First is a Global (marketed by Montgomery Ward, among others) Jazz Bass copy, with a vee-neck, Select by EMG humbuckers (it was still a POS, but a nice playing POS):
http://www.flickr.com/photos/19652150@N02/1949662027/
Then (19 years later -- hey, I was the local g**tar hero, who needed a bass?) a Carvin LB20, solid mahogany and DiMarzio Model J pickups:
http://www.flickr.com/photos/19652150@N02/1949653905/
Turns out, me and 24-fret necks don't get along. I gigged with the Carvin, and did a lot of recording when a bass part became necessary, but then I was gigging with some folkies and it looked out of place with the banjos and mandolins, so I got an Ibanez ABG 5-string (added La Bella Deep Talkin' Bass nylon tape wounds:
http://www.flickr.com/photos/19652150@N02/1949644421/in/set-72157603061319197/
Well, it was marginal too, and then I got a full time gig as a bass player, so I got a Tribute by G&L L2000 (fine bass, too):
http://www.flickr.com/photos/19652150@N02/1950493862/
But the guys in the band weren't satisfied (neither was I) and there was a need for something with more personality:
http://www.flickr.com/photos/19652150@N02/1949662523/
Somebody said split-coil Precisions were the way to go, so I bought a slab-body Squier II for a song (note the Global with the original pickups in the back):
http://www.flickr.com/photos/19652150@N02/1949659361/
That was a lot closer, so I traded it and the Global and the Carvin for a Classic 50s P:
http://www.flickr.com/photos/19652150@N02/1950498494/
Then a trade opportunity came along and I acquired a MIM Standard Jazz fretless in exchange for the L2000:
(guess I haven't uploaded this one yet)
And finally, when the band objected to my playing a Jazz (when what they wanted was a Precision) on songs where a fretless was called for, I built this Standard FSR P with a fretless Warmoth neck:
http://www.flickr.com/photos/19652150@N02/2068468907/in/set-72157603061319197/
Oh yeah: what was the question?