Disclaimer: Just wanna start by saying, I have the enormous respect for all the builders on here. The comment I'm about to make is not a shot at anyone by rather an observation and a question about the nature of the luthiers scene as it seems to occur in most places.
Wood P@rn - why do we bother with it?
Now, I'm not wanting to start a tone wood debate or whatever, but I have noticed that there are certain things within luthier circles that are looked upon as "the thing to do". The main one, from what I can figure out is laminates of figured wood. Properly made guitars apparently should have it. All of the standout basses on this forum appear to be covered in it. In some cases to the point where it literally hurts my eyes. Different burls, birdseyes and whatever all on the instrument.
What I want to know is, beyond visual aesthetics, does it actually add to the instrument?
Now I know music is about 50% aesthetics. That's as it should be and we're creating paintbrushes for artists, if you will. But it still leaves me wondering.
Wood P@rn - why do we bother with it?
Now, I'm not wanting to start a tone wood debate or whatever, but I have noticed that there are certain things within luthier circles that are looked upon as "the thing to do". The main one, from what I can figure out is laminates of figured wood. Properly made guitars apparently should have it. All of the standout basses on this forum appear to be covered in it. In some cases to the point where it literally hurts my eyes. Different burls, birdseyes and whatever all on the instrument.
What I want to know is, beyond visual aesthetics, does it actually add to the instrument?
Now I know music is about 50% aesthetics. That's as it should be and we're creating paintbrushes for artists, if you will. But it still leaves me wondering.
