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What an insane, crazy FUN ball of wax I've opened...

I like the idea of exploring new sounds, and having the time to tinker with the fun stuff! I’m planning on retiring in 2029, and doing the same sort of thing. Enjoy!
I have thought of making a "lab" pedalboard for some time, to explore technology and learn some stuff. Might even create some video content along the way. I am kicking around adding some kind of effect switching system like a Boss ES-5 to make testing/playing a little easier and more fun.
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Bass Comparison Audio

Thanks all!

I didn't really think I was posting this so I didn't prepare any fancy bass playing. It was more for my own curiosity but I thought it was OK enough to share. And yes, I should have left a bar of drums between each bass.

Time for bass reveal. Buncha Jazz lovers here....

1. 2015 Fender Road Worn Jazz with LaBella Superpolished Strings
2. 2010 G&L US JB with DR Pure Blues
3. 1973 Precision with Fralin pickups and Fender flats (3 months old)
4. 2010 Fender Road Worn Precision with Fender flats (10 years old)
5. 2024 Fender JMJ Mustang with LaBella Mustang Flats
6. 2017 G&L Fretless Kiloton with LaBella Flats (in Series mode)
7. 2023 Serek Midwestern II with Serek B90 Pickup and DR Hi Beams (older)

Garage Band - Clean DI "Bass Amp" input through Motu M2
Well I was close. I guessed mtd Saratoga but a g&l will definitely get that tone too. (2)
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Lets all try to find a criteria for perfect bass neck without any dead spots (4-String only) !!!

More:

"For an acoustic instrument the transfer of energy from the string to the body, preferably
via the bridge, is a necessary prerequisite for the function of the instrument; cf. Fleischer
(1997b). In the case of an electric instrument, however, the string vibration does not have to be converted
to sound by the instrument body but is picked up, amplified and radiated by electric and
electronic means. In general, the flow of vibration energy from the string to the body is undesired. It
is parasitic in the sense that the vibration of the string decays more rapidly with than without the
additional energy loss via the terminations. A non-zero conductance indicates that the instrument
structure is able to accept vibrational energy from the string at this particular location and frequency.
This is the cause for a dead spot.
"
-
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Sansamp di-2112 with SWR redhead amp- no speaker output

I am not a bass player.

I am trying to set up a sans amp di2112 for recording into ProTools Ultimate.

I have:
Fender Precision bass (passive pickup) mono TS instrument cable into di-2112

Di-2112 deep out using mono TS instruments cable INTO SWR REDHEAD effects return (to bypass the Swr Redhead preamp)

I am not hearing any signal coming out of SWR redhead amp speaker

I get speaker output in testing both TS instrument cables by connecting the bass into the passive jack on the SWR redhead head

I eventually will want to get a DI tube out line input and both XLR of the Di-2112 into ProTools once the other is working

I can mic the SWR redhead with a SM7B but I want to be able to record with line outs only

Thank you

PS it would be a big help. We are a 501c3 media nonprofit. We have a training program to teach audio and video to autistic interns

What you wish you knew before you built your first pedalboard...

Is there a Broughton that could replace the Doom2? Or the YYZ?

I missed out on the Broughton Calypso drop, not sure that would replicate the Doom 2, but I have wanted to try that out. The Doom 2 is a fantastic pedal for cutting through nice and clear in the IEMs. The YYZ, holy smokes, what a great pedal not only because it provides that Geddy crunch, but again, comes through nice a clear in the IEMs. I have not found another pedal that replicates, but I have not tried a lot of dirt.

I would relish being in a band that I get to use the fun stuff (octaver, ring-mod, flanger etc)... alas ALL my fun pedals are basically always at home;
the bands I've been in only required me to be in tune and an HPF to knock out the flubber. I still managed to sneak in some fun things once in a blue moon, though — I had a rotational spot for whatever the wild-card-de-jour was.

I gig monthly with a blues rock band. I bring the board, and at some point I use them all, usually when the lead guitarist is going into his 3rd extended solo on a song. They are cool with a level of psychedelic blues, but mostly its the Fliptop, YYZ, and Sunray that get used in that setting. I rehearse weekly with a space rock outfit that only gigs 4 times a year or so. People from different bands looking to let loose and experiment ... anything goes with that crew.
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(poll) How do you use your Sansamp/VTDI/BDDI/etc.

