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Which Flat Wounds to Begin With?

The reason for downsizing a gauge from rounds to flats isn't just about the tension - the flats of the same gauge are noticeably thicker which may or may not be an issue for your nut. Why they call them the same gauge I don't know but hey.

I guess they name them after the gauge of the inner string before the flat wrap but that's just silly to me.

Anyway my vote is for D'Addario Chromes in your case 45-100 flavour. I love mine, and they're more enjoyable than any other strings I've tried on other basses.
 
If price is very important, I could see Fender flats or Chromes being good starting points. If you want a more classic flatwound sound, LaBella DTB 760FL (or FS or FM if you prefer higher tension) are all good, well-proven flats, they have set the standard for many years. I like TIs, but I agree they are not typical flats, neither soundwise nor tension-wise.

And to the OP, yes, most flats are stainless steel. There are some nickel flats, most notably TI flats, Optima flats and Pyramid Gold flats. They are typically more mellow sounding than SS flats. Of those three, TIs have the lowest tension, Pyramid Gold the highest, Optima mid tension, IME.
 
I'm generally cheap, and I love flatwounds because I don't have to change strings. Ever. Roundwound "zing" is over-rated ;)

So, I'll add another vote for Fender 9050L's and Daddario Chromes ECB80's as entry level flatwounds with equivalent tension to ML or even M roundwounds. I would add Ernie Ball Group IV's to the list, but IME these take a pretty long time to break in and have a different sound to the Fender and Daddario strings.
 
Depends on what tone you want. Old school woody thump get Labella. Those also have the smoothest feel. Like glass.

Chromes have more sustain and more midrange and zing like rounds. Decently smooth feel.

I like the EB cobalts these days. They sit more in the middle, and can go either way. A pretty neutral versatile flat. They start out with a slightly rougher feel than Labella and chrome but the smooth out after several hours of ply. Shouldn't be a problem if you're used to stainless less rounds.

With any set of flats I wouldn't go heavier than ~.045-.105. They tend to be higher tension and stiffness and have more mass than equal gauge rounds.

Also don't forget that when you first put flats on, that's not what they'll sound like in the long run, but you'll get the general character right off the bat. Their tone does not change as drastically over their life as rounds do, but they all settle in, and take a while longer to do so, then they last forever. Even the more bright ones. Broken in flats are awesome.
 
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I aim for as close of a double bass tone as possible. What flats might one recommend for an AS P bass?
I've heard that Nylon Tapewounds give a very double bass type sound. I can only get them in D'Addario and only in short scale locally, so I'm thinking when I get a short scale bass I will get them - they're also black which is a plus for my tastes. Online of course they're available in other lengths, but I'm settled with my Chromes now.

I borrowed a short scale bass that has what I believe to be tape wounds on (I removed one that sounded dead and it looked kind of like tinsel wrap coming away at the string end) and it has a very thumpy, deep, dead sound compared to my Chromes, that I would liken to a double bass.
 
Rotosound RS77 all the way. My string of choice since 1988. I'm the other way - put nice big ropes on there. I have the LE set on my basses.

If you want a slightly different sound but feel (relatively speaking) of flats, look at black nylon tapewound strings like RS88 set (Fender, LaBella, and Galli make 'em too).
 
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For what it's worth...the Fenders are cheap and seem dull and really lifeless. Rotos seemed the same way to me. The Ernie Ball cobalts are the best I've tried out of the three. I guess I'm a round wound kinda guy though.
 
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