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Double Bass Yamaha slb300: can you play it on a stand?

I agree with all of the comments above.



I do wish there were a good tripod option for the SLB300. The endpin works, but I’ve found that the bass can rotate around it, which can be frustrating.

I have played mine on a K&M stand in practice situations, but for me it isn’t really practical for a gig. The angle of the bass isn’t quite right, and I find that the stand interferes with playing in the higher register.

I’ve also realized that I tend to stand a little too much behind the bass. The Yamaha seems to work better when you approach it more from the side, as in the photo Wasnex posted. I’m still working on getting used to that position.

The design really requires the shoulder of the bass to rest against your stomach, which helps stabilize it. I also have the optional shoulder attachment, and I find that it makes it easier to control the bass while playing on the endpin.

For me, I’ve actually found that it works best when I’m playing seated. I seem to have much better stability and control that way. I also use the knee attachment which is also an option.

If someone came up with a tripod, I would definitely be interested.
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Stingray Special 5 HH and my batty modifications

“Anyone else batty enough to mod an SS5HH? Whatcha think?“

I think I’m going to do that on my 4 string HH, but need to focus on doing the routing properly. Most likely going to do the $$ spacing like Warwick does. The neck pickup in the stock location is terrible, both for slapping and for sound, much too scooped and blah.
Well done on the 5 string!
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I'll be out of town 8/15/26 - 8/19/26

I won't be able to ship stuff Monday-Wednesday next week.

I'm going to put my Reverb store in vacation mode so orders can't be placed during that time. My website will remain open, but there will be a bold banner letting folks know that any orders placed between 8/15 and 8/19 will ship on Thursday 8/20.

Sorry for any inconvenience! I'll be shipping all day tomorrow (8/14/26) if you need something shipped from here sooner than 8/20.
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Schecter project

tried to post this yesterday but i cant find it IDK why so sorry if it's a double post.

got a scratched-up 2010 stiletto custom from local shop for $165. the back plate was missing and the electronics popping. i tried cleaning the pots and checking the wires but couldnt fix it.

bought a $25 Kaish preamp and put it in there to get it working so I could try and set it up. really happy with this as is does exactly what i needed = temporary use

created a janky back plate with a random piece of plastic

put a new set of daddario 105 flats that I use on my ibanez. the new set feels different than my other two sets like they are not polished

the frets on the bass were very worn so I did a level,crown and polish

setting it back up I really can’t get it dialed. The G is misbehaving and is requiring a higher action than I am used to and even when lifting it up more still buzzes on fret 8 and 11. I fear there isnt enough material left on the frets.

Put some labella tapewound 105’s on there and it’s a bit better with much less tension than the chromes but still buzzes on that G string

wish I could get it playing like my sr300. Ive got that thing set up but it has crap preamp - another long story

everyone loves the look of the Schecter and i hope i can get it playing with the low action i like but doubtful at this point



20260806_162526.jpg

Mystery extra wire in battery cavity - 2019 Strandberg Boden Bass Original

Hi everyone,


I recently acquired a 2019 Strandberg Boden Bass Original (equipped with Nordstrand Zenblade pickups).


When testing the bass initially, everything sounded completely fine and all controls/EQ functioned normally. However, I’ve recently moved and currently don't have an amplifier set up to do further testing.


While replacing/checking the battery compartment, I noticed an extra black wire running alongside the main battery harness through the route into the battery cavity.


Here is what I've observed so far:


The 9V battery snap connector itself is fully intact, with its own red and black wires connected properly.


This extra black wire is unconnected in the battery cavity, with about 3 fine strands of copper exposed at the tip.


The battery cavity is made of plain plastic with no shielding foil or metal contact plates, so there are no signs of a snapped solder joint inside the battery compartment.


I opened the main control cavity to inspect the harness: all solder joints on the pots and jack look factory-clean. The bundle of wires includes a sleeve/tubing end that appears to be unused/empty, matching this wire's path.


Since I can't plug in and test for noise or active/passive output right now due to the move, I wanted to ask:


1. Is this extra black wire simply a factory dummy/spare ground wire from the harness for this model?


2. Should I just insulate the bare copper tip with electrical tape and leave it inside the cavity?


I've attached photos of the battery cavity and the control cavity for reference.


Thanks in advance for your help!

View attachment 7555292View attachment 7555293View attachment 7555294View attachment 7555295
As someone else mentioned, I'd suspect a bridge ground wire that came disconnected either under the bridge or from its ground connection in the control cavity. Can you point out which of the wires in the control cavity this is?

Barefaced Amp Prototype - Zero K7

Would love to pair this with a Big Baby 3 (or a PAIR of BB3's if there were to be a stereo option....? maybe....? hint...?) for the 'ultimate' FRFR rig to swap between bass and guitar stuff. So far, I haven't been super impressed with anything on the market and would otherwise probably go for a Crown DSP rack unit.

As someone who ran a pair of BB2 cabs and a rack power amp for a stereo PA with synths and samples and some vocals, I think you'd enjoy that :)
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Xotic XJ-1 & XJ-1T 5 String Jazz Bass

Not bad....about 17 years since this thread started. I remember all the Xotic hype years ago....seems you don't really hear about them these days unless you go looking. I enjoyed some of the tech they used to cancel hum and liked some of the cool touches like the wooden p/u covers. All of this IIRC.....good luck on your search.

What scale doe she use in this tune?

The reason why I ask ius because everytime I come up with soimething like that, I only go up and down the mother scale, like straig up or down over Gm on the 12th fret ( g string ) down to the 10th on the A string when the cord is Gm , which results in sounding always the same ( at least for me ). Its like, it doesnt sound "surprising ".
yes this cat kills it!

If you're looking to enhance your phrasing and Melodicism trying including slides/hammeron/pull offs between the b3-4-5 and the b7-root scale tones. It may help adding a vocalistic singing quality to your soloing—thats exactly what he does in this music clip.

Im not sure what you mean regarding the 10th and 12th frets; keep in mind the song/groove is in Bminor mostly in 2nd position, and he crushes it with minor pentatonic/blues scales fills at the 9th, 14th positions.


Hello ! I will show you a video of a bass player from Brazil who I follow on instagram. He overlines a tune with his own lines. The groove its just so cool. My quieston is: what scale does he use when he goes up the second time, to the 15+ frets area?
also the other two times he goes up .

all three fills are based off the B minor pentatonic scale
*note im trying to write shorthand in text instead of notation so its assumed you know a 1oct minor pentatonic scale in position

±1:06 Starts in 9th position—7th position​
descending minor pentatonic hammer-on lick includes #4 on [G string] 4-#4-5\4 b3, [D str] 8 b7 [A str]5 4 [E str]b3 1​
±1:14 Starts in 14th position​
starts with a [G string slide or hammer-on] @ 14th fret b7–8 4 5 b7, 1 b3 4 5\3b 1​
±1:22 Starts in 9th position​
descending minor pentatonic pull-off lick includes #4 on G string 5-#4-4\b3 1, 4 b3 1 b7, [A string desc] 5 4 b34 5, 1​
Good luck hope it helps. He's a great player to follow!

Acoustic Image Clarus SL

It can work for Electric Bass with the tone stack. I have A series III Coda R combo, Series III Focus R supposedly 1000 watt head and yeah, no issues powering a 810 or 610 ( not my cabs ) and I also have a Series 4+ Clarus Head that I've used at an EB gig with a DoubleShot -- but I get better results for EB with the EA Whizzy 12's. Best to use an EB oriented preamp though although you can also preamp stack if you want.

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