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Double Bass portable recorder

A +1 on the Zoom Q2n. While it can run for a while on its 2 AA batteries, I use a little 10,000 mAh power bank that will run it for days. Sound is great and you can use it for audio only or to video your band as well.

I must say that the Zoom customer service amazed me. I had a problem with the USB jack and sent itn for service and they sent me the latest model, brand new, for FREE!
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Fender Corona Classic Pickups?

Bump. Can anyone shed more light on the Corona's? Personally between these and '62 Custom Shop.

edit - want something that can play well across genres, with an emphasis on psych-rock with loads of pedals.
Mine are quiet- no hum even when they're not both on and balanced-

They sound all right but not like the ones in my '07 American Standard which do hum if they're not balanced.

I would say that the Corona's seem to have more mid-range frequencies than the ones on my 2007

Sorry for the. vagueness but they tonal differences could have something to do with the necks and finishes- the one on my Mod Shop is a Slim "C" maple fingerboard while the 07 has a modern C and rosewood fingerboard.

2023 Fender Mod Shop Jazz Specs.png


2023 Fender Mod Bass Jazz_Bedroom.jpg


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Learning to transcribe bass lines: How do you hear the root when it isn't the first note?

I would suggest to the OP that they first listen (many times) to, and JUST SING the bass note(s) before attempting any theoretical analysis. Even if you can only get the first note of a bassline. ("A journey of a thousand miles begins with one step.")
That is the most important and worthwhile skill to develop for any musician, and the more you do it, the better you get at it.
Trust Me...I'm OLD.
IMFO, of course.
Thx.
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Teach me Bass guitar

I need some input from someone who has completed Roy Vogt's Teach Me Bass Guitar. My cousins grandson (2nd cousin to me?) wants me to teach him to play bass but I don't really have the time. I have been thinking about getting TMBG for him but first I want to know what exactly you were able to do after completing the course. Did it build a solid foundational technique? Were you able to learn songs from the radio and your CD collection?
FWIW.

Roy Vogt's Teach Me Bass Guitar (review) - For Bass Players Only

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Fender Mod Shop Club

Here is the email address for Fender Consumer Relations - [email protected]

I got an automated response stating that the question will be addressed and I should hear from them within five business days-
I never got a response after the automated email but having contacted a tech on the phone regarding a used Charvel guitar, and subsequent email exchange a few weeks ago, I decided to hit the same tech about my Mod Shop Jazz. Two days letter he sent me this-

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Here's a pic of my bass for a refresher-

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Anyhow I love the neck, plays like butter. There was a noticeable difference between it and the one on my 2007 American Standard Jazz.

Never played one with the Slim C before. From now on, that's what I will look for, and will specify if I ever order a new Mod Shop Jazz.

I did send a thank you email and a query on the best way other members could get theirs specs based on the serial number.

Cheers!!

NBD: Custom UGR Bass

Currently, I'm back to a simple system. All my basses are passive 5-stringers, running through Empress Compressor into Aguilar Tone Hammer.
  • My all-around middle-ground main is a Fender P with NYXL strings.
  • For an upright-ish vibe, I play another Fender P with TI or Dunlop Flats.
  • For improved articulation in smaller ensembles, I play a Fender J with NYXL strings.
In your shoes, I would subjectively see two alternative orientations.

Case 1) "I already have a P with flats (old-school world) at one extreme end and an active JJ (modern world) at the other extreme end, I should throw in a bass where I want to be in-between those extremes." In that case:
  • Your passive J or G&L L-1000 seems to occupy this gap already; assuming you install round wound strings.
  • If you are a P fan you could get a P / PJ with round-wound strings to sit in-between those extremes.
Case 2) "I already have a P with flats (fat neck sound) at one extreme end and a JJ (scooped sound) as the middle ground; I should throw in a bass with a fat bridge sound for the other extreme end." In that case:
  • Sadowsky Modern is a strong contender if you are going for a sterile, versatile, Hi-Fi sound.
  • StingRay or G&L L-2500 comes to mind in case you want a more aggressive sound.
Since I don't need anything beyond the J bridge pickup at this time, I sat in Case 1. But, I have friends who would sit in Case 2.

All of that is my subjective opinion, not universal facts applicable to all players, but I hope I could help you get inspired.
This is so helpful, thank you. The Precision sound is historically what I want to hear on stage. About 6 months ago I started a set with my passive Jazz bass and immediately felt myself wanting to switch back to the Precision. It could be familiarity of tone, feel, response, etc.

Your 3 bass system sounds great for what you need. Intentional and well thought out, no unnecessary duplication.

I am leaning towards Case #1, as with Case #2 I am not drawn to the fat bridge tone. Thank you for the food for thought!
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Custom PJ Bass Custom Wiring (Series/Parallel Switch & 3-way Selector Switch)

can you change the schematic so the series/parallel switch will be applied in every pickup selection? Question: is it worth applying the series/parallel config in any pickup selection case or the best case scenario is to be applied only in the p pickup? Thank you in advance.
The J pickup, being a single coil, can't be configured in series or parallel.
Unless the J pickup is a hum cancelling version that has stacked or side by side coils, which the two coils could be wired series or parallel. However, these designs usually work best in the factory configuration.

The P pickup is not in every setting. Whether or not the P pickup is in series or parallel has no influence on the pickup selection for the soloed J pickup, as the P pickup is not in the mix at that setting.

There are schemes for having the neck and bridge pickups, as a unit, wired series or parallel, but I don't find a series wound P pickup to sound very good in series with a J pickup. Too muddy.
A jazz bass with brighter, medium-ish wound single coil pickups sound great in series, however.

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