Doesn't have the same ring as anti-dentiteWell, you snuck in on a technicality, lol. I suppose one pedal on a board counts. I was going to call you an anti-pedite or -pedalite, but it didn't have the same ring to it.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Doesn't have the same ring as anti-dentiteWell, you snuck in on a technicality, lol. I suppose one pedal on a board counts. I was going to call you an anti-pedite or -pedalite, but it didn't have the same ring to it.
Right. At least you got the reference, lol. I was going for the old Seinfeld throwback.Doesn't have the same ring as anti-dentite
You technically only have like 10 effects that can be on at the same time.
#minimalismYou technically only have like 10 effects that can be on at the same time.
Right. At least you got the reference, lol. I was going for the old Seinfeld throwback.
"Not that there's anything wrong with that."I have probably seen every Seinfeld episode about 20 times. My wife just got me a Seinfeld t-shirt for gigging the other day.
I have probably seen every Seinfeld episode about 20 times. My wife just got me a Seinfeld t-shirt for gigging the other day.
You know the rules! No pic, not Seinfield T-Shirt!
Strymon Blue Sky...I'll be listing mine soon (just not using it)........Can anyone recommend a reverb pedal with topjacks? Preferably one that has the option to choose between spring, plate, and room.
Sorry, should have mentioned I'm looking to keep it less than 2 3/4" wide.Strymon Blue Sky...I'll be listing mine soon (just not using it)...
[Invalid or Expired Link Removed]What is that junction box in the upper left?
Awesome, thanks for the response![Invalid or Expired Link Removed]
Better posted here:Just a question – do any of you folks feel that the bass comes in 1) too early and 2) too low in modern worship songs?
I've lost track of how many Hillsongs where the bass just thunders in low whilst all the other instruments are still playing dynamically light and high.
Maybe it's a style thing. I tend to save my low notes for the bigger dynamic moments and play up the neck until later in the song. My gigging background has a lost of Post-Rock/Post-Metal so I like to keep the power of the bass ready for huge moments but noticed that if I play along note-for-note with most worship songs, they let the cat out of the bag pretty much straight away.
I'm questioning my approach a little – is there something I'm not giving the congregation by saving those notes still what I think is a more dynamically appropriate time?