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What's your B like?

I've owned a lot of 5-stringers (as my profile will attest :)) and honestly haven't the slightest clue what they were all strung with. I do know that the only B-strings I didn't like were on my Dingwall Afterburner II and Combustion... all others got the job done with authority :)

The Dingwalls should have had awesome B strings. What were they strung with, fence wire? :confused:
 
I wonder if it really is mostly strings. I've had two five strings that did not have the feel and tone out of their low B that my new Roscoe does. I only tried a couple of different types of strings on each bass, but I still had the impression there were other major factors. Scale length mostly? The Roscoe has the best i've ever played, so far!
 
The Dingwalls should have had awesome B strings. What were they strung with, fence wire? :confused:

Nope - strung with Dingwall strings. Intonated correctly, fantastic setups, the works. I played with pickup height, EQ, technique, changed batteries, you name it... no good to my ears :hmm: I ultimately sold them for a bevy of reasons, but I was very surprised. Others seem to rave about them, so I'm thinking perhaps that sound just isn't for me. The basses were otherwise top-notch and of impeccable quality.
 
The Dingwall Voodoo I previously owned had a prefect B. The Jackson C5A I have now has a tolerable one. It is currently strung with D'Addario Pro Steels (w/a .135) and it's pretty tight and playable enough for my needs.

Looking forward to trying a set of DR DDT's next as I like them on the other basses I've used.
 
For me also its my Dingwall AB11 has clear even tone across the board, with a nice punchy B, also have a Dingwall Combustion which is pretty good too although you can get a booster magnet for the B on these from Sheldon if your not happy with the sound, but if your on a budget i can recommend the G&L 2500 tribute, which i found to be surprisingly good for a 34' scale bass.
 
So many responses I didn't read through them all, but I will say this:

I owned a peavy fury 6 as my 3rd bass (within 2 years of playing). With the stock strings that came with it, everything was tight; great sound versatility with amp/bass level settings preferenced. Not very snappy as far as the strings went. BUT AFTER OWNING 2 MORE 5 STRINGED I REALIZE HOW NICE THAT B STRING TENSION/SOUND WAS.

I spent about $550 for the bass on sale, and loved it. But needed new strings after not very long and just traded it for a profit cause I couldn't slap on it. REGRET NOW!

Hate light strings, I always use medium sets, whatever specs that is. Heavies I've tried a few times but I don't have that great of finger strength so even though I like the tone 16th notes and quick playing are hard for me.
 
the best bee's in the biz are on my Modulus Genesis strung with eb's 130 and my roscoe 6er with 130 too. i have never played a 34 in b that sounded as good with out lots of fuss. It sux becouse i really want a american p bass 5er.
 
the best bee's in the biz are on my Modulus Genesis strung with eb's 130 and my roscoe 6er with 130 too. i have never played a 34 in b that sounded as good with out lots of fuss. It sux becouse i really want a american p bass 5er.

I really try to not buy/keep basses with nasty B strings. So I'd rate mine only down to "OK". Which resides on my MIM Fender Deluxe. Oddly my SX basses have better B strings. From there B strings pretty much depend on strings and the cost of the bass. I choose strings for tone not B string action. G&Ls have great B strings. Ken Smith just great. Alembic still better. And of course, my Modulus sits right at the top with to die for B string. And the Modulus is 35" although it's not THAT much better than the KS or Alembic which are 34".

I use a variety of strings from SIT bright rounds, through pressure wounds, ground wounds, flat wounds, even nylon wrapped. Mostly they are medium gauge, but a couple are light gauge. My "standard" round wound choice is plain old D'Addario XLs (which is what is on my Modulus and also a few others including SX).

I suppose it's not surprising that high dollar basses have great B strings, but I am surprised at how good the B strings on my SX or OLP basses are. A cheap bass is not a guarantee of a "floppy" B string. But then If I try a bass in a store and the B is floppy, it gets put back without a second look.

One interesting point is that I was just adjusting my G&L setup today. And what struck me was that as I adjusted the Truss rod, saddle heights etc. There were certain settings where the B string suddenly felt rather floppy! I was really surprised that a setup would make that much difference to the feel of the B string.
 
I am learning that I like a thicker string for more sustain. On my Jackson I went from a .135 Pro Steel to a .125 DR DDT and sustain suffered. I had assumed the thinner string would allow for more harmonic content but on this bass the thicker string sounded better overall.

On a custom bass I just got I also put on the thicker D'Addario set; being a better-made bass it has far more sustain, even on the B than the C5A.
 
lulz. i saw this thread and jumped to the end to post something about how awesome the B is on my Dingwall AB I sixer. and how it blew away every other bass i'd ever played in that department.

annnnnnnnnnnnnnnnnd......... looks like that's already been covered.