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When a girl asks you to play something..

Just Play some slap bass and in your deepest voice Sing...

"hey Pretty mama, You wanna hear my funky Jam?"

"C'mon baby gonna slap that bass, all night long for you"


Then make up some improv about what she is wearing and how good she looks...
while continuing to slap...
Go back into the chorus, and then when your done put down you bass.
and smoothly say..

"your damn right"
Like from the shaft theme

I guarantee she will be impressed... lol..


I do this all the time and it alw...never fails.
 
Just Play some slap bass and in your deepest voice Sing...

"hey Pretty mama, You wanna hear my funky Jam?"

"C'mon baby gonna slap that bass, all night long for you"


Then make up some improv about what she is wearing and how good she looks...
while continuing to slap...
Go back into the chorus, and then when your done put down you bass.
and smoothly say..

"your damn right"
Like from the shaft theme

I guarantee she will be impressed... lol..

+1
:eyebrow:
 
"P.O.T." will make her run to the shower!!! 2weeks ago i played it for a female who likes me and she was impressed. most ppl have never heard it, as well as don't know what a harmonic is. her response was, "OMGZ!!!,... how did you do that?!!! wÖw!!!
 
Naima.

Such a beautiful melody.

Played on a 5 string, a half step up.

Use the 12th fret harmonic and open string for the pedal figure on the E in the A section and B in the B section. These use the open A and D for the coda.

It sounds really full and even though there is some harmony missing, the melody is so great it can stand on it's own.

Or just play anything arco on DB. That's usually gets them.

Good luck!

~B
 
Naima.

Such a beautiful melody.

Played on a 5 string, a half step up.

Use the 12th fret harmonic and open string for the pedal figure on the E in the A section and B in the B section. These use the open A and D for the coda.

It sounds really full and even though there is some harmony missing, the melody is so great it can stand on it's own.

Or just play anything arco on DB. That's usually gets them.

Good luck!

~B

you get it, well done! :cool:
 
The Lonely Bull - I worked it out as a solo bass piece a few years back, and pull it out frequently.

The Day the Bass Players Took Over The World - Dave Pomeroy's song was meant to be performed solo. I used to have my SYB-3 dialed into a sound that could approximate a shooting laser, and had a laser pointer taped to the back of the headstock. During the middle of the song, where there's "sample THIS," Pomeroy did a massive overdub, whereas I would "shoot" the audience.

Seventeen - The Janis Ian classic should be done with a chorus effect, and there are places where you must tap, but I have it nearly where I want it. I recorded it as a 2-track piece a few years ago.

Jesu, Joy of Man's Desiring-Yes, the Bach piece has a simple melody; it is the ornate "decorative" passages that are famous, and recognized by many non-musicians, and I've pulled it off a time or 2.

A Real Mother For You - Johnny "Guitar" Watson's funky chestnut requires the floating thumb to assist, as you play the guitar hook on the 1st string while anchoring the bass line on strings 3 & 4 in standard tuning. Johnny did not write the best lyrics, so I generally wind up only quoting the first verse halfway before a chorus and out, but I'm working on a full band arrangement that interpolates a Chili Peppers classic. FUN!

A few years back, Bassics mag had a neat tapped version of Shadow of Your Smile that would be fun to have down.

Naturally, P.O.T. would be the pinnacle, but I don't have the patience to master it. Having said that, if you have a bass with Hipshot Xtenders on all 4 strings, then Michael Manring's Music for Armchair Funambulists might go well.
 
Oh yeah, I just remembered one that could be done full band or solo, depending on situation, and it's "Love Gravy." It never fails in private, and the one time I did it at a gig, the drummer joined in, and the applause was wild at the end.

Another one that was my go-to piece for seduction was ELP's Take a Pebble, which I had sequenced on the MIDI piano and played live fretless bass and sung to. Worked every time.;) Couldn't bring a MIDI grand piano to gigs tho'.