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Zoom b3 patch Ideas

Hey evereybody! Here's more ideas that I've worked. Patch Level 100 and Globol Level 100.

Please, send me your feedback:

SVT Classic
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 M Comp: Thrsh 17, Ratio 4, Level 90 and Attck 7.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 400hz, Gain 35, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

SVT Booster
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 T Scream: Gain 40, Tone 75, Level 90 and Bal 30.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 250hz, Gain 35, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

SVT + Chorus
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 400hz, Gain 30, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.
3 Chorus: Depth 78, Rate 12, Mix, 40, LoCut 200hz, Level 100 and PreD on.

SVT Stoner
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 Bass BB: Gain 25, Bass 3, Trebl 0, Dry 45 and Level 100.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 250hz, Gain 30, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

SVT Space Wah
1 AWah Dist: Sense 1, Gain 70, Level 100, Dry 50, Tone 50, Reso 9 and Chain Befr.
2 Chorus: Depth 50, Rate 25, Mix, 40, LoCut 200hz, Level 100 and PreD on.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 400hz, Gain 30, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

SVT Octave Fuzz
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 Oct+Dist: Oct 100, Gain 50, Level 100, Dry 100, Tone 50 and Chain Aftr.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 250hz, Gain 30, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

SVT Talking
1 ZNR: Thrsh 17, Detct Gtrln and Level 100.
2 AutoWah: Sense 1, Reso 9, Dry 50 and Level 100.
3 SVT: Bass 5, Mid 4, Trebl 0, Mid_F 400hz, Gain 35, Level 40, Ultra Both, Cab 1x15 AG and Mix 50.

Nicely done on the patches, limabass. this is exactly what I expected when I started this thread. everyone to share patch ideas. requests are fine, but I would like patch ideas being shared. theindiekid started a greatest hits thread of the best zoom b3 patch ideas. makes it easy to fine some of the best patch ideas posted on this thread.
 
Nicely done on the patches, limabass. this is exactly what I expected when I started this thread. everyone to share patch ideas. requests are fine, but I would like patch ideas being shared. theindiekid started a greatest hits thread of the best zoom b3 patch ideas. makes it easy to fine some of the best patch ideas posted on this thread.

Thanks for your words and feedback, Crystalman85. I agree about your comment regarding patch ideas being shared. When possible, I'll return with more ideas.
 
Here's a new patch idea I came up with. inspired by a youtube clip, this patch has a beefy distorted bass sound with powerful lows.

Thunder chunk 2

Section 1: d comp: sense: 3, tone: 7, level: 100, attack: slow

Section 2: overdrive: gain: 45, tone: 50, level: 110, balance: 18

Section 3: svt: bass: 3, mid: 4, treble: 2, midfq: 250hz, gain: 40, level: 40, ultra: low, cab: pt1x15, mix: 50

Here's the clip that inspired me to make this patch.
 
Here's another patch idea I came up with. this patch closely duplicates the enhanced distorted bass sounds of the darkglass vintage deluxe.

Vintage grind deluxe

Section 1: squeak: gain: 30, tone: 45, level: 100, balance: 25

Section 2: splitter: hi: 30, lo: 40, freq: 250hz, level: 80

Section 3: bass driver: bass: 3, treble: -2, presence: 0, gain: 50, blend: 75, level 100, mid: 7
 
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Slightly off-topic: I sold my B3 and I'm getting anxious to buy it again (due in no small part to this thread), but I'm considering the MS-60B. The MS-60B has the same emulations, right? Should I be able to dial the same patches?

Yes, I'm aware I'm getting a lot less (no DI, looper or USB interface for starters), but I'm mainly interested in using it with other analog pedals.
 
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Slightly off-topic: I sold my B3 and I'm getting anxious to buy it again (due in no small part to this thread), but I'm considering the MS-60B. The MS-60B has the same emulations, right? Should I be able to dial the same patches?

Yes, I'm aware I'm getting a lot less (no DI, looper or USB interface for starters), but I'm mainly interested in using it with other analog pedals.

Yes on all accounts. Using the MS-60b with my other pedals actually prompted me to get a B3 and replacing my pedals all together.
 
Guys, i am looking for some kind of atmospheric patch similar to the shimmer algorithm on the eventide h9.
I found the shimmer algorithm worked really well specifically for the keys part at the start of wanted dead or alive but i don't take my large board to cover band gigs (too much $ for beer to be dumped on it)
Anyone have any ideas on how to create something atmospheric like that on the b3?
 
hey guys, trying to work out a new patch with no luck. Looking for a good vintage sounding overdrive that's not too boomy, just a bit of dirt when I dig in. I've played around with no luck. I had a berhinger overdrive pedal that I was able to get just what I wanted, but no such luck with the b3. Oh gods of the b3 patch ideas, please show me what you got.
 
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hey guys, trying to work out a new patch with no luck. Looking for a good vintage sounding overdrive that's not too boomy, just a bit of dirt when I dig in. I've played around with no luck. I had a berhinger overdrive pedal that I was able to get just what I wanted, but no such luck with the b3. Oh gods of the b3 patch ideas, please show me what you got.
Hi there,
Try the vintage grind deluxe patch that crystalman came up with a few posts above this. His patches are great!
Brent
 
Does anyone have guidelines on what effects should come before others in the signal chain... and which effects the B3 are modeled after...

Thanks

Fletchbass,

For us, bass players, I think of 2 alternatives about signal chain:
1#
Bass Guitar - Compressor - Octave - Drive / Fuzz - Booster - Wah / Filter - Chorus - Preamp - Amp

2#
Bass Guitar - Preamp - Octave - Drive / Fuzz - Booster - Wah / Filter - Chorus - Compressor - Amp
 
Can we get the tone at the beginning of the song with zoom b3?


Slicer: PTTRN:14 Speed:28 Bal:100 Thrsh:3 Level:100
AWah+Dist: Sense:8 Gain:40 Level:130 Dry:55 Tone:50 Reso:5 Chain: Aftr
MonoPitch: Shift:12 Tone:5 Bal:50 Fine:0 Level:70

Someone makes it better :))
 
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I have a question that has probably been discussed at some point during the thread, but just 'cos I'm lazy ;)

I am currently working on a project where I mainly play a 5 string active bass, however, there are some things I prefer to play on a 4, all my 4's being passive.

I really don't want to bend down and flick the active/passive switch when changing basses and also start having to worry about changing levels. I was thinking of placing an independent pre on the board just for when using a passive, but I would rather save the space (and money :) ). So I am thinking of just using the first effect in line of the B3 to equal the gains between the basses.

I know I will have to play around with levels before I find the perfect setting, but I am wondering what effect you would pick for this task?


(in case it makes any difference, my signal chain would be: Bass > Tuner > Compressor > Zoom B3 > Meatbox > DI to FOH > HPF > Amp. )
 

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