I’ve always considered it a piece of mind feature in case of battery failure. I wish all my active basses had it. But I always run them active.
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Why buy a Sadowsky?
- Thread starter Dr. Cheese
- Start date
I don’t think it’s ugly per se, it just doesn’t go with that finish.
I feel the same way. I like the Fender design but I prefer other companies’s take on it. And I’ve yet to play a Fender B string I liked.
I wish some stores in my city would carry the Metro Express line. I’m resigned to never seeing a multi thousand $$ Metro or Masterbuilt in a local shop but I think the budget friendly Sadowskys could probably do well.
The best Fender five I ever played was the Roscoe Beck that I owned for a while, but was heavy and I did not like full-sized body. I had a Lakland Skyline DJ5 that was an incredible passive J5 too. My Modern has no Fender cognate.
I’ve heard good things about the Roscoe Beck model. I considered buying a Skyline DJ at one point.
Liked for "cognate", a very underused word.
Best Fender I ever owned. Wish I would have kept it.
My Fender AMPRO Precision V is good, but not great. It's way better with the Nordy pickup and tone drop I swapped in. The stock pickup was not good IMO. Plays really well though and the B string is decent, but not on the level of my higher end basses.
Sadowsky basses are great! I prefer the modern model!
Incorrect. Roger goes to the China factory ( recently too I believe). He’s pretty aware of the quality of the Chinese made units, and has been directing his attention to make sure they’re getting better with each run. yes, his primary focus is the NYC shop, but he’s spoken on video about his recent trips to the China facility.
If this new line is Warwick made its a good new. They got some cool features like the adjustable nut, gold frets and overall sturdy construction
I visited his shop a couple of years ago and felt the same - really expensive FSO with a preamp that did nothing for me. Just on price alone I knew they were not for me.
You kn
Screwdriver and $50 fixes that, with an endless amount of options. Black pearl is awesome, in my opinion. Just needs to be matched with the right colors.
No doubt... if it's not a pre-CBS there's about 15 manufacturers I'd buy from before Fender. Sure a holy grail vintage bass would be my pick but don't have 25K lying around.
FSO makers Mike Lull, Sandberg, Sadowski, Olinto, Moollon, Lakland, all OBLITERATE Fender and I'm not going out of my way to list more cuz the list it'd would get very very long.
This is probably the right way to think of it. I'd rather have one very expensive bass that'll always give me what I want until the end of my days. Than several racks of 400 to 1200$ basses where I look at it daily and say "what will do today's job." Marcus had that one bass he carried around NYC for 25 years. That's it for me. If you have the one you always grab for DECADES, that's well worth a price tag.
None of us on here are winning a Grammy lol. That aside if you are a serious hobbyists who wants the experience of a great hand crafted instrument. If a person thinks it's worth it. Then it's worth it. The audience is never gonna see a Fodera instead of a Fender and pass judgment lol hell the difference in sonic perception to an audience member would never tell the difference. I sound the same to them with a 4200$ boutique as I do a 500$ MIM Fender.
The players experience is the thing. When you are playing the best instrument you've ever owned. It's a plus. This is not about utility. Some of us make healthy money and can spoil ourselves. If I got nothing better than weekend festivals and wedding gigs the next 40 years as a serious hobbyist, I might as well pair my modest musical existence with an epic instrument to enjoy to ride.
It's like driving a BMW instead of a Honda. Is the Beamer better, maybe but maybe not. Both get you point A to B. But you pay for that smooth quiet ride. Not the utility. It's a quality of life thing.
This is a cool video - I've been aware of Sadowsky since at least the early '90s if not during the late '80s when I was a bass playing teenager, I remember seeing the ads for the preamp pedal and wanting it, not even sure what it would do! 
Here's a question - the early instruments were the STARS preamp? Including the one that Marcus Miller used? Then later on, the preamp was by Bartolini? It sounded to me like the "original" Sadowsky preamp - designed by Alex Aguilar - came out when they started putting out the pedals in the early '90s. This isn't the way I pictured the history in my head - good to hear it from the man himself!
Here's a question - the early instruments were the STARS preamp? Including the one that Marcus Miller used? Then later on, the preamp was by Bartolini? It sounded to me like the "original" Sadowsky preamp - designed by Alex Aguilar - came out when they started putting out the pedals in the early '90s. This isn't the way I pictured the history in my head - good to hear it from the man himself!
No G&L holds that title
G&L certainly holds (held?) that title for bridges
