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Zoom b3 patch Ideas

Here's a new patch I came up with. this patch sounds like a more heavy version of the darkglass vmt.

Vintage metaltubes 2

Section 1: m comp: thresh: 17, ratio: 4, level: 90, attack: 7

Section 2: squeak: gain; 30, tone: 25, level: 100, balance: 25

Section 3: d.i plus: bass: 4, mid: 4, treble: 3, gain: 70, blend: 80, level: 90, color: on, chan: clean
 
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Here's another patch I came up with. this patch has a modern but a warm rich bass sound with natural compression.

Retro bass dude

Section 1: m comp: thresh: 20, ratio: 4, level: 90, attack: 7

Section 2: free slot(any effect you want)

Section 3: g-krueger: bass: 4, mid: 3, treble: 2, midfq: 300hz, gain: 45, level: 90, color: off, cab: bm4x12, mix: 50
 
Here's another patch idea I came up with. this patch has an edgy overdrive sound with warm compression.

Smooth overdrive 2

Section 1: m comp: thresh: 20, ratio: 4, level: 90, attack: 7

Section 2: t-scream: gain: 40, tone; 75, level: 100, balance: 25

Section 3: g-krueger: bass: 4, mid: 3, treble: 2, midfq: 250hz, gain: 45, level: 90, color: off, cab: sb4x12, mix: 50
 
I once thought of this patch and it sounds pretty close to his sound from the master of puppets album.

Section 1: M comp: thresh: 20, ratio: 5, level: 90, attack: 7

Section 2: Bass bb: gain: 10, bass: 3, treble: -2, blend: 25, level; 75

Section 3: Acoustic: bass: 4, mid: 4, treble: 3, midfq: 400hz, gain: 45, level: 85, bright: off, cab: ag1x15, mix: 50

Give this patch a try and see if it works out for you.
Hi Crystalman85

Let`s here my suggestion:

Cliff Burton`s Basic Tone (your job):
Section 1: M comp: thresh: 20, ratio: 5, level: 90, attack: 7
Section 2: Bass bb: gain: 10, bass: 3, treble: -2, blend: 25, level; 75
Section 3: Acoustic: bass: 4, mid: 4, treble: 3, midfq: 400hz, gain: 45, level: 85, bright: off, cab: ag1x15, mix: 50

Cliff Burton`s Solo Tone (my job):
Section 1: M comp: thresh: 20, ratio: 5, level: 90, attack: 7
Section 2: AWah / Dist: sense: 2, gain: 75, level: 75, dry: 100, tone: 60, reso: 7, chain: befr
Section 3: Acoustic: bass: 4, mid: 4, treble: 3, midfq: 400hz, gain: 45, level: 85, bright: off, cab: ag1x15, mix: 50

I tested with my bass guitar (Cort GB94) and headphones. I like very much (my wife and son not! kkkkk)
 
Hi Crystalman85

Let`s here my suggestion:

Cliff Burton`s Basic Tone (your job):
Section 1: M comp: thresh: 20, ratio: 5, level: 90, attack: 7
Section 2: Bass bb: gain: 10, bass: 3, treble: -2, blend: 25, level; 75
Section 3: Acoustic: bass: 4, mid: 4, treble: 3, midfq: 400hz, gain: 45, level: 85, bright: off, cab: ag1x15, mix: 50

Cliff Burton`s Solo Tone (my job):
Section 1: M comp: thresh: 20, ratio: 5, level: 90, attack: 7
Section 2: AWah / Dist: sense: 2, gain: 75, level: 75, dry: 100, tone: 60, reso: 7, chain: befr
Section 3: Acoustic: bass: 4, mid: 4, treble: 3, midfq: 400hz, gain: 45, level: 85, bright: off, cab: ag1x15, mix: 50

I tested with my bass guitar (Cort GB94) and headphones. I like very much (my wife and son not! kkkkk)

That's cool. glad the patch helped you out. and you can adjust any of the settings to your liking if you want. that's pretty much the point of this thread. that you find any nifty patch you want and see which one suits your needs and if desired, can adjust the settings to your liking. anywho, enjoy the settings.
 
Hello everyone, trying so hard to not splurge for a DG B7k, and inspired by the awesomeness of this thread (and specially Crystalman85), here's my take on the "metallic grind" sound:

Metal Grind Encore
Section 1: Dual Comp: Hi: 6, Lo: 25, Freq: 500 Hz, Level; 100, Tone: 5
Section 2: Di Plus: Bass: 3, Mid: 3, Treble: -2, Level: 96, Blend: 20, Gain: 60, Channel: Dist, Color: On
Section 3: SVT: Gain: 30, Bass: 4, Mid: 4, Mid Freq: 1.6 kHz, Treble:2, Ultra: Both, Level: 90, Cab: 8x10 AG, Mix: 0

Tried with headphones and my bass (Ibanez Black Eagle reissue). Tell me what do you think...
 
