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Worship Bass Pedalboards

I've been a passive reader of these posts for a while now, and I'm curious... I don't use any effects other than compression and (in a function band) for a synthy tone, an octave pedal... would I be ousted for not having a "worship" tone? I'm a lot older than most of you I suspect, but man, I miss the old Integrity Hosanna days with Abe Laboriel, Craig Nelson and Don Harris... clean, warm and sooooooooo musical...

I dunno... P&W to me, has become a "business" all unto itself. And yes, I am fully aware I'll be shot down in flames for my utter heresy, but man, it's become an industry... anyway... bless you all... some very tasty pedalboards (and yes, I used to have a monster board not too long ago)

It was an industry then, too, just not as big as it has grown into today. I don't miss the H/I/V music scene, but I know plenty of people who do. And that's fine. Ultimately, it's a question of what you do with the music, not which stream you draw from or the way in which you play it. Just as in the pop world, there's always been good P&W music and ... let's just say not so good P&W music. That's true theologically and musically. And we'll differ on which music fits where in that spectrum.

As for tone, I have my own, and plenty of people here do. You said you've been reading for a while; maybe you should review the uploaded photos. At least recently, there aren't as many as I'd hoped, but there are some over time. And what's on them doesn't always include synths (or octaves). Mine is among those that don't and nobody has cast any stones my way.

Finally, don't judge lest ye be judged, etc. I've yet to see anyone shot down in flames. I have seen respectful discussion and love.
 
I don't think it's being judgmental at all.. it's having an opinion and the courage of my convictions... actually, it's about reading threads that talk about the "worship tone" and wondering what that really meant... I suppose it's like the modern metal tone, if you don't have a Dingwall and a Darkglass, you can't play with.
I dunno... P&W is a business, I get that...

I leave you all with this...
(99) I See the Lord Live Ron Kenoly - Abraham Laboriel's Bass Solo - YouTube
 
So I am fairly certain I am going to be selling my IE Xerograph Deluxe as I have yet to use it at church, but I was wondering if any of you could provide input on two pedals that could take its place: 29 Pedals EUNA or Empress Para EQ. Both of these provide tone shaping, but in different styles.
 
So I am fairly certain I am going to be selling my IE Xerograph Deluxe as I have yet to use it at church, but I was wondering if any of you could provide input on two pedals that could take its place: 29 Pedals EUNA or Empress Para EQ. Both of these provide tone shaping, but in different styles.
Here's your delima the EUNA great if you have or know of the pedals to take advantage of it. Withvm comes with cost of other pedals if you don't have them. While the para EQ is great, if you play actives w EQ, you may find the redundancy not to your liking. I do plan to build a analog board where I'll use the para EQ mainly for my passive instruments.
 
Here's your delima the EUNA great if you have or know of the pedals to take advantage of it. Withvm comes with cost of other pedals if you don't have them. While the para EQ is great, if you play actives w EQ, you may find the redundancy not to your liking. I do plan to build a analog board where I'll use the para EQ mainly for my passive instruments.

Thanks for the feedback! The current pedal list is Polytune > Cali76 CB > Hudson Broadcast > Horrothia Type One Chorus > Passive DI. Do you think the EUNA would play nice with those? I only ever play with a P-Bass.
 
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Thanks for the feedback! The current pedal list is Polytune > Cali76 CB > Hudson Broadcast > Horrothia Type One Chorus > Passive DI. Do you think the EUNA would play nice with those? I only ever play with a P-Bass.
I would say do your research and make sure it's going to produce what you're looking for. Research each pedal and their interaction with other pedals. The para EQ is pretty straight forward. To it's seems DAs dirtfixer would be a better option.
 
The Empress Para EQ Deluxe MkII is a killer pedal. I had one with my Empress Bass Compressor going into a REDDI. Probably the best sound I've ever had. I think I regret selling it all and getting a Stomp. The Stomp has more options, smaller, less than 1/3 the price of the Empress/REDDI rig, but it doesn't have the same "feel" that the analog rig did.
 
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The Empress Para EQ Deluxe MkII is a killer pedal. I had one with my Empress Bass Compressor going into a REDDI. Probably the best sound I've ever had. I think I regret selling it all and getting a Stomp. The Stomp has more options, smaller, less than 1/3 the price of the Empress/REDDI rig, but it doesn't have the same "feel" that the analog rig did.
I think this might be what pushes me over the edge to purchase! Empress Para and Cali76 CB would likely also be a killer combo.
 
I have never used the Cali but it is obviously a good one. I really liked the Empress. The only compressor I've liked since my LA-1A. I've said before that Empress would have a KILLER pedal if they combined the Bass Compressor with the Para EQ Deluxe. The high and low pass filters along with the rest of it are just amazing at sculpting your tone. Add some compression and run it through a tube DI…done. Unless you need other effects. I'm finding I really don't. I've added and used some with the Stomp but I could just as easily not. Filter for one song. Some drive for others. No one would really notice or care if I didn't.
 
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I have never used the Cali but it is obviously a good one. I really liked the Empress. The only compressor I've liked since my LA-1A. I've said before that Emoress would have a KILLER aid they combined the Bass Compressor with the Para EQ Deluxe. The high and low pass filters along with the rest of it are just amazing at sculpting your tone. Add some compression and run it through a tube DI…done. Unless you need other effects. I'm finding I really don't. I've added and used some with the Stomp but I could just as easily not. Filter for one song. Some drive for others. No one would really notice or care if I didn't.
While I would love to get a Tube DI such as the REDDI or Noble, the price inhibits me while I fix a roof and replace a furnace. I am slightly tempted to get a Sushibox Finally so I can get that tube goodness.
 
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While I would love to get a Tube DI such as the REDDI or Noble, the price inhibits me while I fix a roof and replace a furnace. I am slightly tempted to get a Sushibox Finally so I can get that tube goodness.
I'm using an hx effects mainly for the pitch shifter into an mxr bass compressor into the bass rig super vintage. Plenty of tubey goodness just without the tube. But the bass rigs are expensive themselves. If I didn't need the EQ I would go with a Kahn vtdi that may be worth looking into for you
 
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I love the Khan VTDI
IMG_7956.jpeg
 
The Oracle and Noble are both excellent preamps. Both have worked really great for me but one criticism I've heard from others is the lack of a mid control especially running ears no amp.
The Oracle does have a mid control, though. Want to boost just mids? Set the Range control where you want it, then cut Bass and Treble. Want to cut mids? Do the opposite. Want to boost bass and mids? Set Range up past noon, then boost Bass. It took some time to figure it out but it's actually a very powerful eq masquerading as a simple two band. Not to mention the switches.
 
The Oracle does have a mid control, though. Want to boost just mids? Set the Range control where you want it, then cut Bass and Treble. Want to cut mids? Do the opposite. Want to boost bass and mids? Set Range up past noon, then boost Bass. It took some time to figure it out but it's actually a very powerful eq masquerading as a simple two band. Not to mention the switches.
Oh I agree 100%. I have a Noble a couple of friends have used and one of them had an Oracle he let us take out. I loved the Oracle. Both these guys do fly dates though and I got the impression they just wanted something more familiar when using the amp du jour.
 
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