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lowplaces said:

This ?

https://www.guitarcenter.com/Used/Sadwosky/Used-Sadwosky-METRO-EXPRESS-2-Color-Sunburst-Electric-Bass-Guitar.gc?algoliaQueryID=920bb3a8c633468ca5c3462ffe62af89&algoliaIndexName=guitarcenter

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Yes! That's it!

The photos don't do it justice. It's a nice bass.

I guess that answers the question about silver silks on the headstock ends (no silver silks)

Overcast day in my neighbourhood of Wellington City, New Zealand.

Forgot to add the current lineup, minus the silverburst Gnarwhal that has been moved along:

Sounds good.

Yes. You might even the two (pre vs pre + power amp) out a bit more by rolling in a bit of the Sensitivity. Just an idea. Difficult to be sure. Too much fog in Santa Cruz. .

Bruce makes a great point.

If you’re not carving/building more than one body, or if you don’t have some really specific detailed intricate design details, it may be much faster and much cheaper just to do a one-off handcarved body for your needs.

Also, I have no idea what skills, tools, and capabilities you have, but I see questions and requests about CNC frequently, and never sure of the *knowledge level of the person asking so here’s a quick overview of the process (there are a lot of details in each step of the process, of course, but this should give a conceptual overview of what’s going on).


*Apologies if this is already known or too rudimentary

I now have a new tagline that I know nothing about!



What is this eBay Associate thing? Please remove it, thanks.

This happens all the time for me. I figured it's just a new feature.

CobraBassGeezer said:

... I think sound 'clips' are pretty much useless with classic basses like P or J ...

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Yeah I found one vendor used an effect on all of their sound clips

I play the same music as you, and similar tonal goals. The Genzler Kinetix and the NC210 did it all for me. Killer sounding rig, and easy to transport.

Bad timing ... no cash or I'd snap up that Black Wandré-ing beast.

Well there's an aRc on the lower ... bout, for resting on your leg playing seated.

I don't see any strap-buttons, though.



Almost looks like a slice off the Water Buffalo's engine — the bike, not the TBer, but speaking of ...

That's a cool Suzi in your avatar, Water Buffalo!

We had an AM station in the area during the early '70s that played an entire album side every evening, often by bands you'd never hear on the FM pop stations. They put on a lot of heavier and progressive stuff by Yes, Jethro Tull, Black Sabbath, Uriah Heep, Blue Oyster Cult, Pink Floyd, etc., until near the end of the '70s when they were bought up by some conglomerate and converted to a country station.

My first encounter with a Yes song was in a high school mechanical drawing class where the teacher allowed students to bring in a radio or tape deck. One guy brought in the Fragile album on cassette, and when I heard the bass line on Roundabout, my thought was "I need to learn how to do that". That prompted me to start learning bass guitar.

I made a very simple stop for the fret cutting sled to make the cutting even more simple;

Chuck M said:

I own a lot of amps including several Mesa Subway heads and the Magellan 800 and 350 and the Kinetix.

The Mesa D-350 and the Megellan 350 have different tone characteristics but they share one trait and that is that they both push a lot more air than you would expect. the Mesa has more character in the tone and the Magellan is more neutral. I have used both with upright bass with excellent results.

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What pickup and strings are you using on the upright? What cab(s)? If you had to pick just one of these heads which would it be?

After using the Mesa D-350 with acoustic instruments for about a year I remained indifferent. Based on my love for the sound and build quality of the old Genz Benz Shuttle heads this Magellan 350 is appealing. A small head is important to my workflow.

I feel like mid scoop is one of the defining characteristics of a Jazz Bass, with both pickups on anyway. If I want punch out of mine, I roll off the bridge pickup and go with just or primarily the neck pickup. (Or vice-versa, for a different kind of punch.) Any of the usual suspect noiseless pickups will avoid buzz and hum. I have Ultra Jazz pickups in my main J-bass and don't feel the tone is unusually scooped with just one pickup, but it definitely is with both of them.

Iristone said:

The "nutcracker" comment is because of the nut slot. On a non-zero-fret I'm not exactly confident in widening it myself, in fear of making it too low and irreversible to metal strings. I'm also interested in trying some Pyramid flats on it (they'll go to my Newport if I don't like them here), and I'd sort out the nut if I decide on the tapes on it permanently.

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Just make 2 nuts and glue them with weak glue or not a all. That's what I did with my E-C bass so I can bring it back to B-G

matthewbrown said:

I counted at least two Jimmy Page quotes from the guitarist in the first minutes of that cut.

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But then, where/who did Page swipe them from? If indeed what you’re hearing is in any way derived from LZ in the first place…I’m hearing more Booker T./MG’s meets Hendrix, kicked way up in tempo, fusion style. I seriously doubt that Zep was on anyone’s mind during that take.

tort or black.

pwilson said:

If you find yourself in Tokyo, check out the ESP Guitar Workshop. Wild and crazy guitars and basses in that shop. I bought an Edwards Tele and an Edwards Jaco style bass there.

Facebook

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Thanks for the tip! Are Edwards made in Japan?

Just a note: I didn't even know that the delano setup on my Maruszczyk has DIP switches to set midrange frequency etc. The Sonar 3M/S has these switches in the electronics cavity:



These pickups and preamp are truly amazing. The bass is as loud and "wider" sounding in passive mode than the Nordstrand pups on my Spectra Pro will deliver without using most of its EQ boost.

There's short thread from last year pitting the two against eachother However, I'd say they work even better together.

Running my DCX in the Pre loop of the Capo lets me retain a raw DI signal and all the touch sensitivity of the DCX.
It's also the best I've heard the DCX OD.

What's your favorite use of the Capo's Pre loop? Your favorite pairing with a DCX?

groooooove said:

awesome! thank you!!

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no prob.

fwiw, I haven't dealt with Kiesel but judging from other threads about Kiesel/Carvin, they're usually pretty responsive to queries, so it's worth an ask. Custom pickup placement is an off-menu option so they might not be able to tell you how a specific bass was built, but they should be able to say where the default pickup placement was for a particular model even if it's discontinued.

all my basses sound punchy and warm, however the L2000 and Stingray
are heavy as heck

LB100 - alder
L2000 -okoume
Stingray - northern ash

TaySte_2000 said:

Seconded

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Learning that cutting the A channel gain and blend, tilting the style towards "J" while boosting the DCX allows for a whole different clean character.

It looks perfect if I may say so