I really want to order one, even though I don't need it... maybe I WILL need it though.
That's what we all say when a new bass toy comes along

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I really want to order one, even though I don't need it... maybe I WILL need it though.

what are main feature/price differences between bk3/7 and the vintage?Well I have one in my hands and I can report that it sounds great! You guys will definitely not be disappointed.
what are main feature/price differences between bk3/7 and the vintage?
may run a fuzz of some sort eventually too.. Thanx Paul.. am in maryland
http://www.talkbass.com/forum/f36/what-darkglass-vintage-microtubes-939219/index13.html
The Vintage sounds totally different than the B3K - the tone is more open and has a different midrange character. It's also capable of lower drive settings.
The Vintage sounds totally different than the B3K - the tone is more open and has a different midrange character. It's also capable of lower drive settings.
Spencer, you should not be posting, but resting. We need ALL your energies directed towards building all our Vintage pedals this week.
Now straight off to bed with you ! Get some decent sleep, in preparation for the week ahead.
what would probably be best to run with a wah wah (dunlop q105) Which Dark glass would work best for semi modern heavy metal using a wah wah, like i said I may add a fuzz as well later on? play in drop c# and rarely drop c sometimes
I use a 2006 svt CL and a ampeg V4 sometimes.. Thanx,
The way the midrange is sculpted on the B3K seems to work really well for metal.
I wouldn't really call the B3K scooped - it just accentuates different areas of the midrange than the Vintage.
Can the vintage cop the more subtle settings of the B3K or are they just different animals?
forgot to mention that one dude said that with a tube amp i may hurt the sound by adding a tube emulating transistor based overdrive. however, i forgot to mention that sometimes i run a peavey BAM so i can pre set a few different EQ and phaser/chorus settings, and switch with the footpedal for it.The way the midrange is sculpted on the B3K seems to work really well for metal.
I use the B3K as an always-on pedal, with the drive all the way down, blend and level at about 2:00, attack on and grunt set to fat.
forgot to mention that one dude said that with a tube amp i may hurt the sound by adding a tube emulating transistor based overdrive. however, i forgot to mention that sometimes i run a peavey BAM so i can pre set a few different EQ and phaser/chorus settings, and switch with the footpedal for it.
probably won't use the distortion on the peavey much, the phasetr sounds decent though
Believe me, I'm prepared. Doug sent me a bunch of Ito En green tea which is going to come in handy since I will probably be working through Monday night to get as many as I can shipped on Tuesday.
I'm not really sure what a tube emulating overdrive is, but I pretty much only use tube amps and the Darkglass stuff sounds great through them.
I think mind-openness is the key to glory, specially when it comes to tone.