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YBA200 cutting through the live mix

I thought you used an SVT?
Nope. I've used them live, before, but I don't own one.

My primary amp is a Mesa D-180. I use the graphic EQ on it to get around the regular Fender tone stack EQ. I also have a Sunn Concert Lead, which does have boost/cut on all controls.

The custom amp I ordered is a Hex. It's modeled on the red knob version of the Sunn Model T.
 
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Nothing beats power!
Most of my gigs don't allow that approach, though I have hearing damage from my younger days, mostly due to loud guitarists with Marshall stacks.

I have bowed out of jam sessions and open mic situations because of volume issues--- playing with earplugs isn't fun.
 
Nothing beats power!
Most of my gigs don't allow that approach, though I have hearing damage from my younger days, mostly due to loud guitarists with Marshall stacks.

They sound so good though especially the non-master volume Marshalls, the worst I ever experienced with playing with the world's loudest drummer for 6 months, I normally stick close to the drummer to hear the kick drum. not with this guy though, i used to walk to the edge of the stage:roflmao:
 
In the mid 90s I tried vertically stacking my D-210XLT cabs....and did not like how it thinned out the sound....so went back to horizontally placed for the Phat sound

Of course I knew nothing about comb filtering or side dispersion
 
Indeed, it does work differently from others.

Specifically, it works badly.
No. It works differently. Vintage studio eqs were subtractive only which is a much better way to do eq if you want a clean sounding mix. Boosting always adds noise and that's also how and why band volume wars start. It's just a different way of thinking about eq.

I grant you a good parametric eq is a godsend for surgically tweeking a small band of frequency in a way that passive eq never could.