Been using a 50W tube amp onstage that I freaking adore and inserting my passive JDI after that for the FOH without issue. Except, there's no way not to have that linked to my stage volume.
I inserted the JDI ahead of the amp for a few shows, which seemed fine – until one sound guy needed more gain. Sometimes their board requires line level – other times it can't handle it. Those level switches on the VTBDI make a ton of sense for a guy like me, going into a different system every week.
I also appreciate the parallel output option and having three options for powering the VTBDI.
It feels a little weird to be hogging the power tube & transformer mojo mostly for myself onstage, but it does help me play my tastiest. That probably impacts the audience more than the FOH signal chain.
In terms of feel & dialing in what I crave, I have to say the tube amp & VTBDI seem very different. On the amp I just noon all the tone controls, set the volume and the response is perfect. The SansAmp seems more fiddly, like I need to read the manual & spend another afternoon trying stuff to get somewhere close to what the amp just... does.
But for FOH it seems to be a lot better than a neutral DI signal – especially when the sound guy lacks the time, gear, and/or inclination to work on the bass.
Maybe I just need more time to get to know the VT circuit. I did try using the effected output into a class D amp & found I preferred that over going straight in.

Has anyone heard of clip guitars

Not for nothing, but why would you gamble on something with no real track history when there are so many good reputable bass available?
It was more out of curiosity and I really like the look of a telecaster body. It was my least favorite out of all the ones I was looking at because there was no track history. Honestly I would of built another warmoth bass before I went with this one.
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The Ken Smith Club, Part 2

Hey all
I’ve noticed there’s been consistent interest in Ken Smith BSR5EG/Elite models, and I’m considering offering up my 2002 BSR5EG.
It has a highly figured Macassar ebony top, a 5-piece body with a walnut core and walnut back, and very low action. It is very clean, well cared for, and includes the original Ken Smith form-fitted rectangular hard case, also in great condition.

I may consider a partial trade, with substantial cash on top.
Please message me if you’re interested, we can talk IMG_9917.jpeg

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NBD: Hils HZB5 (multiscale content)

Hi! I've been thinking about getting one of those as well! Do you mind taking a pic of it without the pickguard?
hi! i've only changed the strings since getting it, but i did peek under to see if the routing was a big cavity like thier short-scale. It looked like pickup-shaped slots so i guess if you filled in the screw holes it'd look ok. I kinda like the pickguard, gives a little definintion to the body shape. I saw someone got one in gold so maybe if you shoot an email you could get one that didn't have a pickguard installed.
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New Reunion Blues Expedition Double Gig Bag Pre-Order... Serious Delays?

Do you being it everywhere? Do you always have 2 instruments?
Back in my Rare Blend daze I usually brought two, sometimes three basses (or a guitar) to gigs. And they all got used, none were there just as a fallback.

Jeff-Rickenbacker 4001V63-1200_22a.jpg

Jeff-Rick Turner RB4-FLBass-800_25.jpg

Jeff-Zon Sonus 5.1FL-800_09.jpg

Jeff-with-4003FL-1200-71.jpg

Jeff-with-660-12-1200-63.jpg

Jeff-4004Cii-Cropped-1200_37.jpg


Jeff-800-46.jpg


Jeff-800_1226.jpg

Sorry about the front-focused image. :(
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Compressors and preamps that plug directly on the bass

Ordered! Thanks Jerry.



@Iristone
I was at a Junk-shop and spotted a brand new black leather walkie-talkie holder and thought to myself:

"That looks like it'd fit a 1590N1 enclosure"; So I paid the C$5 and when I got it home — sure enough!


Tight fit, but it fits. There's a doodad that you put on your belt and then the walkie-talkie holder clips and unclips from the belt-fob easy-peasy.


I'm not using it like that, on the belt. I'm building a circuit into a 1590N1 and it'll sit on my pedalboard. I need to make some cuts to the leather to fit the stomper, but it could be a good solution for you, too.

Start the hunt for an old police walkie-talkie holder!
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