• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Winter NAMM 2017 (ultra Pic-heavy)

I'm new to Remco Hendriks. I see he is a player of substance, like Jan-Olof Strandberg, but is he more of a mannequin or has he recorded anything you would recommend musically? Like, beyond display of technique?
 
Last edited:
I'm new to Remco Hendriks. I see he is a player of substance, like Jan-Olof Strandberg, but is he more of a mannequin or has he recorded anything you would recommend musically? Like, beyond display of technique?

I suggest you go check out his YouTube channel to hear the songs he wrote. They're pretty good grooves.

Remco's Groove Lab
 
  • Like
Reactions: cdef
Hall E was a fun place to be. We (Boom Bass Cabinets) were down there along with Trickfish, Eich, LoPhat, Mike Arnopol (MAS/Sonic Farm), Wayne Jones, etc. We spent time hanging out with the crew from Paul Lairat Basses, the small builder vibe was very cool on the "bottom" floor. ELEGEE from the Phillipines had some interesting custom basses, even had a miniature Marcus Miller 4.

View attachment 1037858

hey brad! it was nice meeting you there and thank you for dropping by our booth and for the hang. we're back in manila back to the daily grind. never really got the chance to really thank you for the kind words and warm welcome. being first timers at namm we had major jitters and we were a bit lost with all the stuff goin on. but we had fun. we hope to see you again next year. we'll definitely have a bass or two stationed at your booth. your cabs are killer man!
 
hey brad! it was nice meeting you there and thank you for dropping by our booth and for the hang. we're back in manila back to the daily grind. never really got the chance to really thank you for the kind words and warm welcome. being first timers at namm we had major jitters and we were a bit lost with all the stuff goin on. but we had fun. we hope to see you again next year. we'll definitely have a bass or two stationed at your booth. your cabs are killer man!


Great meeting you guys too, Roger. You're doing great work so telling you that was easy ;) Looking forward to the next time.
 
  • Like
Reactions: rogeralcantara
Forgot I took these pics. Incredible color in this Fender JB on the wall at NAMM17

IMG_1188.JPG
IMG_1189.JPG
IMG_1190.JPG
 
Hey! Was wondering if anyone saw/tried out the Stingray 5 30th Anniversary? Been trying to find any word on it because I'm gassing pretty hard for one (hopefully I can catch them before the end of the year?)

I would post a new thread in the basses section. You would probably get more hits there. Good luck with it.
 
well, for those that are gluttons for punishment, the entire set. The second flute player turned out to be a monster. Ignore the vocals in Elanor and the wonky solo at the end was behind the back and with teeth (not practiced since my guitar days, at least the teeth part). The first act was a comedian who played a key tar with his tongue so I had to go there...

Three songs, three different basses. Just because...

Ibanez SRSC805 strung E-C on Red Clay, MTD 625-24 on Afro Blue (just got it yesterday and never gigged a 6'er), YYD on Elanor.

IMG_0609.jpg


IMG_0610.jpg



Red Clay is a "classic"..nice rendition.
 
I might not make it down this year - gigs tonight, sat and sun. Fri is a day job day from hell. Maybe Sat AM if I'm energetic.

On a plus note, Presonus announced a nice looking interface that I'll likely get :D

Prayers to the Rainey family. I've been lucky enough to meet Chuck twice - once before his stroke and once afterwards. The second time I commented that it was great to see him. Chuck replied, "man, it's great to be seen!" He's freakin' awesome, sweetest guy in the world.
Really digging the Steely Jam...
 
First off, hats off to Wintremute, he's pulling more than double duty with the pictures compared to the rest of us combined.

Saturday was a bit more relaxed for me, rather than jetting around the place on my own trying to see as much as possible, I took my time with a friend of mine and looked at a few items more extensively.

First up: Lowdown Basses.

This is a new company based out of Chicago that makes more affordable custom basses. Prices ranged from 1500-2500. They caught my eye on Friday and I made it a point to come back Saturday after talking with their luthier Tim Seisser for a bit. Glad I did. They have a kind of rugged elegance to them, with all the grainy wood and nothing but oil finishes. When I sat down with them a played a while, I immediately noticed how comfortable they were, in the sense of a broken in catchers mitt or a favorite pair of shoes. the wood finish felt wonderful; the feel of lightly oiled grain under your hands lends a sense of groundedness with the instrument. Your body is more able to intuit what it's doing with the instruments when you have that extra sensory feedback. The neck was nice - slightly wider fretboard with a comfy back and 34" spacing made playing naturally easy without having to get used to it. They sounded superb - I could easily get an aggressive roar out of them, or dial it back to a mellow thump with a turn of the tone knob. It's worth noting that the two that I played were passive; just a volume, pickup selector, and tone. I'm usually dead-set on active circuitry, but for once I didn't feel like the basses needed them in the slightest. They sounded great by default.

I immediately got the impression that these are working-man's instruments, not meant to be particularly showy, ostentatious, or absurdly polished (though they certainly are pretty), but something you can take on the road with you and enjoy without fuss. It's worth noting that Tim said that this was the explicit design philosophy behind them, which he nailed. Color me impressed - this is a company to watch in the future for sure.

s6XqeUY.jpg


0ankamy.jpg



In the same booth were the SonicFarm amps, which also sounded wonderful. I didn't really play around with them too much, I was more focused on the basses, but I managed to grab a blurry shot of them:

6NuWjP1.jpg




Somebody requested more Sandberg shots, so I tried to get some more I may have missed.

NM5HOhO.jpg


kEXhBz9.jpg

l60n7bO.jpg


h2JPnET.jpg


xBzNlF4.jpg


67bKmrF.jpg


6vwCQgm.jpg


KDFqCfU.jpg





Equilibrium Guitars. These were designed with the modern-day shredder in mind: slim, quick neck and jumbo frets that made zooming and tapping around the fretboard easy as pie. The active electronics made it easy to dial in an aggressive middy tone perfect for any modern day metal band. These kind of gave the opposite impression of the LowDown basses: smooth and sleek and waiting to unleash whatever wanky mayhem you can think of. I liked them :)

XGV2vRC.jpg


RiVcjdy.jpg



speaking of wanking, here's a final shot of yours truly noodling away on that Sandberg puzzle bass:

N5f4Wi2.jpg


After two full days at the convention, I'm all NAMM'd out for this year. I'm going to enjoy a quiet rainy sunday and let my feet recover. Turns out Converse aren't the proper shoe for walking around 10 hours a day :atoz:
Great pictures. It was hard to see everything. Attendance was around 100,000 people from what I was told. I got to play Ida Nielsen's bass and had to have it! Bought it as soon as it got to Chicago! Was great to meet Ida as well!
 

Attachments

  • IMG_5973.JPG
    IMG_5973.JPG
    1.1 MB · Views: 91
  • IMG_5969.JPG
    IMG_5969.JPG
    658.7 KB · Views: 84
  • IMG_7693.JPG
    IMG_7693.JPG
    340.3 KB · Views: 79
  • IMG_5966 CROPPED.jpg
    IMG_5966 CROPPED.jpg
    462.3 KB · Views: 87
Cabs with multiple speakers, particularly 2x12 and 2x15 (if anyone dares to make those things anymore!).

Edit: And I wouldn't mind a comment or two about the Genzler Magellan 212, please, especially if Barefaced shows up with their Big Twin and is sitting right next to them and you could compare them! :-)