Honestly once they break in 9050s aren't really high tension at all (at least IME).
+1
Plus, if you lower the action on your bass, the tension will barely be noticeable and, IMO, more beneficial than low tension strings.
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Honestly once they break in 9050s aren't really high tension at all (at least IME).
Interesting. I have some LaBella 760fl flats on my other P and found them to have less tension than the 9050s. I'm no pro, but I usually set up my basses to have nice action and intonate properly. What would you recccomend doing to lower the tension, but keep it in tune?
Just adjust the truss rod as tight as you can, then lower the saddles until they are to your liking (in my case, the ideal action is to where it is just enough to get a slight but of buzz). If the intonation is flat or sharp afterwards, then adjust the length of the saddles until it is in tune.
-The Fenders keep their sustain better than Chromes
-Their low mids cut through in my recordings better than the Chromes' high miss.
-They keep their roundwound-like quality for much longer than Chromes.
-They last as long as Chromes for a lower price.
Love me some Fender Flats on a J
Love me some Fender Flats on a J
Haven't tried them on the 'Ray. Have any sound clips?
Just adjust the truss rod as tight as you can, then lower the saddles until they are to your liking (in my case, the ideal action is to where it is just enough to get a slight but of buzz). If the intonation is flat or sharp afterwards, then adjust the length of the saddles until it is in tune.
Absolutely right! And if you don't know how to check relief their is a million posts on here explaining how to do itTerrible advice. Please don't adjust your truss rod "as tight as you can." Measure your neck relief. Then adjust the truss rod if relief is out of spec. Adjust until it is in spec. Then stop.