I've been working with the Capo on my smaller board since I received it last week. I'm still fine tuning the signal chain on that board & trialing a few other pedals, and also waiting for a pedal to return that is currently out for repair, so I can't truly dial in the Capo in a manner that I know will remain consistent.
With that said I decided earlier tonight to put it on my bigger board that doubles for Synth Bass & has a fairly settled signal chain.
I found that the settings I used on this board were very different from what I was running on my other board, and I'm now actually rethinking the other boards signal chain as I found the Capo easier to dial in tonight.
Tuner > Octabvre > LA-1A > Capo > Empress Comp > Doom 2 > XD > FFXL > (LVX > MercuryX > Walrus Canvas Stereo DI) > FFXL > Broughton RFE > Sushi Box More > Element
The Empress, RFE, More, & Canvas are under the board.
I just used the In & Out on the Capo so It would be a quick swap in tonight (forgive the sloppy placement... I tried to fix it before the photo but the baby was sleeping and the rip of the Velcro was causing her to stir), but I can see benefit in using the loops down the road. The board currently sends three DI's to FOH (Wet/Dry/Wet) but everything was summed to mono for tonight's experimentation. In the future I can see a potential for running 4 DI's when recording... But that's another topic entirely.
The below settings produced absolutely fantastic Clean, Saturated, Drive, & pushed drive tones. It covers every possible need I have in a worship context & serves just as well for my needs in my Post Rock/Prog projects. When I used the Capo in conjunction with my synth bass signal chain, I found it to be extremely dynamic and allowed me to dial in multiple perfect Moog-esque tones.
Between the LA-1A & the Capo I was able to remove 6-7 other pedals that I was previously stacking to achieve similar results (SBM, DCX, Pettyjohn Lift, PC-2A & 2-3 Drives depending on the set). This requires less tap dancing & produces a superior sound on all counts.