TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I'm new to Remco Hendriks. I see he is a player of substance, like Jan-Olof Strandberg, but is he more of a mannequin or has he recorded anything you would recommend musically? Like, beyond display of technique?
Hall E was a fun place to be. We (Boom Bass Cabinets) were down there along with Trickfish, Eich, LoPhat, Mike Arnopol (MAS/Sonic Farm), Wayne Jones, etc. We spent time hanging out with the crew from Paul Lairat Basses, the small builder vibe was very cool on the "bottom" floor. ELEGEE from the Phillipines had some interesting custom basses, even had a miniature Marcus Miller 4.
View attachment 1037858
hey brad! it was nice meeting you there and thank you for dropping by our booth and for the hang. we're back in manila back to the daily grind. never really got the chance to really thank you for the kind words and warm welcome. being first timers at namm we had major jitters and we were a bit lost with all the stuff goin on. but we had fun. we hope to see you again next year. we'll definitely have a bass or two stationed at your booth. your cabs are killer man!
This one?That was pretty cool of them to do and greatly appreciated by those of us with no means to get into an event like this. Added bonus it put Hammersmith on my radar. That red PJ Remco was playing was of very high interest to me.
Hey! Was wondering if anyone saw/tried out the Stingray 5 30th Anniversary? Been trying to find any word on it because I'm gassing pretty hard for one (hopefully I can catch them before the end of the year?)
well, for those that are gluttons for punishment, the entire set. The second flute player turned out to be a monster. Ignore the vocals in Elanor and the wonky solo at the end was behind the back and with teeth (not practiced since my guitar days, at least the teeth part). The first act was a comedian who played a key tar with his tongue so I had to go there...
Three songs, three different basses. Just because...
Ibanez SRSC805 strung E-C on Red Clay, MTD 625-24 on Afro Blue (just got it yesterday and never gigged a 6'er), YYD on Elanor.
![]()
![]()
Really digging the Steely Jam...I might not make it down this year - gigs tonight, sat and sun. Fri is a day job day from hell. Maybe Sat AM if I'm energetic.
On a plus note, Presonus announced a nice looking interface that I'll likely get
Prayers to the Rainey family. I've been lucky enough to meet Chuck twice - once before his stroke and once afterwards. The second time I commented that it was great to see him. Chuck replied, "man, it's great to be seen!" He's freakin' awesome, sweetest guy in the world.
Great pictures. It was hard to see everything. Attendance was around 100,000 people from what I was told. I got to play Ida Nielsen's bass and had to have it! Bought it as soon as it got to Chicago! Was great to meet Ida as well!First off, hats off to Wintremute, he's pulling more than double duty with the pictures compared to the rest of us combined.
Saturday was a bit more relaxed for me, rather than jetting around the place on my own trying to see as much as possible, I took my time with a friend of mine and looked at a few items more extensively.
First up: Lowdown Basses.
This is a new company based out of Chicago that makes more affordable custom basses. Prices ranged from 1500-2500. They caught my eye on Friday and I made it a point to come back Saturday after talking with their luthier Tim Seisser for a bit. Glad I did. They have a kind of rugged elegance to them, with all the grainy wood and nothing but oil finishes. When I sat down with them a played a while, I immediately noticed how comfortable they were, in the sense of a broken in catchers mitt or a favorite pair of shoes. the wood finish felt wonderful; the feel of lightly oiled grain under your hands lends a sense of groundedness with the instrument. Your body is more able to intuit what it's doing with the instruments when you have that extra sensory feedback. The neck was nice - slightly wider fretboard with a comfy back and 34" spacing made playing naturally easy without having to get used to it. They sounded superb - I could easily get an aggressive roar out of them, or dial it back to a mellow thump with a turn of the tone knob. It's worth noting that the two that I played were passive; just a volume, pickup selector, and tone. I'm usually dead-set on active circuitry, but for once I didn't feel like the basses needed them in the slightest. They sounded great by default.
I immediately got the impression that these are working-man's instruments, not meant to be particularly showy, ostentatious, or absurdly polished (though they certainly are pretty), but something you can take on the road with you and enjoy without fuss. It's worth noting that Tim said that this was the explicit design philosophy behind them, which he nailed. Color me impressed - this is a company to watch in the future for sure.
![]()
![]()
In the same booth were the SonicFarm amps, which also sounded wonderful. I didn't really play around with them too much, I was more focused on the basses, but I managed to grab a blurry shot of them:
![]()
Somebody requested more Sandberg shots, so I tried to get some more I may have missed.
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Equilibrium Guitars. These were designed with the modern-day shredder in mind: slim, quick neck and jumbo frets that made zooming and tapping around the fretboard easy as pie. The active electronics made it easy to dial in an aggressive middy tone perfect for any modern day metal band. These kind of gave the opposite impression of the LowDown basses: smooth and sleek and waiting to unleash whatever wanky mayhem you can think of. I liked them
![]()
![]()
speaking of wanking, here's a final shot of yours truly noodling away on that Sandberg puzzle bass:
![]()
After two full days at the convention, I'm all NAMM'd out for this year. I'm going to enjoy a quiet rainy sunday and let my feet recover. Turns out Converse aren't the proper shoe for walking around 10 hours a day![]()
Great pictures. It was hard to see everything. Attendance was around 100,000 people from what I was told. I got to play Ida Nielsen's bass and had to have it! Bought it as soon as it got to Chicago! Was great to meet Ida as well!