My favorite is the Octabvre. Some pedals may change, but this one is staying. I bought one when they first came out and sold it. It's nice to have one back. I have the mini now.
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Worship Bass Pedalboards
- Thread starter Cshanks5
- Start date
My favorite is the Octabvre. Some pedals may change, but this one is staying. I bought one when they first came out and sold it. It's nice to have one back. I have the mini now.
A Khan is what I'm planning to add next myself. I'll have my base board all put together tomorrow I believe.the khan is like the same dimensions as a noble… I have mine mounted on a nano+ with stomp and tuner. Now that you've tried tubes…
The Teeth is great. The low end is less effected so it comes through a bit more. It is off my board at the moment, but I'm hanging on to it.
I used it for a low gain overdrive. It's very versatile. I didn't get any kind of fuzz out of it though.
I think it is an OC-2 on one side of the tone knob and a Mutron octave on the other side. They can be blended together. It also has a volume control which is a nice addition. I can really boost it for a room filling sound, or back it off to be a bit more subtle.
looking at the dimensions online, the khan and noble are very close to each other in terms of pedal board real estate. it probably wouldn't fit with the GLXD+ but there's no overhang top/bottom or side/side on this board (unless you count the cables):
I think you've already answered this for yourself
Mount the Khan beneath your Nano+. It's easy enough to buy taller rubber feet for Pedaltrain boards.
Already have the DC7 under there.I think you've already answered this for yourself
Mount the Khan beneath your Nano+. It's easy enough to buy taller rubber feet for Pedaltrain boards.
DC7 + Khan won't fit. I believe you could make a SOL work (at least from what I've mocked up in Pedal Playground).
Edit: I stand corrected. I was actually mocking this up a while back for a Mono Lite, not a Lite+.
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Khan VTDI + Cioks DC7 absolutely fit. I don't have my Khan mounted beneath my Mono Lite+ board (same 18" size as Nano+) because the Mono feet are unable to be swapped out for taller ones so for this photo I set my Khan next to the DC7. As you can see, there is room to spare:
When doing this you still need to be careful with wiring and layout because an upside-down Khan can produce some electromagnetic interference. I learned this when mounting a Khan beneath a bigger board.
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The main problem with the Khan is that power and XLR are on opposite ends which means you've got to plan for clearance for one or the other. Unfortunately I no longer have a Khan in hand so I can't say with 100% certainty. Would love to be wrong because it may save me from buying another SOL.
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I may have a solution for the feet issue. Printing something right now in TPUI got you
(See above.)
Ok. I listed some stuff for sale. I don't *need* the synth, but I don't *need* those pedals. So, either way, I guess I end up with something that I don't need. Haha. But, I think the synth would really get a lot of use. Now we wait...
IvanBassist
Commercial User
- Jun 8, 2008
- 3,758
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Steve,
You spend an incredible amount of mental energy and time fretting about your setup. Just go play. And/or donate that time and any money you would spend to charity.
I took a year off TB to clear my mind of the equipment swirl that it causes. It was liberating. In that year, I bought nothing music related and didn't even want to. (I did have a guitar refretted.)
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I did get a chance to listen, and you guys sound great!Regular E standard
The E string does look big in the video, though
This week's pedal board. The CAPO arrived and is getting a try-out. Sending two DI-outs from the CAPO, one clean console tone after the DCX Bass, the second after the full board. Using the HX One for Line 6 Chorus and for EHX Memory Man Modulated Delay.
As a newbie to the pedal thing, I have learned a lot over the winter months and the members of this thread have been so helpful! NickyBass, moorebass, and MikoFX, thank you. Anyhow, we are featuring a new Easter Anthem written by our WL's that calls for a HUGE sub bass part. From this thread, I have learned to combine Octave+Fuzz+Chorus+Pick to an amazing effect. The combo does sound like a modulating synth bass and will be explosive tomorrow. I'm guessing it resembles an EHX Bass Microsynth sound. I have alerted the WL of the pending bass drama and he is excited (which also started our Moog GAS dialogue). Please think of me starting at 6:45am rehearsals. Two services, about 1,200 congregants each.
I think I will again go Fender CS P bass with flats. I have a Lakland P bass with rounds that sounds great, but the P bass and flats just sounds so pro on many of the song sections. For example, we are playing the new song Bless God by Brook Ligertwood (Hillsong) and the flats just sit in the mix perfectly. The CAPO's preamp saturators are just right.
As a newbie to the pedal thing, I have learned a lot over the winter months and the members of this thread have been so helpful! NickyBass, moorebass, and MikoFX, thank you. Anyhow, we are featuring a new Easter Anthem written by our WL's that calls for a HUGE sub bass part. From this thread, I have learned to combine Octave+Fuzz+Chorus+Pick to an amazing effect. The combo does sound like a modulating synth bass and will be explosive tomorrow. I'm guessing it resembles an EHX Bass Microsynth sound. I have alerted the WL of the pending bass drama and he is excited (which also started our Moog GAS dialogue). Please think of me starting at 6:45am rehearsals. Two services, about 1,200 congregants each.
I think I will again go Fender CS P bass with flats. I have a Lakland P bass with rounds that sounds great, but the P bass and flats just sounds so pro on many of the song sections. For example, we are playing the new song Bless God by Brook Ligertwood (Hillsong) and the flats just sit in the mix perfectly. The CAPO's preamp saturators are just right.
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