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Did they have anything new? All I saw in the videos I watched were the telebass thing and a few of one off custom Shop basses in crazy finishes? I really wish they make a Mexican lvl relic 5 stringThey were absent from the Fender booth at NAMM.
Probably so. I am not sure how popular the Stu Hamm Urge Bass was, but it was eventually discontinued. I have one and it's a definite keeper!Wait and see in 30 years. They will be considered amazing basses and spread amongst us like gold dust! Just this point in time they are not popular.
If I were to buy a Dimension, it would be a USA double-humbucker passive model with a maple fingerboard.So they're completely discontinued now? Last I heard they were only missing from the Fender website because they were switching over to Pau Ferro fretboards. But if they are gone for good, then I'm even more glad I kept buying them whenever they were a stupid deal of the day on Musician's Friend. I love my Dimensions, such fun basses to play.
It looked to me that all the production instruments on display are on their website today. The American Original is their “new” line for 2018. Honestly, I didn’t spend much time at Fender. More interesting new basses (the 2018 StingRay) and performances (Tony Levin, Albert Lee, Steve Morse) at Music Man, I felt.Did they have anything new? All I saw in the videos I watched were the telebass thing and a few of one off custom Shop basses in crazy finishes? I really wish they make a Mexican lvl relic 5 string
Is it just me or is your hand really huge, or the bass like a baby bass?View attachment 2895376
Loving my passive American HH. Shame to see them die, but there are still plenty in the wild.
So they're completely discontinued now? Last I heard they were only missing from the Fender website because they were switching over to Pau Ferro fretboards. But if they are gone for good, then I'm even more glad I kept buying them whenever they were a stupid deal of the day on Musician's Friend. I love my Dimensions, such fun basses to play.
Yeah, sometimes I feel like that and am disappointed when new ideas get abandoned. And then I remind myself that I didn't buy one either...Well that pretty much settles it that they are classics. Fender has a really bad habit of developing really cool stuff and then not being willing to support it over a lean period until the bass community catches up with it. Instead they just discontinue it once sales don't skyrocket and the next thing you know players finally begin to dig it and the used ones are selling for astronomical prices. Too many examples to count.
Well that pretty much settles it that they are classics. Fender has a really bad habit of developing really cool stuff and then not being willing to support it over a lean period until the bass community catches up with it. Instead they just discontinue it once sales don't skyrocket and the next thing you know players finally begin to dig it and the used ones are selling for astronomical prices. Too many examples to count.
Roscoe Beck.Can you give some examples of that? I'm not well versed in Fender models and history.
Is it just me or is your hand really huge, or the bass like a baby bass?
Hmm, interesting. I'd say that EBMM won that battle. They both came out with lines that encroached on the other's mainstream design, and at approximately the same time. The cutlass and caprice are still featured on EBMM's website.
To me, EBMM > Fender USA but Sterling does tend to appear as a stick in the mud, not embracing technology improvements as Fender and other competitors do. I'm still waiting for Sterling to give the okay for carbon fiber rods in their necks.
I am 6’3” but I do think it’s the smallest of my three basses between the P and the J
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Nice collection!I am 6’3” but I do think it’s the smallest of my three basses between the P and the J
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