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Which Rock Star Will Historians Remember?

Now let's reel it back even further. Who was Niccolò Paganini?

I guess that brings up the question of how the current "information culture" plays into what will be remembered. If everything after a certain point is being recorded and saved then how do we decide what is worth remembering? Or do we have to "remember" anything at all when we have so much data and material to refer to?


If it's based on digital recording, then the only possible answer is keyboard cat.

 
300 years from now there will be a cyborg Giorgio Tsoukalos

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nope. no one will know. no one will care.


Not sure about that. While I don't think the US has a lot of "world music" or music popular in other countries compared to say the UK, I am surprised about what other countries make a point to listen to regularly. A friend of mine, a transplanted Liberian, upon noticing my Allman Brother's shirt, made a comment and was surprised to find out that apparently they are big over in Liberia. Was told me US music made up a good portion of the radio's playlist. Could have knocked me down with a feather.
 
Who would you regard as Chinese or African "Rock Stars"?....:)
Well...for SURE Fela Kuti...as far as China? I know "Rock'n'Roll" is frowned upon in general, but I'm certain there IS somebody they regard as a true REBEL. During the Soviet Era, many bands played and recorded that I had never heard of until our singer married and lived in Russia. THAT stuff was quite odd to my ear, but he said one band(and sorry, their name escapes me) was on a par with Nirvana in that same time-frame. I'm STILL in the ZAPPA camp, no matter what...that stuff is BEYOND~
 
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I was in college 10years ago and I had an music history class. For the years 1900 to 2000 it was mostly about the various Jazz and in the same time classical music because if you look at it, Free Jazz and Dodecaphonism/Serialism pretty much started at the same time. But after the years 1960 it was pretty much like ... ok from here music changed with fashion and political view.

Frank Zappa was the only one cited for anything outside of Jazz and Classical music ... then we went back to classical music with modern composer

So I doubt they will talk about any rock artist ... they will probably talk about the various genre of music but dismiss it as mainstream and with no more value than McDonalds... well that is in a classical music college maybe in a pop music place it will be different.

I'm sure in class they will talk about Chick Corea and still talk about Frank Zappa but this is pretty much it.
 
I don't think the 24th century will remember anyone outside of classical/operatic music. Data could have listened to AC/DC, Jaco, or the Beach Boys. But instead, it's classical.



Ok, my actual suggestion: I bet you The Who will be remembered in 2365. I've met people who gave John Entwhistle major props for the work he did, despite not being bass players (or even musicians!) themselves. He did something right.



Yeah, but let's be realistic........Classical music is one GIANT F'ING cover band, and they don't even play the stuff on instruments that are correct era! I don't mean old instruments, I mean instruments that were popular but hadn't had their range set in stone, some are wildly different now, compared to then. Heck the current conductors on't even respect the nuanced number of instrument the pieces were written for originally.

Don't get me wrong but Zappa diagnosed the problem years ago. Very few can name a current era classical composer. Most of the set lists for a symphony are limited to about 100 tunes with little or no new music as the orchestras are afraid to introduce new composers to an audience that shows little interest, hence, Bach, Beethoven, Mozart and the rest of the Golden Oldies.

Sort of pity symphonies as they now aspire to playing a particular piece like some other orchestra that did a version that was memorable as opposed to authentic.

Imagine 100 years from now someone preferring ABC's version of Abbey Road over XYZ's rendition and somehow the version done by George, Paul, John, Ringo.
 
Yeah, but let's be realistic........Classical music is one GIANT F'ING cover band, and they don't even play the stuff on instruments that are correct era! I don't mean old instruments, I mean instruments that were popular but hadn't had their range set in stone, some are wildly different now, compared to then. Heck the current conductors on't even respect the nuanced number of instrument the pieces were written for originally.

Don't get me wrong but Zappa diagnosed the problem years ago. Very few can name a current era classical composer. Most of the set lists for a symphony are limited to about 100 tunes with little or no new music as the orchestras are afraid to introduce new composers to an audience that shows little interest, hence, Bach, Beethoven, Mozart and the rest of the Golden Oldies.

Sort of pity symphonies as they now aspire to playing a particular piece like some other orchestra that did a version that was memorable as opposed to authentic.

Imagine 100 years from now someone preferring ABC's version of Abbey Road over XYZ's rendition and somehow the version done by George, Paul, John, Ringo.

John Cage and Philip Glass are played but ... you know, it isn't easy listening like say Mozart ... You need to be more aware of what is going on to appreciate them.

Not so long ago I went to hear a small orchestra play some Lasse Thoresen, Kaija Saariaho and Linda Catlin Smith
 
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Spinal Tap. Aliens will find the movie and will search for Stonehenge

You know what, The Crucible gets used to teach the Salem Witch Trials so much, that for most people's awareness that play IS the Salem Witch Trials. Given that, I see no reason why Spinal Tap shouldn't be the way Rock and Roll gets taught to future history classes.