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Worship Bass Pedalboards

I think I just toasted my VMT.

The Compressore was fading in and out of a distorted signal, so I bypassed pedals until I determined it was the Compressore.

Seems the Ojai R30 doesn't have enough juice to power the MB pedals, so I was changing the power cabling from the R30 to the MB pedals to use the wall wart. I should have taken the time to unplug / turn off all power first. I think I plugged the MB wall-wart into the current doubler adapter which was still plugged into the Ojai 12V feeds, and there was a loud pop.

Everything still works except the VMT. No light, no workie.

The Compressore is my favorite and always on, with the VMT a close second and always on.
 
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It's all your fault!

Also got a Submarine preamp clone, the Ictineo. It embellished the harmonic content of a driver if you run it after.

I'm sure the congregation will notice the difference right away!! :woot:

Sorry :laugh: Not!

You will notice the difference with your Alclairs for sure!
 
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I think I just toasted my VMT.

The Compressore was fading in and out of a distorted signal, so I bypassed pedals until I determined it was the Compressore.

Seems the Ojai R30 doesn't have enough juice to power the MB pedals, so I was changing the power cabling from the R30 to the MB pedals to use the wall wart. I should have taken the time to unplug / turn off all power first. I think I plugged the MB wall-wart into the current doubler adapter which was still plugged into the Ojai, and there was a loud pop.

Everything still works except the VMT. No light, no workie.

The Compressore is my favorite and always on, with the VMT a close second and always on.

Ouch! :eek:
 
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I think I just toasted my VMT.

The Compressore was fading in and out of a distorted signal, so I bypassed pedals until I determined it was the Compressore.

Seems the Ojai R30 doesn't have enough juice to power the MB pedals, so I was changing the power cabling from the R30 to the MB pedals to use the wall wart. I should have taken the time to unplug / turn off all power first. I think I plugged the MB wall-wart into the current doubler adapter which was still plugged into the Ojai, and there was a loud pop.

Everything still works except the VMT. No light, no workie.

The Compressore is my favorite and always on, with the VMT a close second and always on.

Bummer. Doug (username Darkglass) is pretty good about customer service, even when it's the customer's fault. Fire him a PM/post in the DG thread/send an e-mail to the company.
 
It's all your fault!

Also got a Submarine preamp clone, the Ictineo. It embellished the harmonic content of a driver if you run it after.

I'm sure the congregation will notice the difference right away!! :woot:

The Ictineo had caught my attention too. Looks like an interesting pre. I'm a Fender tone type of guy, had a Bassman way back when. Can the Ictineo model a Bassman fairly closely? Clips I've heard sounded pretty good
 
Wow! That's phenomenal. Great tone, and a very polished worship band/production. Great quality sounding recording as well! That's very rare.

So I'm just getting into using effects after playing for decades. And in particular I'm trying to find a useful outlet for the octave pedal. You said you used it in the last chorus of the third song (which is a great song), but I'm missing it. How did you use it? Are you basically playing higher up and letting the octave pedal generate the low bass note? That's what it looks like in the video at least. What's the difference between doing that and just playing the actual low note? Do you find that the octave pedal gives the notes a certain character or tone that you like compared to just playing the note?

Thanks for sharing all that stuff. It's very inspirational as I search for my "new and improved tone".
Thanks for the kind words! As for the octave I use it in a few ways. Sometimes it's my cheating method to pull off a 5 string if I'm playing a 4 but really want that low b (or a...) in certain songs I'll use it to cover synth tones of add some texture to the sound. Last, at some campuses we run really small bands (small by a our standards at least) with an acoustic, single electric, keys, drums and bass. In that case I'll use a lower setting with a lot of clean blend to just thicken things up. In that clip I posted its mostly chasing a 5 string in parts.
 
Ever run the Noble into the OCS?

@ExaltBass

No, if you try it let me know. I've always thought of the Noble as my last link, not as 'another' preamp.
All my basses, except my '59 P, have onboard preamps. So, leading up to the Noble's DI stage, I have a minimum of 3 preamp possibilities. The question for me is, is the DI as good? Jensen?
 
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.........The question for me, is the DI as good? Jensen?
I PM'd the DSM guy awhile ago, regarding the DI. He replied that it's a "high quality" DI that will block any 48v phantom power concerns I had. An interesting a/b test (which I haven't done) would be...

• OCSD DI>FOH
vs
• OCSD (affected 1/4" out)>JDI (box)>FOH
 
I PM'd the DSM guy awhile ago, regarding the DI. He replied that it's a "high quality" DI that will block any 48v phantom power concerns I had. An interesting a/b test (which I haven't done) would be...

• OCSD DI>FOH
vs
• OCSD (affected 1/4" out)>JDI (box)>FOH

That would be an excellent test!
 
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image.jpg
Back to the Nano...best sound I've had in a long time.
 
I PM'd the DSM guy awhile ago, regarding the DI. He replied that it's a "high quality" DI that will block any 48v phantom power concerns I had. An interesting a/b test (which I haven't done) would be...

• OCSD DI>FOH
vs
• OCSD (affected 1/4" out)>JDI (box)>FOH

Could you be please do this? At all our venues, FOH wants us to 1/4" into the JDI>FOH. So, it would be nice to know how well it works both ways.
 
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