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Why hasn't the 5-string P become more prominent?

+1. A lot of this has to do with tonal goals when it comes to using a 5. If you're a heavy slapper, and like an ultra-punchy/ultra-bright bass tone, then IMO no P5 would work for ya. Whereas a strictly fingerstyle who wants an old-school Jamerson-esque tone but with a Low B might really dig it. I should also add that I recently played a maple-board P5 at a local store, and it seemed that the B string was a little more clear with the stock setup/strings than was my rosewood version. IME of course.

I would just like to say that P/J basses actually can be pretty decent in the slap tone department. I say this as a person who for years disliked P/J slap tones.:smug:
 
I would just like to say that P/J basses actually can be pretty decent in the slap tone department. I say this as a person who for years disliked P/J slap tones.:smug:

I definitely prefer to opt for the PJ option myself as well.

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:hyper:
 
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I have a Lakland 55-02 and a DJ5 too, and I'm very happy with both.

ditto on this one. well I used to have a DJ5. sold it. got a Stingray 5. Sold it. Got a P5. Sold it. And now have a DJ5 coming back to me. SR5s and P5s are great great great basses. For me, I'm a jazz bass guy through and through. I love my 55-02. It sounds like a jazz bass hopped up on steroids. The DJ5 does it for me as well. I also have 2 4 string jazz basses that see a lot of gig time. I've had 4 string p basses. My thing and why I sold my P5 is it just wasn't the sound I thought I wanted. Just not my bag baby.

The guy I sold my P5 to wanted a simple P bass layout, wanted the P bass tone, but needed a 5th string for some of the new projects he's working on. It was great fit for him.
 
Back in the '80s, they were all the rage and guys were constantly playing those low, low notes, whether they fit the music or not (me too, admittedly). I still love them, but only in the right contexts. Spacing on most is not suited for slapping and the ones that have wider spacing also have super wide necks! It all comes down to what works for you and your music.