now all I play is StingRay basses. I love that signature Stingray bounce to the notes. I figured out that I dont like the pre Special 3 band aggressiveness or weight. I dont like the slab bodies but love the sound of the 2band/mutes Leo Fender Era StingRays. I tend to be partial to certain wood combinations, and I mostly prefer 5 strings. One I got all that figured out, I came back to the StingRay Specials and they have pretty much kicked all my others out of the house.
I really had to mature into them. But it really goes to show that all StingRay basses do not feel or sound the same.Lol! I went back and read the entire thread and when I came upon that post I thought it was just a really lame joke I wasn't in on. That's why I didn't comment. We've kind of walked a similar path. Played a few 'Rays over the years. Felt uncomfortable and I just didn't get on with active basses. I took a shot on a nicely priced US SUB around Christmas of 2021 and was all in. I guess my hands and ears have changed over the years.
Wow!! how things have changed in 3 short years . Never say never!! Lesson learned. Now all I play is StingRay basses....
So I humbly eat a little crow here. Taste pretty good going down.![]()
Haven't liked any of the Schecters I've tried, on paper they seem great though.Schecter Diamond Series Studio 4. Neck through.. looked good. That's about as good as it gets.
It had a horrible smell to it.
The bridge was impossible to intonate properly. Replaced that.
The Gold hardware lost all its shine and appeal within weeks. Replaced that.
The EMG preamp died and was replaced numerous times.
The pickups were utter rubbish.
Eventually all electronics were removed, swapped out and nothing worked with it.
No matter how much money I threw at it, it simply would not sit well in any mix, in any band situation. I really wanted to love this bass and gave it every opportunity to be loved...
I believe it was an utter lemon.
Ended up giving it away to a mate to hang in his pool room.
$1200 to buy new. Another $1500+ on various new pickups several preamps, bridge, tuners, strings, turning the bass passive... nothing helped. Glad to see the back of it.
The other was an Ibanez 905AH.
Nice looking but heavy and another tone dud.
This was the last straw with active basses for me.

Better get your fire extinguisher readyMy EBMM Stingray. Had it for a few weeks than sold it.
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