What about preamp (SansAmp RBI or RPM for example) and poweramp combination? I have a SansAmp RBI paired with Peavey IPR 1600. Sound great, it's loud enough (for my purposes) and what's important it's light to lug around!
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I don't miss the native drive sound because it's not appropriate for everything I play and I like the clean headroom. And with the $400 price difference I got a B7K with all the metalesque drive I could need, plus more EQ (for those who say the LH1000 is lacking) and another DI - and money left over.What about the GK Neo 412 under an HK MB Fusion 800? Don't you miss the ability to overdrive right on the amp? The MB has 2 channels and a footswitch, so I'd have to get me a pedal overdrive or something to get that sound with the LH1000.
I did say it was _one_ rule - not _the_ rule. And the SVT gets back to the "tube watts" point, where you actually have way more than 300W on tap once you crank it. But generally "somewhere between 3x and 10x" seems a decent rule, all other things being equal which they rarely are, and considering how poorly watts convert to dB.I don't know where this "rule of thumb" came from, because when I was a young 'un learning bass, the rule of thumb was 2-3x - a 300W SVT to keep up with a 100W Marshall or Fender.
I would suggest you listen close to the experienced people here concerning two guitarists with those Marshall amps. Don't pay attention to the watts of those amps. Forget you read they are 100 watts. THEY ARE EAR BLEEDING LOUD!!! Now I don't know, perhaps your guitarists have power soaks and play at reasonable volume, but I have met too many of these Marshall slinging guitar players that play way too freakin loud - especially metal.
My guitards actually downsized their rigs to a 50W amp and 212 and a 30W amp with 412. Does not matter one bit. Still my ears would bleed if i used no protection. Guitar Watts are not to be compared to what we use. Guitar cabs are limited in their frequencies and only seem to reproduce the range that gets the ears ringing.
Thanks. Lots of advice saying "buy used". I accept that I could get a bargain, but I'm having cognitive dissonance trying to feel that buying used is a good idea. I've been promising myself shiny new toys if I got in the band; It's easy to order, I live in the middle of nowhere and I'll get free delivery in a few days if I buy new stuff; I get a warranty on new stuff.
Having said all that, my Roland amps were both bought second-hand at less than half the new price, and I love them. One did have a blown tweeter that I had to replace, but they are fine apart from that. But I bought them when I lived in Las Vegas NV and craigslist was humming with gear. Here in the Lincoln national forest all you can get on craigslist is used gun racks and ATVs.
Guys and gals,
I have just auditioned for a local band and been accepted! I am so very excited. I require a much more powerful amp now and I have been saving my pocket money. Please, please could you spare a moment and tell me what you would buy? A make and model, with or without an explanation (but an explanation would certainly be appreciated).
The band play mainly heavy metal and rock 'n roll. The two electric guitarists each have Marshal stacks pumping out about 350-550W I think. The Drummer plays acoustic drums. They band has a very powerful PA system they use at medium-sized gigs. The drums are mic's to the PA at gigs.
At the rehearsal I was using a linked pair of Roland KC-350 keyboard amps. The sound is great but they lack the necessary power for anything but rehearsal, and I'm concerned about over-stressing them and ruining them for keyboard amplification.
I think I need something like a 4x10 cab with at least 800w capacity and a suitable head. That should do it for all but the biggest gigs or outdoor performances, when I can DI or mic to the PA. Size and weight is an issue, and smaller, lighter kit would be more attractive. I understand the impedance issue and I think I will buy a single 8-ohm cab to go with an 8-ohm head, or a 4-ohm cab and 4-ohm head, and not think about later upgrading to 2 cabs, unless someone can persuade me otherwise. The guitar is a Yamaha TRBX174, budget but nevertheless a fantastic instrument in my mind, with no active electronics. My budget is around $1000 but I could stretch a little.
So my question is, if you were me, what amp would you buy? Many thanks in advance for your thoughts...
Dudes,
You have been a fantastic help. I have decided to mortgage the cat after all, go new, and go big-ish. I am upping the budget. I am thinking of 2 x 212 cabs for ease of portability (and giving me more options e.g. for smaller rig in smaller venues), instead of a 4x12. What do you think of this quote from Sweetwater?
1001RBII - Gallien-Krueger 700+50W Compact Head
2 x Neo212II - Gallien-Krueger 2x12" 600W Neo Cab w/Horn
$1600
"Rock and roll" or "don't be daft"?
Dudes,
You have been a fantastic help. I have decided to mortgage the cat after all, go new, and go big-ish. I am upping the budget. I am thinking of 2 x 212 cabs for ease of portability (and giving me more options e.g. for smaller rig in smaller venues), instead of a 4x12. What do you think of this quote from Sweetwater?
1001RBII - Gallien-Krueger 700+50W Compact Head
2 x Neo212II - Gallien-Krueger 2x12" 600W Neo Cab w/Horn
$1600
"Rock and roll" or "don't be daft"?
Dudes,
You have been a fantastic help. I have decided to mortgage the cat after all, go new, and go big-ish. I am upping the budget. I am thinking of 2 x 212 cabs for ease of portability (and giving me more options e.g. for smaller rig in smaller venues), instead of a 4x12. What do you think of this quote from Sweetwater?
1001RBII - Gallien-Krueger 700+50W Compact Head
2 x Neo212II - Gallien-Krueger 2x12" 600W Neo Cab w/Horn
$1600
"Rock and roll" or "don't be daft"?
Dudes,
You have been a fantastic help. I have decided to mortgage the cat after all, go new, and go big-ish. I am upping the budget. I am thinking of 2 x 212 cabs for ease of portability (and giving me more options e.g. for smaller rig in smaller venues), instead of a 4x12. What do you think of this quote from Sweetwater?
1001RBII - Gallien-Krueger 700+50W Compact Head
2 x Neo212II - Gallien-Krueger 2x12" 600W Neo Cab w/Horn
$1600
"Rock and roll" or "don't be daft"?
Great price and great looking setup. I would personally go with the MB800 as it is very close in price to the 1001RBII although the 1001RBII should certainly do the trick. And you may wish to get only one of the 212 cabs and just see how it blends before you order the 2nd one; IMO it would be borderline, it may or may not be enough but worth trying.Dudes,
You have been a fantastic help. I have decided to mortgage the cat after all, go new, and go big-ish. I am upping the budget. I am thinking of 2 x 212 cabs for ease of portability (and giving me more options e.g. for smaller rig in smaller venues), instead of a 4x12. What do you think of this quote from Sweetwater?
1001RBII - Gallien-Krueger 700+50W Compact Head
2 x Neo212II - Gallien-Krueger 2x12" 600W Neo Cab w/Horn
$1600
"Rock and roll" or "don't be daft"?
Great choice!
I had the GK 1001RB-II paired with an Avatar 410 - 4 ohm.
It was a great set up.
I eventually upgraded the amp to a GK 2001RB and cab to a GK neo 412.
Couldn't be happier!
I would also get a quote from RMCAUDIO.com
Send them an email saying talkbass recommended them!
I would also suggest maybe holding off on the second 212 cab unless you feel it's not holding up.