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I think you may be falling into snobbism, which jazzers are often fairly accused of. I'm not a fan of Nickleback, the Beib, or Lady Gaga, but I won't dismiss them or their fans. There are no right or wrong reasons, in my opinion, for liking or disliking a certain genre or form of music. One can see the same snobbism, or perhaps anti-sobbism, in punk rock, metal, country, and just about any other form of music.
I was listening to NPR on the way home from work yesterday and heard Yo Yo Ma and Edgar Meyer along with a couple of other guys playing tunes from their new record. Their spirit of openess and curiosity was incredibly inspiring. Will their new record sell millions? Probably not, but they've all moved outside their respective roots to create new, interesting music. My point is simply that being dismissive of certain genres isn't really conducive to real musical growth, whether it's the monolith of jazz as a whole or pop or your target of choice.
That's drawing an arbitrary line. You could equally say "the [rhythms | harmonies |melodies] are quite impressive, but the music has no content"
You could equally say "the [rhythms | harmonies |melodies] are quite impressive, but the music has no content"
As would be saying it is inferior, or superior. There is no measure of how 'good' styles are.
it is not snobbish or elitist to recognize that one is a more complex and demanding form than the other.
If Lady GaGa and Justin Bieber define this culture, I would like to be as culturally irrelevant as possible.
I It is a fact that it takes more practice and study to be a complete jazz musician than it does to be a complete pop musician.
The rhythms, harmonies, and melodies ARE musical content, to me at least.
Agreed, to a certain extent. Please understand, I'm not trying to pick a fight with you or anyone else, but how should one respond to this statement?
Is that even a meaningful comparison? Most pop records are the work of a great many people working their own specific magic.
beggar98 said:Probably just as many people work on a jazz record as a pop record.
That's been my experience too, for the most part, but....
"If Lady GaGa and Justin Bieber define this culture, I would like to be as culturally irrelevant as possible."
How does one take a statement like this?
No a lot of people have there hands in the pop game. They have writing camps to get hit songs...

We need a palmface emoticon on TB.
I think the primary fact here is that people generally listen to music as a soundtrack to their lives - something that is reflective of their state of mind. Not many people are always in the mood to be reflective, deep, emotional, etc all the time. Most people just "wanna have some fun" or w/e. Most folks don't care about high art unless they took the time to give it a chance and go past what they see on the surface.
As for the ignorant self-important anti-jazz remarks made so many times in this thread, Isaac Asimov comes to mind:
Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'
Subjectivity is subjective. I dislike modern Pop music because 99% of it uses the exact same repetitive rhythm with a completely unoriginal 1-3 chord structure accompanied by autotuned vocals and random soundbites. The production is quite impressive, but the music itself has no content.
People can enjoy it if they want, that is the point of music. But saying it is equal to Classical or Jazz is ridiculous. I'm not a fan of Coltrane, but I still respect him and acknowledge that it is fantastic music.
Could someone compose music that includes all you've listed here that you would like?
If you can acknowledge that it's great music, what keeps you from being a fan? Or are you defining "fan" like "fanatic"- an extreme form of appreciation? If it's the latter I understand the statement.
Isaac Asimov comes to mind:
“Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.'”
One of my finance lecturers used to say "When the market is wrong, it's still right". Jazz peeps just need to deal with and accept the fact that the genre has been out of favour with the mainstream public for a long time. If you've devoted your life to being a jazz musician, and the mainstream public doesn't like the genre you love to play, you're either going to have to play what the mainstream public wants to hear or you're going to have to accept that you will never sell as many records as Justin Bieber.
So, please stop with the condescending remarks with regards to the sophistication or intelligence of mainstream listeners. They pay to listen to whatever genre they like. On average, they don't like jazz. So chances are you won't get paid much. Deal with it.
Popularity and quality are two very different things. The idea that popular = good is not only ridiculous but harmful to independent thought.