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kinda reminds me of those apps that add 'record surface noise' onto a sound file. sounds convincing, but not quite the same.
Same with relic'ing a bass or guitar.............YUCK!That, and “film artifacts” like dirt and scratches that are added to videos to make them look kind of vintage.
Same with relic'ing a bass or guitar.............YUCK!
Even if done "right" it's still a fake.Relic’ing a vehicle or instrument is an art. Do it “wrong” and it screams F-A-K-E.
By the same token, if I'm seeing a Doors' cover band...I would hope it's a Fender Piano Bass onstage & not a synth/sampler.
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I've seen a few pop up around Austin for $4-6k. They usually don't sell, they just reposted every couple months. Our keyboard shop, Switched On, had two in stock at one point. Both were on consignment from the original owner. The move to the shop was the first time they left his house since he bought them ~40 years ago.And a Gibson G101 organ - also old and quirky, but very much in demand, often commanding north of $2,000 for one in decent condition. How much do Mellotrons go for? (considerably more, I would think)
I was listening to some Porcupine Tree the other day. A Mellotron started playing and I immediately recognised it. I got me wondering... Why is the Mellotron still relatively popular in rock?
At the base, the Mellotron is an outdated keyboard from the early 60's. The sounds are choppy and quite limited. So why use it when newer, better sounding keyboards are available?
I'm not saying the Mellotron is a bad instrument, far from it. I'm curious as to how 50 years of keyboard evolution has failed to send the Mellotron into the forgotten pages of history.
Any theories or answers?
I remember an article about the Moody Blues from years ago that said Gary Pender (the original keyboardist) actually spent more time repairing the mellotron than playing it, often fixing it with wire and a pair of pliers. YES's Tony Kaye got so mad at his during a BADGER concert that he kicked it off the stage in a fit of rage.
BUT....Oh what a sound.
I think Robert Fripp owned 2 due their unreliability but I could be mistaken.I think Rick Wakeman topped them all with his infamous bonfire (see Interviews at the bottom of the page):
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I think Robert Fripp owned 2 due their unreliability but I could be mistaken.
Thanks - I knew it was something like that. I remembered that someone borrowed one from Fripp on at least one occasion (I think Tony Banks borrowed one as well back in the 70s), but I’d forgotten SW did much more recently.I read that he still owns some of his old Mark II's and 400's:
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In fact Steve Wilson used one of Fripp's Mark II's on a recent solo album (see the photo of him playing it):
Planet Mellotron Album Reviews: Wobbler
NIIIIIIIICCCCCE!!! That’s freakin awesome!!!!Why is the Mellotron still popular?
Because GOD plays a Mellotron and His is in perfect condition at all times.
Mine, not as good. But still heavenly.
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That would be Mike Pinder. He actually worked for the British electronics company that developed the instrument, giving the Moody Blues special access to it. He once remarked about how, when they were on tour in the US, the change in regional grid voltage between afternoon sound check and the night’s performance would play havoc on the motor speed, and create all sorts of pitch problems.I remember an article about the Moody Blues from years ago that said Gary Pender (the original keyboardist) actually spent more time repairing the mellotron than playing it, often fixing it with wire and a pair of pliers. YES's Tony Kaye got so mad at his during a BADGER concert that he kicked it off the stage in a fit of rage.
BUT....Oh what a sound.
Never thought of it that way...Same reason the piano/flute/violin are still being used centuries later - people like the sound.