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I'll repeat what I said in another thread...A few years back, a friend and I did a test. I got 4 P Bass bodies, all 5 lbs (+/- 1 ounce)....woods tested were mahogany, alder, ash, and maple capped ash...In fact, we preferred alder as the best tone, with mahogany as a "second choice", for it's big fat thump. Alder was certainly the most balanced sounding.
Anectodal evidence isn't a personal thing.
then i'll say it again,
if what you claim is true, then Leo Fender, Paul Reed Smith, Seymour Duncan, David Hidalgo, Rusty Anderson, Bernardo Rico, Grover Jackson, Wayne Charvel, Nate Watts, Dee Murray, Rick Turner and Ron Wickersham are all wrong and your'e right. I personally have spoken with all of them in the past on this very subject, and every one of us has been in agreement with each other, so its up to everyone else to judge for themselves who they want to believe.
If they sound different, that might prove that wood sounds different than rubber.
To me, we're talking about the sonic difference between one wood type vs. another wood type.
I don't suspect that there's NO difference. I think wood type is one of many factors. But I suspect it's very minimal.
I'm wondering if the difference is so slight, it's not noticable to the human ear. Hence, the request for clips. So we all can hear the difference.
Sorry, but the appeal to popularity doesn't help solve this debate.
Even with all that, if someone can't hear the difference, no amount of samples demonstrating the point will help.
Yes, but if there actually is a noticeable difference, and hundreds (or more) of people listen, I think that will help.
There really is no debate, it just boils down to those that can hear a difference and those that can't.
Sure. Like Lava cables and $500 AC cables?
My point is that since a double blind test isn't necessary to hear the difference between two basses in the store it's not necessary to have a double blind test to hear the difference between a bass where the body or neck is swapped for another since after the swap it's a different bass.
Nobody's walking about being able to pick out the type of wood used, like rosewood or maple fingerboards. It's much more basic than that.
Maybe Munjibunga can make some clips with his Shadowsky basses.
Honestly, it sounds as if you're saying that the variable doesn't need to be isolated to determine if the variable is a factor. To which I disagree. But maybe you're not saying that?
Yes, but if there actually is a noticeable difference, and hundreds (or more) of people listen, I think that will help.
+1
Very interested.
In my modding, building and swapping of bodies and necks over 40 years I've gathered more than enough evidence to prove to me beyond a shadow of a doubt that wood effects the tone.
If others choose not to believe it, that's their loss.
That's precisely what it is in this case, a relating of one's personal experiences.
Sorry, but the appeal to popularity doesn't help solve this debate.
It's their gain for not relying solely on anectodal evidence as proof of anything.
By your own words "I don't suspect" leads me to believe you actually have little to no experience actually listening and playing basses. With the thought of what the tonal differences may be all else being equal.
Forget sound clips, there is a much easier solution, just about everybody has a guitar center close enough. It would be hard not to find a P, J or musicman that has all the same specs accept the fingerboard or body wood. Go listen for yourself.
I've got 2 Alleva Coppolos at home one alder/rosewood the other ash/maple. The only other difference is 60s vs 70s pickup spacing. If the spacing was the same I would be happy to invite anybody over to give it a listen. Actually any of you are welcome to PM me if you are close and want to try them for yourself.
In any case see my prior post and tell me I'm wrong...