Just curious, it looks like the B6 and B2 Four have pretty much the same effects (that I use at least) as the B3N I have. Do they sound better in some way? Or is it basically the same.
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Just curious, it looks like the B6 and B2 Four have pretty much the same effects (that I use at least) as the B3N I have. Do they sound better in some way? Or is it basically the same.

Interesting. Does that difference in sound also apply for empty patches or just compression/eq?I currently own the B3n, and B1 Four and B6. The B6 is definitely the best sounding one, by a long shot. The dynamic range, the quality of tones (low, mids & highs) are excellent. It was noticeable straight away. I suppose that's due to the 88.1Khz sampling rate. Can't remember what the sample rate is on the B3n, but I'm pretty sure it's not what the B6 is using. This is also why I'm curious Zoom hasn't publish sample rate specs for the B2Four - I'd be interested in a B2Four for reheasals so I wouldn't have to drag my B6 around so much, but I also like to know what I'm getting into before I buy stuff. So until specs are released, I'm just left sitting here waiting & wondering.![]()
Interesting. Does that difference in sound also apply for empty patches or just compression/eq?
Just curious, it looks like the B6 and B2 Four have pretty much the same effects (that I use at least) as the B3N I have. Do they sound better in some way? Or is it basically the same.
I think every patch has a "Volume" parameter which could be changed and stored. As for buzz, high gain usually will do it to you. If there's an empty slot in the patch, add noise gate in the end of the effects chain.I recently bought a zoom b1x four and I didn’t realize it till now but some of the patches buzz. Some of them are quite loud and others you have to be pretty quiet. I’m not sure how do quiet it down. Any ideas?
Zoom calls the stored "locations" (as you put it) patches...a lot of manufacturers call them "presets".I have a Zoom A3 guitar pedal. My pedal has many different effects. What do yo mean by saying patches? My pedal has many locations for effects. I can choose up to 3 different effects per location. I would appreciate someone clarifying your terminology?
Zoom calls the stored "locations" (as you put it) patches...a lot of manufacturers call them "presets".
Thanks for the clarification.
A3 Pre-Amp & Effects for Acoustic Guitar
View attachment 5149522
https://www.zoom.co.jp/sites/default/files/products/downloads/pdfs/E_A3_0.pdf
instructions starting at page 18
I think every patch has a "Volume" parameter which could be changed and stored. As for buzz, high gain usually will do it to you. If there's an empty slot in the patch, add noise gate in the end of the effects chain.
LOL! Done...
I have a Zoom A3 pedal which I use with my NS Design bass and my Kala Ubass. You can put me on the list. Thanks.
Wow! You guys sure are Zoom fans!!!
# 2 is belong to you
Sure! #3 for you!
The list:
Founder : champbassist
#2: darkstorm
#3: Crystalman85
#13: bassbrad
I need to mess around with the octavers, but i'm interested in how I can get this tone out of my B3n I love this gritty octaver and I "Believe" the b3n should be able to get there.
Thanks for any help
Thanks for this, can you let me know how I can get something close to this out the zoom? the current synth patch is very funky. I want something similar to the belowI get best results using the octaver as well as the bass pitch shifter with some saturated amp model. I also really like the Zoom synth modules.
Thanks for this, can you let me know how I can get something close to this out the zoom? the current synth patch is very funky. I want something similar to the below
Zsynth set square wave freq 5 range 13 resonance 11 tone 10 balance 48
you could add some filter for more phun I put the envelope filter after to give me some ability for touch playing, pluck harder to open the filter for snarl set
thresh 19 attack 66 LP mode volume 70
FWIW I created a whole sound by adding some 160 comp, Bass Detune, slap back delay and room verb using the B3N model on the GCE3 that I use in the studio. I just happen to be working on creating a sound scape for my neighbor's Spook Fest he does every year to get donations for the Food Bank. I will use this sound for one area.
Question on this...will this have a tail? I want an extremely short tail if at all.Zsynth set square wave freq 5 range 13 resonance 11 tone 10 balance 48
you could add some filter for more phun I put the envelope filter after to give me some ability for touch playing, pluck harder to open the filter for snarl set
thresh 19 attack 66 LP mode volume 70
FWIW I created a whole sound by adding some 160 comp, Bass Detune, slap back delay and room verb using the B3N model on the GCE3 that I use in the studio. I just happen to be working on creating a sound scape for my neighbor's Spook Fest he does every year to get donations for the Food Bank. I will use this sound for one area.
Note cut off as soon as note is released unless you add delay or reverb. I find it very articulate as well for either a quick or sustained bass part. Most of my synth sounds are done this way for the Zoom, C4 or FI with the exception of drones, ambients or pads.Question on this...will this have a tail? I want an extremely short tail if at all.