Originally posted by VandoTheJerk
There seems to be a lot of heated discussion over the quality of Dave's basses, so I wanted to tell my story. I ordered my DP Custom 6 string in the first week of March, 2001...
In all fairness to Dave Pushic of DP Custom, I'm adding this follow-up to my post of several months ago.
Last Thursday -- out of the blue -- I received a UPS shipping confirmation via e-mail that listed Dave as the sender. It was the first thing I'd heard since his response to my post saying he'd been rebuilding it... I'd resolved myself to simply being patient this time, and giving Dave the time he felt he needed to build an instrument to his standards without being rushed by an impatient jackass who e-mails every other day asking, "So, how's my bass coming?" (That jackass would be me).
Being a weekend warrior, I get home from my day-job with enough time to pack up my truck to head out to a gig. Sure enough -- when I pulled up, there was the box from DP Custom. It killed me to have to wait until I had everything packed and ready to go before I could open the mysterious box that bore the fruits of two and a half years' work.
My first impression as I pulled it out of the box: I was simply stunned. Dave has come a long way in his abilities. While the first version of this bass had minor cosmetic flaws, I found none here. Everything was improved, from the fretboard to the rubbed finish. It was extremely well balanced (and heavier than my Warwick and Curbow put together!!!). I strapped it on for a minute to get a feel for it, and the action was perfect. I could feel warm tone flow through the dense mahogany back. The lacewood top is beautifully figured. Placement of the electronic controls is perfect. I got crazy with the electonics, using Bartolini pickups and pre with an ABM piezo bridge, It's got: Master Volume, Master Blend (Barts), 3 Band EQ with Parametric Mid (via 3-way switch), Piezo Volume, and two 3-way switches for tapping the Barts. Dave set this up perfectly. The controls may sound like overkill to some, but I went from a smaller venue on Friday to one that was a supermarket converted to an entertainment complex on Saturday and it definitely made the difference. There are few tones I cannot pull out of this baby.
The best feature of all is the neck. The first neck Dave built was very thin with a bit of an asym radius to the back, but it wasn't strong enough. This new neck is amazing. It's incredibly thin and stable -- I have a tendency to "hang" my left hand on the neck, which can bring a bass out a few cents, but it just doesn't happen with this neck. I pulled it out of the case the next night for another gig, and it was still perfectly in tune.
The most glaring difference I noticed when I plugged it in: The B. I have never before played any bass with a B as tight and clear (the Ken Smith Elite and a few Alembics I've played come very close for a lot more money). It seemed set-up well enough to try out the gig that night. My band noticed right away how "unmuddy" my B had become (of course, they didn't notice that I had a new bass, because guitarists and drummers only seem to notice if you get one in a different color). After the first set, they all commented on how great it sounded. "Man, you are just 'on' tonight."
I'm sure Dave is looking forward to my next order (that may be more of an inside joke than I know), but I will follow the advice that others have posted here and I have learned myself, the hard way. Know enough to know what you want in a bass, because you're going to get what you asked for (in which case, I'm very happy). Most importantly, give Dave the time he needs to build a quality instrument. I cannot recommend his work enough. A friend of mine paid around $4000 for a Ken Smith Elite 6 (which allows me to use it as a benchmark). I paid far, far less for something that is it's tonal equal, and it's exactly what I heard in my head.
Dave, I don't know if you still read these, but thanks again.
Vando