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Why aren't there more kickback/wedge bass amps?

tb-player

Why so serious?
Mar 6, 2019
6,713
29,968
East Coast, USA
I would love to have options for a powerful 210 kickback or even a 212. I really like having the sound hit me in the face and not in the back of my legs. That's the main reason I gig with a QSC CP12 monitor & a preamp pedal. But sometimes, I'd prefer a simple bass amp/cab combo.

I know MarkBass has one. I owned it for a while and it was super convenient, but it was only 300W and a little heavier than I would like. There used to be an SWR Super Redhead. It was heavy but sounded great. I think GK had one in the early 2000s too. Ashdown used to have a 210 and still offers a 112. Hartke also has a couple, but I'm not a huge Hartke guy. I think, ultimately, I'd dig a 500W GK kickback/wedge.

And while I know there are foam wedges and racks you can put your amp in (if it fits) a kickback just seems to make so much sense to me. I honestly wonder why more amp companies don't make them.

Does it have something to do with the cabinet and resonance or something? Or maybe they're not as prevalent as technology trends toward IEMs and better monitor mixes?? Or is there just no demand?

Curious... does anyone here think a kickback/wedge is more functional than a normal amp?
 
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Any combo can be a kickback. Add a set of Fender tilt back legs and you're good to go. Quilter makes them, too.

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Salud!

A 20$ stand does the same service. I play a kickback Ampeg combo in a rehearsal space and twice now I've seen it rolling down.

Whenever I have to use my amp, it's always with an amp stand. You uncouple the amp from the stage floor and need less volume to hear yourself better. Low content seems to diminish, though, so maybe it's not the sound you like. Live, I want mids to understand what I'm playing.
 
I also had the Markbass CMD 102P and I agree that it was definitely loud enough, especially when used as a stage monitor with an XLR out to the FOH. Regretfully I sold it. The bass player from a band opening for us forgot his amp and needed to play thru mine and so I was able to hear how it sounded for the first time out in the audience. My drummer and I both thought it was too loud and went up to advise the bass player to turn down a tad.

The Markbass 2x10 combo also has two very deep holes in the back that are very handy for storing cables and things during transportation. Although several pounds heavier than my GR Bass 2x12 Slim combos, I find the practicality and sound of the CMD 102P to such that I am seriously thinking about getting the new Mark V version that is out now.