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When did you go active and why?

May 1, 2011
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Hey guys. I'm interested in your experiences of deciding to go the active route and whether or not you stayed. What was your first active bass? How did you like it compared to, say, a passive P or J?

For some reason I've always been turned off by actives, but I have almost zero experience with them.
 
Around 78-79, a friend of mine brought me a Stingray to try. Brought it to rehearsal and was blown away. He never got it back. (Bill, did I ever pay you? I think I did.)

I always have a passive bass or two around - although frankly, I don't know why - I just like basses, I guess - but active works for what I do.

So - over 30 years ago is the answer.
 
In 1990, I bought an Aria Pro II SB2 Elite; it had gigantic passive pickups that weighed over 1 lb. each. They were mostly potting compound in a big plastic housing. I switched them out for EMG active soapbars; not only did they sound great, but they lightened the bass quite a bit!
I have only played EMG actives since then.
 
My first bass in the mid-60s was a Jazz. Early 90s Peavey Dyna Bass was my first with a preamp and currently 9 of my 10 basses have preamps and a preamp bypass switch that switches to a conventional passive high roll off. This is my method...set the amp tone controls for passive and use the preamp in the bass to tweak as the night goes on or for other sounds as the tunes require or as I prefer. It's much more convenient to change the overall tone at the bass rather than having to go back to the amp and fiddle with it and I can always go back to where I started with a flip of the switch at the guitar.

If you like or only need one sound an onboard preamp is a waste. If you're changing basses to get different sounds an active bass could make life easier.

mech
 
I've tended to buy basses based upon how they feel first, or to have them meet a need (i.e. 5 strings). That said, I've enjoyed the active systems I've had on all the basses I've owned since 1990 or so, as it allows for easy tweaking of the sound right on stage. Funny thing is though, I've always tend to run my onboard preamps flat, with only occasional tweaks for individual songs, so maybe I would be just fine with passive.
 
I started playing bass in the late 80's at around 14 years old. My first 4 basses that I owned were all passive and were cheap but each one got significantly better and higher quality. In 1994, I had just purchased my first Ibanez bass and loved it. It was an Ibanez Soundgear SR 400 in Candy Apple Red. To get it, I had to trade off both of my other basses. A Charvel 2B I think it was and an Epiphone by Gibson. Both of those basses were really good basses too but I had always wanted an Ibanez and the SR 400 was too good to pass up. About a year later in 1994, I was at Guitar Center, the same store where I had bought my SR 400 and the salesman that I had always worked with showed me a higher end Ibanez model. The Soundgear SR 500 that was active. I had no clue at the time what he meant by that other than it took a 9 volt battery but he sat down and showed me it and how it compared to my SR 400. It had an active eq and was much more versatile. It also was not that much more expensive. So I put it on layaway and bought it a month later. I still have the bass and every bass since it has been active. I just prefer them a lot more over passive basses. In fact, most passive basses I simply don't care for. I'm not saying they are bad basses I just don't like the tones I normally get from them. To me, I love the actives because with the eq, you can really do some pretty neat things and not just have a tone control knob. In fact, with a lot of my basses, if I choose too, I can almost get a passive sound out of them if I eq them right. I now use Music Man basses and the versatility with them compared to my Ibanez basses is night and day. With the Ibanez ones, I only notice a slight increase or decrease when messing with the eq on the bass but with the Music Man basses, It really fluctuates giving me even more versatility and control over a room that may need to be eq'd a certain way because of how the room is set up.
 
When: last year, as soon as I could afford it. I've been playing for four years, but I started at 9 so I couldn't afford much. My first good bass last year was when I decided to go active.
Why: my bass teacher for three years now has a MM Stingray, and described to me how active works. I loved the range so when I ordered my Carvin last year, I ordered active/passive, and still have that option. No looking back, for the styles I play it's perfect and I don't think passive would have the tonal range to do the trick. (I don't know because I've never owned a good quality passive). Just my $0.02
 
If you're talking basses with the on board preamps....tried active in 2010 and while I liked it I really didn't love it. Maybe I'll give it another shot one day but I'm in no hurry.

As far as active pickups using passive tone controls, I had a set of EMG's in my old Jazz bass and I rather liked them. I've since gone back to passive in that bass but who knows.....I may throw the EMG's back in one day.
 
I've been playing since 1976 - at first mostly Fenders & Rickenbackers, with a couple of Gibsons along with way. My first active bass guitar was a Gibson RD Artist that I acquired brand new in 1978. That one was a mixed blessing, I'd say. :hmm:

I ended up flipping the RD Artist within a matter of months, bought a Fender Jazz and a fretless Fender Precision a few years later - and stayed passive until 1992 - with my first Carvin, a 1992 LB70. And I've always remained with active bass guitars ever since... :hmm:

I'm not sure what took me so long to come around. I've always liked the idea of good active electronics (i.e. Alembic).

Oh well. I've definitely turned the corner by now... :smug:

MM
 
'78, a brand new Music Man StingRay. Still have a mix of active and passive. It's not a big deal to me either way. It's all about how does THIS chunk of wood and metal sound. The Lakland 4-94s and the two passive Precisons are equally great sounding instruments. That the Laklands are active and the Precisions ate passive doesn't factor in, and wasn't a factor in deciding to buy them.

John
 
In 78, I ordered a RD Artist because Moog did the electronics. The only active bass I have played that works well with effects (passive usually does in my experience)Never looked back, still my favorite bass, although I still love a warm sounding mahogany passive bass.
 
I started out active and moved to passive.

Same thing for me, once i went passive i never played an active bass i liked!

Firs two basses where active, third one was passive but could be used active by pulling the volume knob ( i asked the luthier to wire it like that instead of always on and pull to turn off because i already knew i was moving away from active) the next 11 are passive.
 
I started on passive and now have both. First bass (miss it) was a Squier MB4, then a MIA `09 Jazz wich I still have it and will stay with me (a good passive fender bass is a must for me). And the G&L L2500 Tribute (a year and a half ago)wich is both active and passive. My next bass will be (I really hope and dream) an Adamovic Saturn 5 wich you also can switch between passive/active (still have to say a lot to buy this baby)
 
I started out active and have stuck with it since. I've got a few passives, and a few with active/passive options. I generally prefer the active tone, but I use all of the passives very regularly as well. They just sound "more alive" to my ears for lack of a better term.
 

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