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Gurus of the B3, I beseech your wisdom. I've got some great patch ideas, and am loving my zoom. I am, however, lost at trying to get a good fretless/chorus sound, a la the bass in Yellow Ledbetter. ().

Any ideas?


Dude, I got this patch here (talkbass forum):
VINTAGE CE: comp 2 / rate 19 / mix 80 / level 100
DEFRET: sense 25 / color 10/ level 110 / tone 8
BASS PRE: bass 2 / trebl 5 / level 70 / mid -1 / freq 300Hz

Enjoy!
 
Here's a new patch I came up with. inspired by a sound I created on my fender rumble v3 40, this patch has a warm overdriven bass sound that can be useful for many genre that requires a warm bass tone.

Rumble overdrive

Section 1: m comp: thresh: 20, ratio: 4, level: 90, attack: 7

Section 2: bass bb: gain: 5, bass: 4, treble: -3, blend: 40, level: 75

Section 3: b-man: bass: 4, mid: 3, treble: -2, midfq: 300hz, gain: 45, level: 80, deep: off, cab: ac1x18, mix: 50
 
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Here's another patch Idea I came up with. this patch is another hartke lh500 emulation with an added bright feature.

LH500 2

Section 1: bassdrive: bass: 3, treble: 0, presence: 2, gain: 40, blend: 50, mid: 7

Section 2: exciter: bass: 3, treble: 5, level: 80

Section 3: hartke: bass: 3, mid: 4, treble: 2, mid: 250hz, tube: 70, level: 45, comp: 3, cab: ag1x15, mix: 50

Note: the exciter emulates the bright switch of the hartke lh500 and the compressor on the hartke amp model can simulate the limiter.
 
Here's a new patch idea I came up with. this patch is another sludgy heavy distorted sound based on an idiot box lanphil.

Heavy phillip 2

Section 1: dualcomp: hi: 10, lo: 25, midfq: 700hz, level: 90, tone: 2

Section 2: squeak: gain: 70, tone: 45, level: 100, balance: 25

Section 3: ag amp: bass: 4, mid: 4, treble: 3, midfq: 300hz, gain; 45, level: 90, char: deep, cab: sb4x12, mix: 50
 
Hi everyone!
For your evaluation, follows a suggestion regarding Tim Commerford`s tone:
Bass BB: Gain 20 / Bass 0 / Treble 0 / Blend 50 / Level 60
Opt Comp: Drive 5 / Tone 50 / Level 59
SVT: Bass 1 / Mid 3 / Trebl 2 / Mid_F 400 / Gain 20 / Level 80 / Ultra off / 4x12 SB / Mix 50

Please give me your impression about it.
 
This is a goldmine of a thread.
Would anyone care to make sound bites of their patches? I will try my best to give samples of how my fave patches sounds like - that should give people an easier way og finding that tone they are looking for.

Still in search of that mild overdrive (think EHX Bass Soul Food or the Darkglass Vintage Microtubes). When I get close, I will upload the settings and a sound sample.
Would you be interested?
Anyone have the tone I'm looking for?
 
This is a goldmine of a thread.
Would anyone care to make sound bites of their patches? I will try my best to give samples of how my fave patches sounds like - that should give people an easier way og finding that tone they are looking for.

Still in search of that mild overdrive (think EHX Bass Soul Food or the Darkglass Vintage Microtubes). When I get close, I will upload the settings and a sound sample.
Would you be interested?
Anyone have the tone I'm looking for?

I just gave you patches for what duplicates the vintage microtubes. it may not sound exactly the same thing, but it is pretty close to it. chances are you may not get the exact same sound, but the patch I provide closely duplicates it. and the vintage grind patch has been a talkbass favorite since I created the patch. however, if it's a mild overdrive you want, try this.

Section 1: m comp: thresh: 20, ratio: 5, level: 100, attack: 7

Section 2: t-scream: gain: 30, tone: 50, level: 90, balance: 40

Section 3: b-man: bass: 4, mid: 5, treble: -2, midfq: 300hz, gain: 45, level: 80, deep: off, cab: sb4x12, mix: 50

Hopefully this patch would help you out on getting a mild overdrive.
 
Section 1: m comp: thresh: 20, ratio: 5, level: 100, attack: 7

Section 2: t-scream: gain: 30, tone: 50, level: 90, balance: 40

Section 3: b-man: bass: 4, mid: 5, treble: -2, midfq: 300hz, gain: 45, level: 80, deep: off, cab: sb4x12, mix: 50

Hopefully this patch would help you out on getting a mild overdrive.

Here is my take on the Mild drive - obviously crappy sound due to recording on my phone, sitting in front of the amp, right next to the phone. Should give you an example of what it sounds like